| Photos (see all 83 | slideshow) |
| Sun. July 19 | 8:00 PM | CW |
| Pierce Brosnan | ... | Thomas Crown | |
| Rene Russo | ... | Catherine Banning | |
| Denis Leary | ... | Michael McCann | |
| Ben Gazzara | ... | Andrew Wallace | |
| Frankie Faison | ... | Detective Paretti | |
| Fritz Weaver | ... | John Reynolds | |
| Charles Keating | ... | Friedrich Golchan | |
| Mark Margolis | ... | Heinrich Knutzhorn | |
| Faye Dunaway | ... | The Psychiatrist | |
| Michael Lombard | ... | Bobby McKinley | |
| Bill Ambrozy | ... | Proctor | |
| Michael Bahr | ... | Proctor (as Michael S. Bahr) | |
| Robert D. Novak | ... | Proctor (as Robert Novak) | |
| Joe H. Lamb | ... | Proctor (as Joe Lamb) | |
| James Saito | ... | Paul Cheng | |
| Esther Cañadas | ... | Anna Knudsen | |
| Mischa Hausserman | ... | Jimmy | |
| Daniel Oreskes | ... | Petru | |
| Dominic Chianese Jr. | ... | Dimetri | |
| Ritchie Coster | ... | Janos | |
| Gregg Bello | ... | Iggy | |
| John P. McCann | ... | Senior Detective | |
| Gino Lucci | ... | Freight Truck Driver | |
| George Christy | ... | Senior Museum Guard | |
| Mike Danner | ... | Forklift Operator | |
| James J. Archer | ... | J.J. the Security Guard | |
| John Elsen | ... | New York City Cop | |
| Robert Spillane | ... | Crown Acquisitions Security Officer | |
| Daniel Jamal Gibson | ... | Sam | |
| Cynthia Darlow | ... | Daria, Crown's Secretary | |
| Sherry Koftan | ... | Crown Acquistions Employee | |
| Jane DeNoble | ... | Crown Acquisitions Employee | |
| Gene Bozzi | ... | Crown Acquisitions Employee | |
| Ryan Hecht | ... | Crown Acquisitions Employee | |
| Paul Simon | ... | Crown Acquisitions Employee | |
| Tom Tammi | ... | Businessman | |
| Mark Zeisler | ... | Bulldog | |
| Mark Zimmerman | ... | Bulldog | |
| Daniel Southern | ... | Crown Acquisitions Executive (as Dan Southern) | |
| James Yaegashi | ... | Crown Acquisitions Executive | |
| Ira Wheeler | ... | Old Man | |
| David Adkins | ... | Son | |
| John McKay | ... | Company Lawyer (as John A. MacKay) | |
| Melissa Maxwell | ... | Teacher | |
| Colleen Hamm | ... | Schoolgirl | |
| Timothy Wheeler | ... | Museum Security Technician | |
| John Thrall Bush | ... | Museum Security Guard | |
| Dominic Marcus | ... | Museum Security Guard | |
| Robert Lewis Stephenson | ... | Museum Security Guard (as Robert Stephenson) | |
| David Toney | ... | Museum Security Guard | |
| Phillip Douglas | ... | Museum Security Guard | |
| Jeffrey Dreisbach | ... | Junior Proctor | |
| R.J. Remo | ... | Smoking Kid | |
| Caleb Archer | ... | Smoking Kid | |
| Dennis Creaghan | ... | Museum Director Jim Lenox | |
| Randy Phillips | ... | National Art Club Guest | |
| Gloria Barnes | ... | National Art Club Guest | |
| Mimi Weddell | ... | National Art Club Guest | |
| Pat Friedlander | ... | National Art Club Guest | |
| Gary L. Catus | ... | National Art Club Guest | |
| Jeremy Nagel | ... | Tommy, Crown's Caddy | |
| John C. Havens | ... | Museum Operating Technician | |
| Annie Rose Murray | ... | Woman Spectator | |
| Bill Tatum | ... | Gentleman Yachtsman | |
| Teddy Coluca | ... | Detective in Restaurant | |
| Michael Charles | ... | Detective in Restaurant | |
| Orlando Carafa | ... | Cipriani Waiter | |
| Ben Epps | ... | Male Associate | |
| Kim D. Cannon | ... | Cleaning Man | |
| Douglas Kahelemauna Nam | ... | Cleaning Man | |
| Richard Russell Ramos | ... | Dr. Cornelius | |
| John Seidman | ... | Forensics Expert George French | |
| Robert Ian Mackenzie | ... | Jeweler | |
| Yusef Bulos | ... | Second Jeweler | |
| Ray Virta | ... | Museum Detective | |
| Thomas Michael Sullivan | ... | Museum Special Police | |
| J. Paul Boehmer | ... | Museum Detective | |
| Tony Cucci | ... | Watching Cop | |
| Paul Geoffrey | ... | Another Cop | |
| R.E. Rodgers | ... | Uniform Cop | |
| Thomas Richard Bloom | ... | Crown Imposter | |
| Kim Craven | ... | Ticket Agent | |
| Marion McCorry | ... | Stewardess | |
| Sean Haberle | ... | Ramp Manager | |
| Mikel Sarah Lambert | ... | Wealthy Woman | |
| Angelo Fraboni | ... | Featured Dancer | |
| Melanie LaPatin | ... | Featured Dancer | |
| Jodi Ellen Melnick | ... | Featured Dancer (as Jodi Melnick) | |
| Tony Meredith | ... | Featured Dancer | |
| Michael Terrace | ... | Featured Dancer | |
| rest of cast listed alphabetically: | |||
| Courtney Bennett | ... | Bit Part (uncredited) | |
| Diana Berry | ... | Museum Patron (uncredited) | |
| Steve Bilich | ... | Taxi Driver (uncredited) | |
| Kimberly Evan | ... | Model (uncredited) | |
| Simon Jones | ... | The Accountant (uncredited) | |
| Mark A. Langston | ... | Thief (uncredited) | |
| Victoria Rong | ... | Model #2 (uncredited) | |
| Eliot Sash | ... | Dancer (Black & White Ball) (uncredited) | |
Directed by | |||
| John McTiernan | |||
Writing credits(WGA) | ||
| Alan Trustman | (story) (as Alan R. Trustman) | |
| Leslie Dixon | (screenplay) & | |
| Kurt Wimmer | (screenplay) | |
Produced by | |||
| Pierce Brosnan | .... | producer | |
| Bruce Moriarty | .... | associate producer | |
| Roger Paradiso | .... | co-producer | |
| Beau St. Clair | .... | producer | |
| Michael Tadross | .... | executive producer | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| Tom Priestley Jr. | (director of photography) (as Tom Priestley) | ||
Film Editing by | |||
| John Wright | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Dennis Bradford | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Kate Harrington | |||
Makeup Department | |||
| Enzo Angileri | .... | hair stylist: Ms. Russo | |
| Lynn Campbell | .... | makeup artist | |
| Romaine Greene | .... | hair stylist | |
| Michele Paris | .... | makeup artist (as Michele Paris-Catanzarite) | |
| Bron Roylance | .... | makeup artist: Mr. Brosnan | |
| Scott Hersh | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Eddy Collyns | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Mischa Hausserman | .... | second unit director: additional aerial photography | |
| Neil Lewis | .... | additional second assistant director | |
| Jamie Miller | .... | key second assistant director: second unit | |
| Bruce Moriarty | .... | first assistant director | |
| Michael Pitt | .... | second second assistant director | |
| Peter Soldo | .... | second assistant director | |
| John E. Sullivan | .... | second unit director | |
| Jonathan Watson | .... | first assistant director: second unit | |
Art Department | |||
| David Alan Bean | .... | tool man | |
| Teresa Carriker-Thayer | .... | art director: second unit | |
| Frances Catalano | .... | shop grip | |
| Daniel Dietrich | .... | shop craftsman | |
| Jay Durrwachter | .... | assistant art director | |
| Ray Fisher | .... | set dresser | |
| Joseph Garzero | .... | lead scenic artist | |
| Randal R. Groves | .... | propmaker | |
| Julia G. Hickman | .... | art department coordinator | |
| Paul D. Kelly | .... | assistant art director | |
| Steven E. Lawler | .... | construction foreman | |
| Christine Moosher | .... | assistant set decorator | |
| Ken Nelson | .... | construction coordinator | |
| Michael Saccio | .... | property master | |
| Cheryl Stewart | .... | painter | |
| Joan Winters | .... | graphic designer | |
| Federico Castelluccio | .... | artist (uncredited) | |
| Daniel Geary | .... | carpenter (uncredited) | |
| Steve A. Stephenson | .... | carpenter (uncredited) | |
Sound Department | |||
| David A. Arnold | .... | dialogue editor | |
| James Ashwill | .... | foley mixer | |
| Marc Deschaine | .... | adr assistant | |
| Teri E. Dorman | .... | supervising dialogue editor | |
| Juno J. Ellis | .... | supervising adr editor | |
| Sean England | .... | sound re-recordist | |
| Linda Lew | .... | foley recordist | |
| Melissa Lytle | .... | assistant sound editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| Tom Nelson | .... | production sound mixer | |
| R.J. Palmer | .... | sound effects editor | |
| Karen Spangenberg | .... | dialogue editor | |
| Daniel W. Victor Jr. | .... | stereo sound consultant: DTS | |
| George Watters II | .... | supervising sound editor | |
| James Wright | .... | stereo sound consultant: Dolby | |
| Carl D. Ware | .... | additional adr mixer (uncredited) | |
Special Effects by | |||
| Harold McConnell Jr. | .... | special effects technician | |
| Allen Stillman | .... | special effects technician | |
Visual Effects by | |||
| Jamie Clay | .... | digital compositor | |
| Tyler Foell | .... | digital artist | |
| Jim Gorman | .... | digital compositor | |
| Reid Paul | .... | digital artist | |
| Ray Scalice | .... | executive producer: Pixel Magic | |
| John E. Sullivan | .... | visual effects (as John Sullivan) | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Ken Lam | .... | digital artist (uncredited) | |
Stunts | |||
| Chris Cenatiempo | .... | stunts | |
| John Cenatiempo | .... | stunt player (as Johnny 'C') | |
| John Copeman | .... | stunt player | |
| Frank Ferrara | .... | stunt coordinator | |
| Frank Ferrara Jr. | .... | stunt player | |
| Ralph Ferrara | .... | stunt player | |
| Tomás F. Gonzalez | .... | boat stunts | |
| Doris F. Grove | .... | boat stunts | |
| Tony Guida | .... | stunt player | |
| Andrew Phillips | .... | boat stunts | |
| Keith Siglinger | .... | stunt player | |
| Steve Bilich | .... | stunt driver (uncredited) | |
| Peter Bucossi | .... | stunts (uncredited) | |
| John Copeman | .... | stunt double: Pierce Brosnan (uncredited) | |
| Jonathon Prandi | .... | stunt double: Pierce Brosnan (uncredited) | |
| Adam Vignola | .... | stunts (uncredited) | |
| Cheryl Wheeler-Dixon | .... | stunt double: Rene Russo (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| John Mabry | .... | casting assistant | |
| Pat McCorkle | .... | casting | |
| Sarah Spearing | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Susan Carrano | .... | assistant costume designer | |
| Marta Font | .... | key costumer | |
| Chris Ann Pappas | .... | costume assistant | |
| Hartsell Taylor | .... | wardrobe supervisor | |
Editorial Department | |||
| Melissa Carter | .... | assistant editor (as Melissa J.T. Carter) | |
| Barbara Dunning | .... | first assistant editor | |
| Eric M. Eskenazi | .... | editing production assistant | |
| Mark Livolsi | .... | assistant editor | |
| Kyle Ann Stokes | .... | assistant editor | |
| Todd Zongker | .... | assistant editor: avid | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Jim Dunbar | .... | original music producer | |
| Jack Eskew | .... | orchestrator | |
| Ashley Irwin | .... | music producer: electronic score | |
| Nathan Kaproff | .... | orchestra manager | |
| Jamie Lowry | .... | assistant music editor: temp mix | |
| Chris McGeary | .... | music editor | |
| Randall Poster | .... | music consultant | |
| Dan Wallin | .... | score mixer | |
| Tommy Lockett | .... | music editor (uncredited) | |
| Jamshied Sharifi | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Mark Dolce | .... | driver | |
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| The Thomas Crown Affair | Entrapment | Ocean's Twelve | Gone in Sixty Seconds | Basic Instinct |
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Obligatory comparison to the first film: The first Thomas Crown Affair really wasn't that great with its split screens that would make even Brian De Palma sick. Like other films from that era of history, it's lost some of its shock with time but unlike true classics, Thomas Crown Affair has lost a lot of its charm. Worth a viewing, but not worth worshipping.
Only vague concepts carry over from film to film, really. The same basic plot curve, same basic events, same basic characters, except everything is retold and reinterpreted from a different point of view. And I much prefer John McTiernan's interpretation despite the more glaring plot holes such as 'Why didn't the security tape reveal who set the briefcase in the gallery to begin with?' Theoretically the culprit could've been caught then and there, but then there'd be no movie.
The caper's execution is rather spectacular, far more entertaining than the original's, though much less likely to happen. But who cares, really? McTiernan directed this as a film you can't take 100% seriously anyway. This is a fun cat and mouse movie, not a documentary.
The premise-an art theft-strikes me as more interesting than the original's robbery; besides, how many films have bank robberies? How many films steal art? It's something different.
The characters and their portrayals are colorful and interesting, walking a thin line of camp but never pushing it too far. This movie isn't about 'Everyman' nor is it meant to. It's about a billionaire who gets his kicks out of high stake gambles and wages-how do you do that without a larger than life portrayal?
I particularly liked the ending sequence, as goofy, perhaps corny as it is, it's still fun. Especially the music selection, Nina Simone's Sinnerman, a well chosen track. Bill Conti provides the underlying score, which proves quite unique having a slightly bouncy 'piano recital' quality to its first few themes. Very fitting for the museum setting. It's a CD worth purchasing for the sake of variety alone.
In the end, Thomas Crown Affair works not because of the film's subjects or its characters . . . it works because of -how- it portrays everything. Its tone is fun and relaxing, and it never tries to take itself too seriously. After all, we are at the movies and not a training seminar . ..