| Photos (see all 3 | slideshow) |
| Anne Bancroft | ... | Gerry Eileen Cummins | |
| Lynn Whitfield | ... | Corrine Burrell | |
| Alice Krige | ... | Annalise Jurgenson | |
| Cara Buono | ... | Young Gerry Cummins | |
| Gloria Reuben | ... | Barbara Ann Williams | |
| Jesse L. Martin | ... | Don Williams | |
| Kevin O'Rourke | |||
| Peter MacNeill | (as Peter MacNeil) | ||
| Albert Schultz | ... | Paul Jurgenson | |
| Jayne Eastwood | ... | Mrs. Marsdon | |
| Keenan Macwilliam | ... | Young Barbara Ann | |
| Philip Akin | ... | Ob-gyn doctor | |
| Brooke Belvedere | ... | 3-year-old Carol | |
| Kiel Campbell | ... | 10-year-old Robert | |
| Michael Capellupo | ... | Ted Cummins | |
| T.J. Callings | ... | 3-year-old Robert | |
| Robert Fitzpatrick | ... | Doctor | |
| Olivia Kassardjian | ... | Barbara age 5 | |
| Myrna King | ... | Carol Cummins | |
| Mpho Koaho | ... | Roger | |
| Nancy McAlear | ... | Beach monitor | |
| Michael Mitchell | ... | Stevie | |
| Merwin Mondesir | ... | Lloyd | |
| John O'Callaghan | ... | Priest | |
| Deborah Pollitt | ... | Louise | |
| Jessica Smith | ... | Barbara at 13 | |
| rest of cast listed alphabetically: | |||
| Jordan Smith | ... | Quinn | |
Directed by | |||
| Anita W. Addison | |||
Writing credits(WGA) | ||
| Ronni Kern | (written by) | |
Produced by | |||
| Ronni Kern | .... | co-producer | |
| Frank Konigsberg | .... | executive producer | |
| Christine A. Sacani | .... | producer | |
| David Yarnell | .... | producer | |
Original Music by | |||
| Debbie Wiseman | |||
Cinematography by | |||
| Alar Kivilo | |||
Film Editing by | |||
| Charles Bornstein | |||
Casting by | |||
| Tina Gerussi | |||
Production Design by | |||
| Marian Wihak | |||
Costume Design by | |||
| Georgina Yarhi | |||
Second Unit Director or Assistant Director | |||
| Lorraine M. Kearsey | .... | trainee assistant director | |
Art Department | |||
| Malcolm Byard | .... | sets buyer | |
| Kaija Vogel | .... | art/design apprentice | |
Sound Department | |||
| Patrick Bietz | .... | supervising sound editor | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| Stacey Michaels | .... | adr mixer | |
| Elmo Ponsdomenech | .... | sound re-recording mixer | |
| Markus Wade | .... | boom operator | |
Special Effects by | |||
| Jim McGillivary | .... | special effects coordinator | |
Visual Effects by | |||
| Ian Britton | .... | motion graphics designer: computer displays (uncredited) | |
Camera and Electrical Department | |||
| Robert McRae | .... | gaffer | |
| Monty Montgomerie | .... | first assistant key grip | |
| Michael Rintoul | .... | camera operator | |
Costume and Wardrobe Department | |||
| Sheila E. Pruden | .... | assistant costume designer | |
Editorial Department | |||
| Asim Matin | .... | first assistant editor | |
Other crew | |||
| Shane Birdsill | .... | assistant to producer | |
| Diane Pitblado | .... | dialect coach | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Postpartum | An American Rhapsody | Click | Prince of Central Park | Flirting with Disaster |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
A working-class Boston, married, white woman is raped by a black thug and has to give up the resulting child for adoption, despite the fact that she loves her. The girl grows up knowing two adoptive mothers -- one black, one white -- but when she becomes a wife and mother herself, finds that her children only know half of their family history, something the girl sets out to rectify.
The only element of this TV-movie that doesn't quite work is the sappy, schmaltzy 'women's music' (keening vocals sung to slightly-ethnic new agey themes) which needlessly well up at virtually every emotional moment. The picture stars four quality actresses in a strong story of interracial adoption; it's really an insult to their powers as thespians to insert wailing cries of sadness or elation as if the audience won't 'get' what is happening. They did this a lot in old Hollywood films, making many of them unwatchable today.
I would have liked to have seen more scenes with Alice Krige as Barbara's mom during her adolescence; not quite sure why it got such short shrift. Otherwise a good film with a similar theme to "A Family Thing", which stars Robert Duval and James Earl Jones as brothers who never knew that they share the same mother.