| Michel Boujenah | ... | Alain Berrebi | |
| Gérard Depardieu | ... | Jean Bourdalou | |
| Elsa Zylberstein | ... | Arlette Stern | |
| Catherine Jacob | ... | Lorène Benguigui | |
| Gina Lollobrigida | ... | Gaby Berrebi | |
| Gad Elmaleh | ... | Samy | |
| Felix Fiebich | ... | Nathan Stern | |
| Maurice Chevit | ... | David Stern | |
| Jenny Clève | ... | Renée Bourdalou | |
| Anna Loubeyre | ... | Mémé Perret | |
| Delphine Schiltz | ... | Morgane | |
| Pierre Zimmer | ... | Baptiste Bourdalou | |
| Oulage Abour | ... | Marco | |
| Emmanuelle Riva | ... | Sonia Stern | |
| rest of cast listed alphabetically: | |||
| Isaach Brami | ... | Salomon | |
| Didier Cauchy | ... | Labro | |
| Jérôme Chalou | ... | Automobiliste | |
| Léon Cornut | ... | Curé | |
| Paulette Djilali | ... | Nénée | |
| Eriq Ebouaney | ... | Omar | |
| Pascal Elbé | ... | François Stern | |
| Frédéric Ester | ... | Boxeur | |
| Eric Fourniols | ... | Chauffeur taxi new york | |
| Franck Giraud | ... | Garçon de café | |
| Alain Goldman | ... | Religieux | |
| Samir Guesmi | ... | Livreur pizza | |
| Maurice Illouz | ... | Médecin | |
| Sylvia Kauders | ... | Secrétaire | |
| Muriel Kenn | ... | Zana | |
| Richard Laune | ... | Livreur fleurs | |
| Maurice Levy | ... | Elie | |
| Nordine Mouchi | ... | Boxeur | |
| Yann Roussel | ... | Patron chinois | |
| Birgitta Scholz | ... | Kim | |
| Luc Sindres | ... | Commerçant | |
| Sidney Smadja | ... | Entraineur match de boxe | |
| Karen Strassman | ... | Attachée de presse | |
| Vincent Tulli | ... | Chauffeur | |
| Charlotte Vermeil | ... | La Styliste | |
| Ron Wall | ... | Chauffeur (uncredited) | |
Directed by | |||
| Ariel Zeitoun | |||
Writing credits | ||
| Florence Quentin | (original scenario, adaptation and dialogue) | |
Produced by | |||
| Patrick Batteux | .... | executive producer: New York | |
| Alain Goldman | .... | producer | |
Original Music by | |||
| Goran Bregovic | |||
Cinematography by | |||
| Philippe Pavans de Ceccatty | |||
Film Editing by | |||
| Hugues Darmois | |||
Casting by | |||
| Pierre Amzallag | |||
Production Design by | |||
| Dominique André | |||
| Rolf Grimsted | |||
| Jennifer Alex Nickason | (as Jenny Alex) | ||
Costume Design by | |||
| Edith Vesperini | |||
Makeup Department | |||
| Patrick Girault | .... | hair stylist | |
| Paul Le Marinel | .... | key makeup artist | |
| Nathalie Martel | .... | makeup artist | |
| Régine Navaro | .... | key makeup artist | |
| Ghislaine Tortereau | .... | key hair stylist | |
Production Management | |||
| Jérôme Chalou | .... | production manager | |
| Christine De Jekel | .... | unit manager | |
| Michel Imbert | .... | assistant production manager | |
Art Department | |||
| André Baccot | .... | carpenter | |
| Sarah Barbault | .... | assistant art director | |
| Thierry Carini | .... | construction manager | |
| Jean-Jacques Chapelle | .... | carpenter | |
| Christian Gazio | .... | property master | |
| Bertrand Guinnebault | .... | painter | |
| Peter Hammond | .... | key painter | |
| Virginie Hernvann | .... | assistant decorator | |
| Patrick Jamot | .... | painter | |
| Christophe Lomax | .... | painter | |
| Danielle Mainard | .... | set dresser | |
| Françoise Malaplate | .... | painter | |
| Yann Megard | .... | assistant decorator | |
| Claude Potier | .... | carpenter | |
| Pierre Roger | .... | painter | |
| Séverine Roger | .... | draper | |
| Alain Strasser | .... | carpenter | |
| Patrick Veron | .... | carpenter | |
| Stéphanie Veron | .... | carpenter | |
Sound Department | |||
| Anne Le Campion | .... | assistant sound mixer | |
| Arthur Le Roux | .... | boom operator | |
| Alain Lévy | .... | post-synchronization | |
| Laurent Lévy | .... | foley artist | |
| Pascal Mazière | .... | assistant foley artist | |
| Vincent Tulli | .... | sound | |
| Emmanuel Ughetto | .... | assistant sound | |
| Dominique Vieillard | .... | sound designer | |
| Dominique Vieillard | .... | sound editor | |
Visual Effects by | |||
| Frederic Moreau | .... | visual effects | |
Stunts | |||
| Alain Guerillot | .... | stunts | |
| Gérard Kuhnl | .... | stunts | |
| Roland Neunreuther | .... | stunts | |
Casting Department | |||
| Kristel Alberts | .... | extras casting | |
| Marc Bellini | .... | casting assistant | |
| Donna DeSeta | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Laurence Nicolas | .... | costumer | |
| Gil Noir | .... | costumer | |
| Maria Oufkir | .... | wardrobe | |
| Stéphane Rollot | .... | costumer (as Stephan Rollot) | |
Editorial Department | |||
| Brigitte Chanteloube | .... | assistant editor | |
Other crew | |||
| Laetitia Beverini | .... | script supervisor | |
| April Blair | .... | production office coordinator: New York | |
| Alain Blanchard | .... | location manager | |
| Nicole Cobac | .... | production administrator | |
| Marylène Dastugue | .... | production secretary | |
| Donna Farmer | .... | production accountant | |
| Vanessa Fourgeaud | .... | production coordinator | |
| Sarah Gyllenstierna | .... | production assistant | |
| Colette Martin | .... | assistant accountant | |
| Kelly Nathe | .... | production assistant: New York | |
| Muriel Romana | .... | assistant: Alain Goldman | |
| Helene Sjoblom | .... | production assistant: New York | |
| Sophie Thévenet-Becker | .... | continuity | |
| Hilary Wolk | .... | production coordinator: New York | |
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| L'homme est une femme comme les autres | Les aventures de Rabbi Jacob | Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence | Bednye rodstvenniki | My Father the Hero |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
This one looks like a multi-stars, multi-budgeted rehash of Thomas Gilou's smash hit "La vérité si je mens", playing again on the manierism of the French Jewish community from the garment district. The first half-an-hour is so cliché-ridden it turns boring, then it catches some life, but gives too little, too late. The whole scenario feels like something taken out of a Seventies comedy reject, when French cinema rode on clichés and poor production value. Poorly marketed in France (nobody knew what it exactly was about.), this one went straight to video in other countries, and it has the feel of a so-so TV movie. Yes, even now, French cinema keeps on churning this kind of old-fashioned time-waster. too bad so many good actors got caught in the lurch.