| Photos (see all 73 | slideshow) | Videos (see all 2) |
| Kirk Acevedo | ... | Pvt. Tella | |
| Penelope Allen | ... | Witt's Mother (as Penny Allen) | |
| Benjamin Green | ... | Melanesian Villager (as Benjamin) | |
| Simon Billig | ... | Lt. Col. Billig | |
| Mark Boone Junior | ... | Pvt. Peale | |
| Adrien Brody | ... | Cpl. Fife | |
| Norman Patrick Brown | ... | Pvt. Henry | |
| James Caviezel | ... | Pvt. Witt (as Jim Caviezel) | |
| Ben Chaplin | ... | Pvt. Bell | |
| George Clooney | ... | Capt. Bosche | |
| John Cusack | ... | Capt. Gaff | |
| Jarrod Dean | ... | Cpl. Thorne | |
| Matt Doran | ... | Pvt. Coombs | |
| Travis Fine | ... | Pvt. Weld | |
| Paul Gleeson | ... | 1st Lt. Band | |
| Woody Harrelson | ... | Sgt. Keck | |
| David Harrod | ... | Cpl. Queen | |
| Don Harvey | ... | Sgt. Becker | |
| Kengo Hasuo | ... | Japanese Prisoner | |
| Ben Hines | ... | Assistant Pilot | |
| Danny Hoch | ... | Pvt. Carni | |
| Robert Roy Hofmo | ... | Pvt. Sico | |
| Jack | ... | Melanesian Man Walking | |
| Thomas Jane | ... | Pvt. Ash (as Tom Jane) | |
| Arie Verveen | ... | Pvt. Charlie Dale | |
| Jimmy Xihite | ... | Melanesian Villager (as Jimmy) | |
| Elias Koteas | ... | Capt. Staros | |
| Polyn Leona | ... | Melanesian Woman with Child | |
| Jared Leto | ... | 2nd Lt. Whyte | |
| Simon Lyndon | ... | Medic #2 | |
| Gordon MacDonald | ... | Pfc. Earl | |
| Kazuki Maehara | ... | Japanese Pvt. #1 | |
| Marina Malota | ... | Marina | |
| Michael McGrady | ... | Pvt. Floyd | |
| Dash Mihok | ... | Pfc. Doll | |
| Ken Mitsuishi | ... | Japanese Officer #1 | |
| Ryushi Mizukami | ... | Japanese Pvt. #4 | |
| Tim Blake Nelson | ... | Pvt. Tills | |
| Larry Neuhaus | ... | Crewman | |
| Nick Nolte | ... | Lt. Col. Tall | |
| Taiju Okayasu | ... | Japanese Pvt. #6 | |
| Takamitsu Okubo | ... | Japanese Soldier | |
| Miranda Otto | ... | Marty Bell | |
| Sean Penn | ... | 1st Sgt. Welsh | |
| John C. Reilly | ... | Sgt. Storm | |
| Larry Romano | ... | Pvt. Mazzi | |
| John Savage | ... | Sgt. McCron | |
| Kazuyoshi Sakai | ... | Japanese Prisoner #2 | |
| Masayuki Shida | ... | Japanese Officer #2 | |
| John Dee Smith | ... | Pvt. Train | |
| Stephen Spacek | ... | Cpl. Jenks | |
| Nick Stahl | ... | Pfc - Beade | |
| Hiroya Sugisaki | ... | Japanese Pvt. #7 | |
| Kouji Suzuki | ... | Japanese Pvt. #3 | |
| Tomohiro Tanji | ... | Japanese Pvt. #2 | |
| Minoru Toyoshima | ... | Japanese Sgt. | |
| John Travolta | ... | Brig. Gen. Quintard | |
| Terutake Tsuji | ... | Japanese Pvt. #5 | |
| Steven Vidler | ... | 2nd Lt. Gore | |
| Vincent Wild | ... | Melanesian Guide (as Vincent) | |
| Todd Wallace | ... | Pilot | |
| Will Wallace | ... | Pvt. Hoke | |
| Joe Watanabe | ... | Japanese Officer #3 | |
| Simon Westaway | ... | First Scout | |
| Daniel Wyllie | ... | Medic #1 (as Dan Wyllie) | |
| Yasuomi Yoshino | ... | Young Japanese | |
| John Augwata | ... | Melanesian Extra | |
| Joshua Augwata | ... | Melanesian Extra | |
| John Bakotee | ... | Melanesian Extra | |
| Immanuel Dato | ... | Melanesian Extra | |
| Michael Iha | ... | Melanesian Extra | |
| Emmunual Konai | ... | Melanesian Extra | |
| Stephen Konai | ... | Melanesian Extra | |
| Peter Morosiro | ... | Melanesian Extra | |
| Amos Niuga | ... | Melanesian Extra | |
| Jennifer Siugali | ... | Melanesian Extra | |
| Carlos Tome | ... | Melanesian Extra | |
| Selina Tome | ... | Melanesian Extra | |
| rest of cast listed alphabetically: | |||
| Kick Gurry | ... | (uncredited) | |
| Randall Duk Kim | ... | Nisei Interpreter (uncredited) | |
| Darrin Klimek | ... | (uncredited) | |
| Donal Logue | ... | Marl (uncredited) | |
| Clark McCutchen | ... | Soldier (uncredited) | |
| David Paschall | ... | General (uncredited) | |
| Jace Phillips | ... | S-1 (uncredited) | |
| Felix Williamson | ... | Private Drake (uncredited) | |
Directed by | |||
| Terrence Malick | |||
Writing credits(WGA) | ||
| James Jones | (novel) | |
| Terrence Malick | (screenplay) | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| John Toll | (director of photography) | ||
Film Editing by | |||
| Leslie Jones | |||
| Saar Klein | |||
| Billy Weber | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Jack Fisk | |||
Art Direction by | |||
| Ian Gracie | |||
Set Decoration by | |||
| Richard Hobbs | |||
| Suza Maybury | |||
Costume Design by | |||
| Margot Wilson | |||
Makeup Department | |||
| John Bird | .... | hair assistant: Los Angeles post production unit | |
| John Bird | .... | makeup assistant: Los Angeles post production unit | |
| Michèle Burke | .... | additional hair stylist: Los Angeles post production unit (as Michelle Burke-Winter) | |
| Michèle Burke | .... | additional makeup artist: Los Angeles post production unit (as Michelle Burke-Winter) | |
| Angela Conte | .... | hair stylist | |
| Angela Conte | .... | makeup artist | |
| Toni French | .... | hair stylist | |
| Toni French | .... | makeup artist | |
| Tracey Garner | .... | additional hair stylist | |
| Tracey Garner | .... | additional makeup artist | |
| Susan V. Kalinowski | .... | additional hair stylist: Los Angeles post production unit (as Sue Kalinowski) | |
| Susan V. Kalinowski | .... | additional makeup artist: Los Angeles post production unit (as Sue Kalinowski) | |
| Deborah Lester | .... | stand-by hair stylist: second unit (as Deb Lester) | |
| Deborah Lester | .... | stand-by makeup artist: second unit (as Deb Lester) | |
| Vivien Mepham | .... | hair designer (as Viv Mepham) | |
| Vivien Mepham | .... | makeup designer (as Viv Mepham) | |
| Joan Petch | .... | hair stylist | |
| Joan Petch | .... | makeup artist | |
| Rebecca Smith | .... | additional hair stylist | |
| Rebecca Smith | .... | additional makeup artist | |
| Chiara Tripodi | .... | hair stylist | |
| Chiara Tripodi | .... | makeup artist | |
| Sarah Urquhart | .... | additional hair stylist | |
| Sarah Urquhart | .... | additional makeup artist | |
| Erica Wells | .... | assistant hair stylist | |
| Erica Wells | .... | assistant makeup artist | |
Art Department | |||
| Sean Ahern | .... | carpenter | |
| Shane Bennett | .... | stand-by greens | |
| Peter Besi | .... | art department assistant: Solomon Islands/Guadalcanal | |
| Rosemary Brandenburg | .... | set decorator: Los Angeles post production unit | |
| Mark Lambert Bristol | .... | storyboard artist | |
| Alan Brown | .... | set finisher | |
| Nicholas Brunner | .... | assistant art director: Solomon Islands | |
| Peter Collias | .... | scenic artist | |
| James Cox | .... | stand-by property master: second unit | |
| Steve Davey | .... | art department assistant | |
| Ron Dean | .... | construction assistant | |
| Kelly Deco | .... | painter: Los Angeles post production unit | |
| Richie Dehne | .... | property master | |
| Scott Dietz | .... | painter: Los Angeles post production unit (as Scott B. Dietz) | |
| Beverley Dunn | .... | set dresser (as Bev Dunn) | |
| Peter Exton | .... | steelworker | |
| Ben Foley | .... | trade assistant | |
| Michael R. Gannon | .... | assistant property master: Los Angeles post production unit | |
| Jay Gibson | .... | storyboard artist: Los Angeles post production unit | |
| Tony Giltrap | .... | carpenter (as Anthony Giltrap) | |
| Bill Goodes | .... | construction runner | |
| Gary Grimes | .... | set finisher | |
| Greg Hajdu | .... | construction manager | |
| Guido Helmstetter | .... | sculptor (as Guideo Helmstetter) | |
| Michael Hunt | .... | art department runner | |
| Peter Johnston | .... | greensman | |
| Mark Jones | .... | construction foreman | |
| Matt Jordin | .... | greensman | |
| Christopher Kennedy | .... | swing gang: Los Angeles post production unit (as Chris Kennedy) | |
| Christian Klump | .... | painter: Los Angeles post production unit | |
| Peter Kobicek | .... | assistant stand-by props (as Peter Kodicek) | |
| Mark Laity | .... | carpenter | |
| Eugene Land | .... | leading hand | |
| Steve Leslie | .... | carpenter | |
| Stewart Lewis | .... | steel worker | |
| Ron Martin | .... | carpenter | |
| Robert Moxham | .... | stand-by props | |
| Patrick Moyles | .... | art department assistant | |
| Rodney Nash | .... | steel worker (as Rod Nash) | |
| Glenn 'Buddy' Neal | .... | brush hand (as Glenn Neal) | |
| Jenny O'Connell | .... | art department coordinator | |
| Flemming Olsson | .... | construction assistant | |
| Mick Owen | .... | trade assistant | |
| Gregg Pallini | .... | storyboard artist: Los Angeles post production unit | |
| Michael Parent | .... | paint foreman: Los Angeles post production unit | |
| Tony Peters | .... | carpenter | |
| Victor Petrotta III | .... | assistant property master: Los Angeles post production unit | |
| Vic Petrotta Jr. | .... | property master: Los Angeles post production unit (as Victor Petrotta Jr.) | |
| William A. Petrotta | .... | property master: Los Angeles post production unit (as Bill Petrotta) | |
| Rolland Pike | .... | set dresser | |
| Michael Plummer | .... | assistant to art department coordinator (as Mick Plummer) | |
| Daryl Porter | .... | set dresser | |
| Wayne Porter | .... | leading hand | |
| Mark Powell | .... | model maker | |
| Andrew Robillard | .... | art department runner: Sydney (as Andy Robillard) | |
| Andy Robinson | .... | set painter | |
| Joanna Robinson | .... | art department runner | |
| Dave Rogers | .... | carpenter | |
| David Russell | .... | storyboard artist | |
| Kevin Ryan | .... | trade assistant | |
| Michael Selea | .... | art department assistant: Solomon Islands/Guadalcanal | |
| Katie Sharrock | .... | assistant stand-by props | |
| Gary Sherline | .... | model maker | |
| Trevor Smith | .... | model maker | |
| Brock Sykes | .... | set dresser | |
| Sophie Tarney | .... | set dresser | |
| Gregg Thomas | .... | greens supervisor | |
| Barry Thompson | .... | art department assistant | |
| Jeffrey Thorp | .... | assistant art director (as Jeff Thorp) | |
| Thomas Traugott | .... | swing gang: Los Angeles post production unit (as Tom Traugott) | |
| Beato Varahana | .... | art department assistant: Solomon Islands/Guadalcanal | |
| Nicholas Walker | .... | set painter | |
| Ron Wallekers | .... | greensman | |
| Samantha Ward | .... | art department assistant | |
| Dick Weight | .... | lead propmaker | |
| Mandy Willaton | .... | graphic artist | |
| Matthew Willaton | .... | assistant graphic artist | |
| Trent Williamson | .... | greensman | |
| Dallas Wilson | .... | model maker | |
| Nikki DiFalco | .... | model maker (uncredited) | |
| Marta McElroy | .... | buyer (uncredited) | |
| Peter 'Babylon' Owens | .... | model maker (uncredited) | |
Special Effects by | |||
| Patrick Carmiggelt | .... | special effects technician | |
| Brian Cox | .... | special effects coordinator | |
| Katherine Gamble | .... | special effects assistant | |
| Paul Gorrie | .... | special effects technician | |
| Pauline Grebert | .... | special effects technician | |
| David Hardie | .... | senior special effects technician | |
| John Neal | .... | special effects technician | |
| Peter Parry | .... | special effects technician | |
| Albert Payne | .... | special effects technician | |
| Pieter Ploody | .... | special effects technician (as Pieter Plooy) | |
| Walter Van Veenendaal | .... | special effects technician | |
Visual Effects by | |||
| John Breslin | .... | senior digital compositor | |
| Justin Bromley | .... | senior digital compositor | |
| Ian Brown | .... | 3D animator | |
| Robin Cave | .... | digital compositor | |
| Fiona Chilton | .... | visual effects producer | |
| Patricia Doyle | .... | opticals: Pacific Title/Mirage (as Pat Doyle) | |
| Grant Everett | .... | pre-visualization compositor | |
| Chris Godfrey | .... | visual effects supervisor | |
| Kirsty Millar | .... | senior digital compositor | |
| Glen Sharah | .... | systems administrator | |
| Simon Whitley | .... | visual effects designer (as Simon Whiteley) | |
| Robert Yamamoto | .... | consultant: titles and opticals (as Rob Yamamoto) | |
| Carole Cowley | .... | digital effects producer: Cinesite (uncredited) | |
| Erin M. Cullen | .... | roto artist (uncredited) | |
| Charles Darby | .... | visual effects designer (uncredited) | |
| Scott Dougherty | .... | digital effects producer: Cinesite (uncredited) | |
| Karen Klein | .... | rotoscope supervisor (uncredited) | |
| Vincent Lavares | .... | technical assistant supervisor: Cinesite (uncredited) | |
| Janet Quen | .... | digital effects artist (uncredited) | |
| Tiffany Smith | .... | visual effects production coordinator: Cinesite (uncredited) | |
| Tristan Tom | .... | technical support: Cinesite (uncredited) | |
Casting Department | |||
| Jo Edna Boldin | .... | regional casting agent | |
| Barbara Collins | .... | casting associate | |
| Judith Cruden | .... | extras casting agent: Australia | |
| Jo Doster | .... | regional casting agent | |
| Louise Mitchell | .... | extras casting: Solomon Islands/Guadalcanal unit | |
Costume and Wardrobe Department | |||
| Ken Barnett | .... | props costumer | |
| Julie Barton | .... | key stand-by costumer | |
| Nanrose Buchman | .... | costumer liaison: Los Angeles | |
| Clare Budd | .... | costume assistant: military webbing | |
| Jeffrey Buhler | .... | costume assistant: Los Angeles post-production | |
| David Cartmill | .... | costume assistant: military webbing | |
| Sandi Cichello | .... | costumer construction | |
| Lisa Collins | .... | costume assistant | |
| Chantal Cordy | .... | props costumer (as Chantelle Cordey) | |
| Harold Crawford | .... | costumer: Los Angeles post-production unit | |
| James P. Cullen | .... | costumer: Los Angeles post-production unit (as Jimmy Cullen) | |
| Mary Lou Da Roza | .... | stand-by costumer: second unit (as Mary-Lou Da Roza) | |
| Michael Davies | .... | stand-by costumer | |
| Kate Green | .... | stand-by costumer | |
| Talia Jones | .... | costume assistant: Los Angeles post-production | |
| Matthew Kinman | .... | stand-by costumer: military webbing | |
| Mitch Morris | .... | costume assistant: military webbing | |
| Peter O'Halloran | .... | stand-by costumer | |
| Wongwatawat 'Goy' Siriporn | .... | costume assistant (as Goy Siriporn Wongwatawat) | |
| Kerry Thompson | .... | costume supervisor | |
| Cheryl Tootell | .... | costume assistant | |
| Angi Velickovic | .... | stand-by costumer: military webbing | |
| Tarni Wilkie-Smith | .... | costume assistant (as Tarnie Wilkie Smith) | |
| Sally Wilson | .... | costume assistant: military webbing | |
Editorial Department | |||
| Laura Behary | .... | assistant editor | |
| Charles Bunn | .... | assistant editor | |
| Mark Ellis | .... | assistant editor | |
| Tim Floreen | .... | post-production assistant | |
| Alicia Gleeson | .... | assistant editor | |
| Jenny Hicks | .... | assistant editor | |
| Derek McCants | .... | assistant editor: avid | |
| David Orr | .... | color timer | |
| Nick Phillips | .... | head technician: Libra, Los Angeles post-production unit | |
| Clarinda Wong | .... | film editor | |
| Hunter Shepherd | .... | additional post-production assistant (uncredited) | |
| Rebecca Weigold | .... | assistant editor (uncredited) | |
Music Department | |||
| Klaus Badelt | .... | additional music arranger | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Bruce Fowler | .... | orchestrator | |
| Gavin Greenaway | .... | conductor | |
| Tommy Johnson | .... | musician: tuba | |
| David Low | .... | music contractor | |
| Francisco Lupica | .... | composer: additional music | |
| Alan Meyerson | .... | music scoring mixer | |
| Yvonne S. Moriarty | .... | orchestrator | |
| Moanike'ala Nakamoto | .... | composer wrangler | |
| John Powell | .... | composer: additional music | |
| John Rodd | .... | orchestral scoring recordist | |
| Maggie Rodford | .... | music coordinator: Air-Edel | |
| Scott Rouse | .... | assistant music editor | |
| Dennis Sager | .... | scoring stage crew | |
| Lee Scott | .... | music editor | |
| Adam Milo Smalley | .... | music editor (as Adam Smalley) | |
| Steven L. Smith | .... | music preparation | |
| Tom Steel | .... | scoring stage crew | |
| Marc Streitenfeld | .... | technical score advisor | |
| Rosanna Sun | .... | music supervisor | |
| Damon Tedesco | .... | scoring stage crew | |
| Ryeland Allison | .... | musician: percussion (uncredited) | |
| Brent Brooks | .... | music editor: temp music (uncredited) | |
| Mark Graham | .... | music librarian (uncredited) | |
| Jo Ann Kane | .... | music copyist (uncredited) | |
| Claude Letessier | .... | ethnomusicologist (uncredited) | |
| Malcolm Luker | .... | scoring mixer: special effects music (uncredited) | |
| Bruno Roussel | .... | musician: percussion (uncredited) | |
Other crew | |||
| Simon Ambrose | .... | scaffolder | |
| Debbie Atkins | .... | assistant production coordinator | |
| Brendon Atong | .... | unit assistant: Solomon Islands/Guadalcanal unit | |
| Irene Augerinos | .... | catering assistant | |
| Daniel Bailey | .... | boat captain: Los Angeles post-production unit | |
| Meghan Bailey | .... | camp manager | |
| Warren Barnhart | .... | avid technical support | |
| Alex Barnoya | .... | first aid nurse: Los Angeles post-production unit (as Alex Barynoya) | |
| Julian Barton | .... | marine boat captain | |
| Rhodes Barton | .... | marine boat captain | |
| Brett Bastow | .... | marine boat captain | |
| Martin Belson | .... | extras coordinator: Japan | |
| Matt Bilski | .... | assistant: Mr. Hill | |
| Matt Bilski | .... | liaison: Los Angeles | |
| Sandra Bostock | .... | unit assistant (as Sandra Bostok) | |
| Guy Bourke | .... | pilot | |
| John Bowring | .... | key armorer | |
| Murray Boyd | .... | location manager | |
| Fred Braat | .... | unit assistant | |
| Brian Bradeley | .... | marine boat captain (as Brian Bradley) | |
| Hannah Browne | .... | set production assistant | |
| Kayce Brown | .... | production assistant: Los Angeles post-production unit | |
| Jeffrey Buhler | .... | webbing assistant: Los Angeles post-production unit | |
| Justin Caine Burnett | .... | assistant: Hans Zimmer (as Justin Burnett) | |
| Ranjini Busch | .... | assistant extras coordinator (as Ranjini Rusch) | |
| Mark Buttsworth | .... | assistant: armoury workshop | |
| Ron Byrd | .... | boat captain: Los Angeles post-production unit | |
| Mick Casey | .... | scaffolder assistant | |
| Douglas Chottu | .... | production runner: Solomon Islands/Guadalcanal unit | |
| James Chottu | .... | production runner: Solomon Islands/Guadalcanal unit | |
| Sophia Chottu | .... | production office assistant: Solomon Islands/Guadalcanal unit | |
| David Clark | .... | freight assistant | |
| Robin Clifton | .... | location manager: Solomon Islands/Guadalcanal unit | |
| Peter Cogar | .... | armorer | |
| Barry Collins | .... | marine boat captain | |
| Rob Collins | .... | marine boat captain | |
| Tim Cousins | .... | head technician: Libra | |
| Camilla Crossing | .... | unit assistant | |
| John Curtis | .... | pilot | |
| Danny Dade | .... | marine engineer | |
| Michael Dalmas | .... | catering assistant | |
| Jim Dedman | .... | military webbing advisor | |
| Joe Donaldson | .... | marine engineer | |
| Mike Douglas | .... | boat winchman: Los Angeles post-production unit | |
| Evelyn Driver | .... | unit nurse: second unit | |
| Dale Dye | .... | assistant military advisor | |
| Phil Eagles | .... | military webbing supervisor | |
| Joel Elliott | .... | production assistant: Los Angeles post-production unit | |
| Brian Ellison | .... | safety officer: second unit | |
| Pablo Espinosa | .... | assistant military advisor | |
| Michael Estrella | .... | production assistant: Los Angeles post-production unit (as Mike Estrella) | |
| Peter Evangelatos | .... | catering: Los Angeles post-production unit | |
| Peter Evangelatos | .... | craft service: Los Angeles post-production | |
| Todd Fellman | .... | location manager: second unit | |
| L. Douglas Fenton | .... | medical coordinator: Los Angeles post-production unit | |
| L. Douglas Fenton | .... | medical officer: Solomon Islands/Guadalcanal unit | |
| Kerry Fetzer | .... | caterer | |
| Guy Firth | .... | catering assistant | |
| Gloria M. Fujita | .... | first aid nurse: Los Angeles post-production unit (as Gloria Fujita) | |
| Serena Gattuso | .... | production coordinator | |
| Michael George | .... | dock master: Los Angeles post-production unit (as Mike George) | |
| Eugene L. Geyl | .... | marine boat captain | |
| Kim Gladman | .... | unit assistant | |
| Jeff Gribble | .... | armorer assistant (as Jeffrey Gribble) | |
| Ken Haber | .... | location manager: Los Angeles post-production unit | |
| Mike Harper | .... | freight coordinator | |
| Daniel Hart | .... | deckhand: Los Angeles post-production unit | |
| Daniel Hart | .... | safety diver: Los Angeles post-production unit | |
| Sandy Hastings | .... | assistant: Terrence Malick | |
| Steve Hawker | .... | unit assistant | |
| Doug Haywood | .... | pilot | |
| Col Heidke | .... | production runner (as Colin Heidke) | |
| Jeffrey Heidke | .... | production runner | |
| Chris Herron | .... | catering assistant | |
| Jim Hewitson | .... | unit assistant | |
| Jody Hewitson | .... | unit assistant | |
| Karl Hewitson | .... | unit assistant | |
| Rick Hicks | .... | boat winchman: Los Angeles post-production unit | |
| Daniel Keith Hobbs | .... | marine boat captain | |
| Mark Hornton | .... | boat captain: Los Angeles post-production unit | |
| Ron Houghton | .... | medical staff | |
| Simon Houma | .... | local police: Solomon Islands/Guadalcanal unit | |
| Simon Houma | .... | security: Solomon Islands/Guadalcanal unit | |
| Ian Hunter | .... | catering assistant | |
| Miles Jackson | .... | armorer assistant | |
| Toshi Jackson | .... | unit assistant: second unit (as Toshi) | |
| Gert Jacoby | .... | marine engineer | |
| Christobel Jefferies | .... | catering assistant | |
| Rudy Joffroy | .... | set production assistant: second unit | |
| Karen Jones | .... | location scout | |
| Talia Jones | .... | webbing assistant: Los Angeles post-production unit | |
| Christine Jourdan | .... | anthropologist: Solomon Islands | |
| Lance Julian | .... | marine coordinator | |
| Harry L. Julian Sr. | .... | assistant marine coordinator (as Harry L.H. Julian Sr.) | |
| Dave Kasubowski | .... | catering: Los Angeles post-production unit (as David Kasubowski) | |
| Dave Kasubowski | .... | craft service: Los Angeles post-production (as David Kasubowski) | |
| Angela Kenny | .... | first assistant accountant | |
| Pat Kingsley | .... | publicist: USA | |
| Amanda Kirby | .... | armorer | |
| Moses Lakwolly | .... | local police: Solomon Islands/Guadalcanal unit | |
| Moses Lakwolly | .... | security: Solomon Islands/Guadalcanal unit | |
| Brandon Lambdin | .... | production assistant: Los Angeles post-production unit | |
| Claude Lambert | .... | safety officer | |
| Fiona Landreth | .... | second assistant accountant | |
| Melaini Lewis | .... | accommodation coordinator | |
| Paul Littleton | .... | production runner: Los Angeles | |
| Dan Mailley | .... | production assistant: Los Angeles post-production unit | |
| Alexandra W.B. Malick | .... | continuity: Solomon Islands/Guadalcanal unit | |
| Lilene Mansell | .... | dialect coach | |
| Dottie McCarthy | .... | assistant: Mr. Stevens | |
| Richard McCarthy | .... | freight runner | |
| Richard Miller | .... | unit assistant | |
| Katrina Mills | .... | unit assistant | |
| Chris Mitchell | .... | assistant safety officer | |
| Tomo Miyaguchi | .... | Japanese advisor | |
| Reza Mokhtar | .... | catering assistant | |
| Victor Roger Monk | .... | dailies projectionist | |
| Allan Mowbray | .... | armorer | |
| Kerry Mulgrew | .... | production secretary | |
| Claudia Myers | .... | assistant: Geisler & Roberdeau | |
| Joanne Newell | .... | extras payroll accountant | |
| Gregory Scott Newman | .... | assistant: Hans Zimmer | |
| Aimee Nicholson | .... | assistant: Terrence Malick | |
| Donovan Norguard | .... | assistant: armoury workshop | |
| Jenny Norman | .... | production assistant | |
| Chris O'Connell | .... | script supervisor (as Chrissy O'Connell) | |
| Garry O'Conner | .... | unit assistant | |
| Owen O'Malley | .... | pilot | |
| Johnny Pacialeo | .... | set production assistant (as Giovanni Pacialeo) | |
| Bob Parsons | .... | armorer | |
| Royce Perkins | .... | assistant military advisor | |
| Al Perry | .... | boat captain: Los Angeles post-production unit | |
| Tim Pickering | .... | production assistant: Los Angeles post-production unit | |
| Kevin Plummer | .... | production accountant: Solomon Islands/Guadalcanal unit | |
| Simon Primrose | .... | marine boat captain | |
| Fleur Quinn | .... | marine boat captain | |
| Carl Raab | .... | shipwright | |
| Kim M. Rabsatt | .... | assistant: Geisler & Roberdeau | |
| John Rayner | .... | pilot | |
| Anne Renehan | .... | continuity assistant (as Annie Renehan) | |
| Jacquie Robertson | .... | medical staff | |
| Vicki Dee Rock | .... | production executive | |
| Ruben Romo | .... | assistant military advisor (as Reuben Romo) | |
| Emily Saunders | .... | script coordinator | |
| Fiona Searson | .... | unit publicist | |
| Ray Seaver | .... | pilot | |
| Jason Shearer | .... | marine boat captain | |
| Kent Sherlock | .... | production runner | |
| Bruce Simpson | .... | aircraft coordinator | |
| Ralph Simpson | .... | pilot | |
| Julie Sims | .... | second unit coordinator | |
| Joanie Spates | .... | post-production accountant (as Joanie Wooten-Spates-Ahuna) | |
| Nick Spetsiotis | .... | assistant marine coordinator | |
| Mike Stokey | .... | key military advisor | |
| Leoni Strickland | .... | assistant: Mr Hill, Australia | |
| Susan Such | .... | assistant: Mr. Travolta, Los Angeles post-production unit | |
| Greg Tash | .... | deckhand: Los Angeles post-production unit | |
| Greg Tash | .... | safety diver: Los Angeles post-production unit | |
| Robert Threadgold | .... | production accountant | |
| Andrew Toritarau | .... | local police: Solomon Islands/Guadalcanal unit | |
| Andrew Toritarau | .... | security: Solomon Islands/Guadalcanal unit | |
| Victor Totu | .... | local liaison: Solomon Islands/Guadalcanal unit | |
| Danny Trefts | .... | boat captain: Los Angeles post-production unit | |
| Rachel Vogelpoel | .... | medical staff | |
| Toddy Walters | .... | production assistant: Los Angeles post-production unit | |
| Scott Warwick | .... | armorer | |
| Shin Watarai | .... | Japanese advisor | |
| Richard Wicklund | .... | teacher: Los Angeles post-production unit (as L. Richard Wickland) | |
| Tony Wilcox | .... | caterer: Solomon Islands/Guadalcanal unit | |
| Kylie Wilkie-Smith | .... | payroll accountant | |
| Pamela Willis | .... | script supervisor: second unit (as Pam Willis) | |
| Jenny Wilson | .... | catering assistant | |
| Raliegh Wilson | .... | assistant military advisor (as Raleigh Wilson) | |
| Rob Wong | .... | boat captain: Los Angeles post-production unit | |
| Thomas Wyatt | .... | deckhand: Los Angeles post-production unit | |
| Thomas Wyatt | .... | safety diver: Los Angeles post-production unit | |
| Ron Wyndham | .... | unit assistant | |
| Phillip Young | .... | armorer assistant | |
| Kenny Chaplin | .... | set production assistant (uncredited) | |
| Troy Hartman | .... | stand-in: George Clooney (uncredited) | |
| Dawn Higginbotham | .... | production assistant (uncredited) | |
| Tom Lent | .... | adr voice (uncredited) | |
| Chris Miller | .... | technical consultant (uncredited) | |
| Bill Timoney | .... | adr voice group (uncredited) | |
Thanks | |||
| Penelope Allen | .... | thanks (as Penny Allen) | |
| Daniel Aukin | .... | thanks | |
| Henry Bamberger | .... | thanks | |
| Walter H. Bradford | .... | thanks | |
| Ray Elliott | .... | thanks | |
| Lukas Haas | .... | thanks | |
| Eryna Heisler | .... | thanks | |
| Kevin Heisler | .... | thanks | |
| Gloria Jones | .... | thanks | |
| Jamie Jones | .... | thanks | |
| Kaylie Jones | .... | thanks | |
| Randall Duk Kim | .... | thanks | |
| Darrell Kirkland | .... | thanks | |
| Harold Lee | .... | thanks | |
| Donal Logue | .... | thanks | |
| Francine Maisler | .... | thanks | |
| Jack McNees | .... | thanks | |
| Barry McPaul | .... | thanks | |
| Robert Miranda | .... | thanks | |
| Viggo Mortensen | .... | thanks | |
| Amanda Nelligan | .... | thanks | |
| Lindy Neuhaus | .... | thanks | |
| David Paschall | .... | thanks | |
| Barry Paterson | .... | thanks | |
| Jason Patric | .... | thanks | |
| Carey Phillips | .... | thanks | |
| Jace Phillips | .... | thanks | |
| David Pratt | .... | thanks | |
| John Price | .... | thanks | |
| Bill Pullman | .... | thanks | |
| Jason Rabe | .... | thanks | |
| Jeff Rona | .... | acknowledgment: beam supplemented by | |
| Robert L. Rosen | .... | thanks | |
| Mickey Rourke | .... | thanks | |
| Martin Sheen | .... | thanks | |
| Thomas Sumners | .... | thanks | |
| Billy Bob Thornton | .... | thanks | |
| Harley Williams | .... | thanks | |
| John Womack Jr. | .... | thanks | |
| Brother Zephaniah | .... | thanks | |
| Tim Zinnemann | .... | thanks (as Tim Zinneman) | |
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| Cross of Iron | From Here to Eternity | Saving Private Ryan | Full Metal Jacket | All Quiet on the Western Front |
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The "Thin Red Line" is not an easy film to understand. It uses one of the most complex narrative structures yet produced by cinema to tell three stories (yes, it DOES have a plot): 1) the one the book wanted to tell (the book's title comes from a 19th century allusion to the British Empire's infantry [red uniforms] whose small numbers managed to 'protect' the British ["civilization" from their point of view] from the countless hordes of "savages" which the Empire ruled (this concept is regrettably racist). James Jones used this analogy to tell the story of how young American soldiers with no battlefield experience become bloodied veterans. 2) the fundamental paradox of war: to protect "civilization" (all that we hold dear) we are prepared to send young men to fight in wars. We know that in war they will see and do things that will turn them into the very "savages" that we are trying to prevent from destroying our civilization. If you believe that there are things even worse in the world than war (genocide, rule by the Axis powers) then war is not irrational, but the paradox mentioned above exists. 3) man is not distinct from nature but a part of it. Therefore, nature is both beautiful and cruel. (Like our civilization and war). To tell these stories Terence Malick used symbolic imagery, flashback, voice-overs, passages without dialogue, long close-ups of the actors' faces, changes in tempo and a haunting score. For example, his use of symbolism has been much criticized but everything has a purpose e.g. the crocodile entering the green algae covered water (nature's savagery), the native man who passes the company, after they land on the beach, walking in the opposite direction apparently oblivious of their presence (their shocked and bewildered faces reveal how they are forced to question the relevance of the reasons for which they may shortly die - the defense of civilization), the tree being choked by parasitic vines ('nature is cruel' as Lt. Col. Tall so aptly puts it), the bird being born as a soldier dies (it was not dying as many people thought - "we come from the earth and return to it" as we hear in the voice-overs), dogs eating a human corpse ("dog eat dog" - the soldiers are becoming desensitized to the violence) the same crocodile, now dead, at the end of the film being carried away as a sort of trophy (danger has receded for the moment), the coconut sprouting a palm on the empty beach in the last scene (after death comes birth - the cycle of life). There are, of course, many, many other examples. The use of flashback accompanied by voice-over to convey feelings as opposed to narrate a story must have appeared strange to anyone who never saw Alain Resnais' "Hiroshima Mon Amour". It was used most effectively with Ben Chaplin's character (Pvt. Jack Bell) when he thinks of his wife back home - incidentally he idolizes her in the same way we do our own culture - another metaphor. His disillusionment is profound and shows that what he was prepared to die for was only as pure as any ideal. It is often say that there was no character development. This is also false. For example, in the scene where Sgt. Welsh is speaking to Witt shortly after his arrest for being AWOL , Welsh seems to claim that it is every man for himself when he says that individual sacrifice is worthless, there is no world but this one and that each man must get through the war the best that he can. However, we subsequently see him risking his life to deliver morphine to a MORTALLY wounded man during the frontal assault on the Japanese machine gun nests. Also, Witt can not understand where evil comes from in the midst of the beauty he sees in the Melanesian village, but when he returns there he sees man arguing, enemy skulls, crabs hideously crawling around on an outstretched human hand and a child's back covered with insect bites while those people around it are seemingly uncaring. These images suggest that evil is inherent in man. Malick avoids the usual stereotypes. Although we see heroic acts (such as the taking of the machine gun nests by Capt. John Gaff's [John Cusack] team of volunteers), there are no recognizable heros. It is true that the characters are not sharply defined. When the violence comes it is against all of them i.e. all of US. Are there then any relevant negative criticisms of the movie? I would say that it did not meander as some critics alleged (every scene has a purpose) but it was unnecessarily long. There is a certain irony in this. It is said that Malick edited over 100 hours of material first to 9 hours. Understandably the studio did not accept this. He then reduced it to 6 hours and then to 3. (This helps to explain the lightning appearances by John Travolta and George Clooney, I see no problem, however, with using big name stars in such short roles - Richard Attenborough did it in "A Bridge Too Far"). With so much cherished material available, I suspect that Malick fell into the trap of opting for the maximum length that the studio would allow when more artistically efficient editing would have reduced the film to 2* hours. The balance between the action and meditative passages would have worked better if certain scenes had been cut, such as Witt's passing a wounded soldier on the way back to his company after leaving the Melanesian village the second time and also the conversation that Witt and Welsh have towards the end of the film (Welsh appears a stranger to him, suggesting that he is simply a troublemaker). Even with the exclusion of these scenes Witt would still appear a humanist and Welsh a complex "every man". Most people would agree that the film is visually stunning. As there has been very little even remotely similar in the past, it will be confusing for many people but I am convinced that this will come to be seen as a hugely important work - the most influential of the 1990s.