The Thomas Crown Affair (1999)

Director:

John McTiernan

Writers (WGA):

Alan Trustman (story)
Leslie Dixon (screenplay) ...

Release Date:

6 August 1999 (USA)

Genre:

Crime | Drama | Romance | Thriller

Tagline:

How do you get the man who has everything?

Plot:

A very rich and successful playboy amuses himself by stealing artwork, but may have met his match in a seductive detective.

Plot Keywords:

Trust | Painting | Art | Museum | Billionaire

Awards:

3 wins & 2 nominations

Cast

Pierce Brosnan	...	Thomas Crown
Rene Russo	...	Catherine Banning
Denis Leary	...	Michael McCann
Ben Gazzara	...	Andrew Wallace
Frankie Faison	...	Detective Paretti
Fritz Weaver	...	John Reynolds
Charles Keating	...	Friedrich Golchan
Mark Margolis	...	Heinrich Knutzhorn
Faye Dunaway	...	The Psychiatrist
Michael Lombard	...	Bobby McKinley
Bill Ambrozy	...	Proctor
Michael Bahr	...	Proctor (as Michael S. Bahr)
Robert D. Novak	...	Proctor (as Robert Novak)
Joe H. Lamb	...	Proctor (as Joe Lamb)
James Saito	...	Paul Cheng

MPAA:

Rated R for some sexuality and language.

Runtime:

113 min

Country:

USA

Language:

Polish | English | German | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Netherlands:MG6 | Iceland:L | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia/Manitoba) | Denmark:7 | Canada:AA (Ontario) | Canada:G (Quebec) | South Africa:PG | Singapore:M18 (re-rating) | Brazil:16 | Australia:MA (2009 DVD rating) | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | France:U | Germany:6 (w) | Hong Kong:IIB | Ireland:15 | New Zealand:M | Norway:11 | Portugal:M/12 | South Korea:18 | Spain:T | Sweden:Btl | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R | Singapore:PG (original rating) (cut) | Philippines:PG-13

Filming Locations:

18 East 68th Street, New York City, New York, USA

Company:

United Artists

Trivia:

The scene in which Catherine 'lassos' her towel around Thomas' neck took 16 takes to get it just right. Weights were added to the towel to get it to work correctly.

Goofs:

Continuity: Just before Crown steals the painting, he tells the guard (looking at his watch) that it's quarter to five. But when Catherine and Michael are reviewing the security tape, the tape notes "the time of the robbery" as 5:54.

Quotes:

[Banning shows up at a ball wearing a red sash]
Thomas Crown: This is a black and white ball.
Catherine Banning: That's okay, I wasn't invited anyway.

Movie Connections:

Referenced in Comedy Central Roast of Denis Leary (2003) (TV)

Soundtrack:

THE COMPLICATED MAN

Original reworked right.

Obligatory comparison to the first film: The first Thomas Crown Affair really wasn't that great with its split screens that would make even Brian De Palma sick. Like other films from that era of history, it's lost some of its shock with time but unlike true classics, Thomas Crown Affair has lost a lot of its charm. Worth a viewing, but not worth worshipping.

Only vague concepts carry over from film to film, really. The same basic plot curve, same basic events, same basic characters, except everything is retold and reinterpreted from a different point of view. And I much prefer John McTiernan's interpretation despite the more glaring plot holes such as 'Why didn't the security tape reveal who set the briefcase in the gallery to begin with?' Theoretically the culprit could've been caught then and there, but then there'd be no movie.

The caper's execution is rather spectacular, far more entertaining than the original's, though much less likely to happen. But who cares, really? McTiernan directed this as a film you can't take 100% seriously anyway. This is a fun cat and mouse movie, not a documentary.

The premise-an art theft-strikes me as more interesting than the original's robbery; besides, how many films have bank robberies? How many films steal art? It's something different.

The characters and their portrayals are colorful and interesting, walking a thin line of camp but never pushing it too far. This movie isn't about 'Everyman' nor is it meant to. It's about a billionaire who gets his kicks out of high stake gambles and wages-how do you do that without a larger than life portrayal?

I particularly liked the ending sequence, as goofy, perhaps corny as it is, it's still fun. Especially the music selection, Nina Simone's Sinnerman, a well chosen track. Bill Conti provides the underlying score, which proves quite unique having a slightly bouncy 'piano recital' quality to its first few themes. Very fitting for the museum setting. It's a CD worth purchasing for the sake of variety alone.

In the end, Thomas Crown Affair works not because of the film's subjects or its characters . . . it works because of -how- it portrays everything. Its tone is fun and relaxing, and it never tries to take itself too seriously. After all, we are at the movies and not a training seminar . ..