| Photos (see all 14 | slideshow) | Videos |
| Ian Parsons | ... | Little Sweet William | |
| Peter MacNeill | ... | Whiskey Mac | |
| Troy Veinotte | ... | Teen Sweet William | |
| Kerry Fox | ... | Rosemary | |
| Mark Austin | ... | Preacher | |
| Joel S. Keller | ... | Fletcher | |
| Heather Rankin | ... | Black-Eyed Susan | |
| Christine Dunsworth | ... | Violet | |
| Seana McKenna | ... | Iris | |
| Joan Orenstein | ... | Grace | |
| Chris Leavins | ... | Sweet William | |
| Ashley MacIsaac | ... | Basil--Fiddler | |
| Jocelyn Cunningham | ... | Laurel | |
| Jim Faraday | ... | Mr. MacDougal | |
| Sarah Polley | ... | Teen Rosemary | |
| Renee Penney | ... | Grace the Nun | |
| Martha Irving | ... | Dusty Miller | |
| Annabelle Dexter | ... | Bud (as Annabelle Raine Dexter) | |
| Michael Weir | ... | Police Officer | |
| Tom Chambers | ... | Police Officer | |
| rest of cast listed alphabetically: | |||
| Lucy Decoutere | ... | Bridesmaid (uncredited) | |
| Francine Deschepper | ... | Bridesmaid (uncredited) | |
| Thom Fitzgerald | ... | Preacher (voice) (uncredited) | |
| Jaime Robertson | ... | Best Man (uncredited) | |
Directed by | |||
| Thom Fitzgerald | |||
Writing credits(in alphabetical order) | ||
| Thom Fitzgerald | writer | |
Produced by | |||
| Gilles Bélanger | .... | line producer | |
| Thom Fitzgerald | .... | producer | |
| Louise Garfield | .... | producer | |
| Arnie Gelbart | .... | producer | |
| Mark Hammond | .... | associate producer | |
Original Music by | |||
| John Roby | |||
Cinematography by | |||
| Daniel Jobin | (director of photography) | ||
Film Editing by | |||
| Susan Shanks | |||
Production Design by | |||
| Taavo Soodor | |||
Art Direction by | |||
| Charlotte Harper | |||
Set Decoration by | |||
| Darlene Shiels | |||
Costume Design by | |||
| James A. Worthen | |||
Makeup Department | |||
| Paulette Cable | .... | key hair stylist | |
| Rose Klatt | .... | key makeup artist | |
| Colleen Ryan | .... | assistant hair stylist | |
Production Management | |||
| Ian Whitehead | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Barbara Badessi | .... | second third assistant director | |
| Shandi Mitchell | .... | first assistant director (as Shandi Mitchell-Macleod) | |
| Barry Nichols | .... | second assistant director | |
| Pierrette Pretty | .... | third assistant director | |
Art Department | |||
| Marsha Cameron | .... | set dresser | |
| Gary Allen Ferguson | .... | property master | |
| Richard Fraser | .... | construction manager | |
| Randy Hardy | .... | key scenic | |
| Dylan MacDonald | .... | assistant property master | |
Sound Department | |||
| Eric Apps | .... | adr engineer | |
| Richard Betanzos | .... | supervising sound editor | |
| Scott Donald | .... | dialog editor | |
| Philippe Espantoso | .... | sound re-recording mixer | |
| Steven Gurman | .... | supervising sound editor | |
| Georges Hannan | .... | sound | |
| Peter Harper | .... | sound re-recording mixer | |
| Paul Hubert | .... | foley artist | |
| Janice Ierulli | .... | adr supervisor | |
| Phil Reznick | .... | sound editor | |
| Cory Rizos | .... | sound effects editor | |
| Greg Shim | .... | adr engineer | |
| Glenn Tussman | .... | supervising sound editor | |
| André Vincelli | .... | dialogue editor | |
Visual Effects by | |||
| François Aubry | .... | visual effects | |
Stunts | |||
| Michel Leblanc | .... | stunts chief rigger | |
| Lawrence Willett | .... | stunts effects rigger | |
Camera and Electrical Department | |||
| Dan Callis | .... | still photographer | |
| Reverend Bob Chiasson | .... | grip (as Bob Chiasson) | |
| Andrea Dorfman | .... | second assistant camera | |
| Darryl Duzak | .... | electrician | |
| Jacques Girard | .... | gaffer (as Jacques 'Jackson' Girard) | |
| Kevin MacNeil | .... | key grip | |
| Christopher Reardon | .... | still photographer (as Chris Reardon) | |
| Conrad Roy | .... | best boy | |
| Robert Zimmerman | .... | assistant camera | |
Casting Department | |||
| Marsha Chesley | .... | casting director: Toronto | |
| John Dunsworth | .... | casting director: Halifax | |
Costume and Wardrobe Department | |||
| Jeanie Kimber | .... | wardrobe buyer | |
| Sian Morris Ross | .... | wardrobe supervisor | |
Editorial Department | |||
| Claudine Blain | .... | negative cutter | |
| Vladimir Zabransky | .... | color timer | |
Music Department | |||
| Richard Betanzos | .... | music editor | |
| Mike Jones | .... | music engineer | |
| Ron Proulx | .... | music supervisor | |
| Jane Siberry | .... | musician | |
Transportation Department | |||
| Jack Niven | .... | transportation coordinator | |
Other crew | |||
| Mark Austin | .... | location manager | |
| Jean Brien | .... | production accountant | |
| Danielle Depeyre | .... | script supervisor | |
| Derek Filiatrault | .... | pre-production coordinator | |
| John Frizzell | .... | script consultant | |
| André Lacroix | .... | location assistant | |
| Karla Morash | .... | production coordinator | |
| Michael Weller | .... | script consultant | |
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The Hanging garden is one of those fine metaphors about familial existence, self explanation, and coping with a certain kind of sexuality in a community which will have none of it. It's central character, a man who returns home after years away, seems out of place in such a crude and rugged environment as the East Coast. He must, in a certain kind of mindset, face what he was, and try to bury that past for good. His struggle, one of growing to realize what has happened and how he has changed, leads him on a bizarre odyssey of acceptance and growth. The rest of his family may seem somewhat rude and unkempt, but keep in mind that people are pretty much this way in the Martimes at any right. A fine film, especially by Canadian standards.