| Photos (see all 6 | slideshow) |
| Pascale Bussières | ... | Juliana Kossel (as Pascale Bussiéres) | |
| Shelley Duvall | ... | Amelia Glahn | |
| Frank Gorshin | ... | Cain Ball | |
| Alice Krige | ... | Zephyr Eccles | |
| R.H. Thomson | ... | Dr. Issac Solti | |
| Ross McMillan | ... | Matthew Eccles / Voice of Peter Glahn | |
| Frank Kowalski | ... | Man in Black | |
| Breanne Dowhan | ... | Baby | |
| rest of cast listed alphabetically: | |||
| Nigel Whitmey | ... | Peter Glahn (uncredited) | |
Directed by | |||
| Guy Maddin | |||
Writing credits(in alphabetical order) | ||
| Knut Hamsun | novel "Pan" (uncredited) | |
| George Toles | writer | |
Produced by | |||
| Ritchard Findlay | .... | producer | |
| Derek Mazur | .... | executive producer | |
| Charlotte Mickie | .... | executive producer | |
Original Music by | |||
| John McCulloch | |||
Cinematography by | |||
| Michael Marshall | |||
Film Editing by | |||
| Reginald Harkema | |||
Production Design by | |||
| Réjean Labrie | (as Rejean Labrie) | ||
Art Direction by | |||
| Ian Handford | |||
Set Decoration by | |||
| Gordon Wilding | |||
Costume Design by | |||
| Donna Szöke | |||
Makeup Department | |||
| Sylvain Cournoyer | .... | key makeup artist (as Sylvain Cornoyer) | |
| Beverley Hamilton | .... | assistant makeup artist | |
| Adina Shore | .... | key hair stylist (as Adina) | |
Production Management | |||
| Juliette Hagopian | .... | production manager | |
| Hans Lucas | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ronaldo Nacionales | .... | second assistant director | |
| Richard O'Brien-Moran | .... | first assistant director | |
Art Department | |||
| Olaf Dux | .... | construction coordinator | |
| Mark Gebel | .... | property master | |
| Kim Hamin | .... | scenic artist | |
| Matt Holm | .... | greensperson | |
| Lucy Lam | .... | painter | |
| Andrea Locktin | .... | assistant property builder | |
| Juan López-Dabdoub | .... | painter trainee (as Juan Lopez-Dabdoub) | |
| Steve Madden | .... | head carpenter | |
| Johanna Mazur | .... | on-set dresser | |
| Neil McInnes | .... | carpenter | |
| Kathy McKinnon | .... | painter (as Cathy McKinnon) | |
| Garth Mesz | .... | carpenter | |
| Kirsten Olsen | .... | painter (as Kristen Olsen) | |
| Conrad Percheson | .... | draftsperson | |
| Brendon Sawatzky | .... | construction daily (as Brendan Sawatzky) | |
| Larry Spittle | .... | lead props | |
| Sherry Starkell | .... | greensperson | |
| Sherry Starkell | .... | props builder | |
| Liduina VanderSpek | .... | daily props (as Liduina Currell) | |
| Jackie Van Winkle | .... | key scenic artist | |
| Andrea Von Wichert | .... | set dresser | |
| Eldon Zigarlick | .... | carpenter | |
Sound Department | |||
| Kelly Cole | .... | sound re-recording mixer | |
| Russ Dyck | .... | adr editor | |
| Russ Dyck | .... | post audio coordinator | |
| James A. Gore | .... | foley assistant | |
| Ken Gregory | .... | sound editor | |
| Goro Koyama | .... | foley assistant | |
| Andy Malcolm | .... | foley artist | |
| Bill Mellow | .... | sound re-recording mixer | |
| Don Melnyk | .... | adr engineer | |
| Fred Rivas | .... | stereo sound consultant | |
| Paul A. Sharpe | .... | sound re-recording mixer (as Paul Sharpe) | |
| Etoile Stewart | .... | sound assistant | |
| Tony Van den Akker | .... | foley recordist (as Tony van den Akker) | |
| Daniel W. Victor Jr. | .... | stereo sound consultant (as Daniel Victor) | |
| Stewart Whitby | .... | sound assistant | |
Special Effects by | |||
| Mark Gebel | .... | special effects | |
| Larry Spittle | .... | special effects assistant | |
Visual Effects by | |||
| Conrad Percheson | .... | miniatures | |
Camera and Electrical Department | |||
| Arlea Ashcroft | .... | best boy | |
| Kel Berg | .... | electrician | |
| Szu Burgess | .... | still photographer | |
| Lawrence A. Carpenter | .... | daily electrician (as Lawrence Carpenter) | |
| Lawrence A. Carpenter | .... | daily grip (as Lawrence Carpenter) | |
| Bruce Claydon | .... | grip | |
| Kevin Deally | .... | daily grip | |
| Michael Drabot | .... | gaffer | |
| Jay Kohne | .... | first assistant camera | |
| Sharon MacIntyre | .... | electrician | |
| Steve Madden | .... | dolly grip | |
| Steve Madden | .... | key grip | |
| Len Peterson | .... | second assistant camera | |
| Lance Rowley | .... | electric swing | |
| Lance Rowley | .... | grip | |
| Brian Sanders | .... | camera operator | |
| Paul Suderman | .... | camera trainee | |
| Shauna Townley | .... | camera trainee | |
Costume and Wardrobe Department | |||
| Carolyn Bradshaw | .... | costume construction | |
| Brooklyn Drabot | .... | costume construction | |
| Wanda Farian | .... | costume supervisor | |
| Diane Klisko | .... | costume construction | |
| Thora Lamont | .... | costume patterns and cutting | |
| Megan LaTouche | .... | costume construction | |
| Karen Lawlor | .... | costume construction | |
| Lorraine O'Leary | .... | costume patterns and cutting | |
| Lois Powne | .... | costume construction | |
| Barbara Pritchard | .... | costume construction | |
| Sandra Seaman | .... | costume construction | |
| Hollis Spevak | .... | costume construction | |
Editorial Department | |||
| Gay Black | .... | negative cutter | |
| Dana Neville | .... | color timer | |
Music Department | |||
| Milos Betko | .... | orchestra recording supervisor | |
| Peter Breiner | .... | conductor | |
| Ladislav Krajcovic | .... | orchestra assistant engineer | |
| Otto Nopp | .... | orchestra engineer | |
| Ivan Paulicka | .... | orchestra manager | |
| Clive Perry | .... | music editor | |
| Josef Skorepa | .... | concert master | |
Transportation Department | |||
| M. Frances McDermid | .... | driver | |
| Chris Sol | .... | driver | |
Other crew | |||
| Lawrence Anonychuk | .... | animal wrangler | |
| Norma Bailey | .... | story consultant | |
| Donovan Chaput | .... | volunteer | |
| Jonah Corne | .... | volunteer | |
| Charles Crossin | .... | set production assistant | |
| Kelly Ditz | .... | craft service | |
| Grace Donaldson | .... | trainee: MMPIA | |
| Tina Douvris | .... | volunteer | |
| Warren Dowhan | .... | security officer | |
| Bob Driscoll | .... | volunteer | |
| Richard Duffy | .... | volunteer | |
| Tobe Duggan | .... | volunteer | |
| Russ Dyck | .... | post audio coordinator | |
| Adeline Elias | .... | production accountant | |
| Claude Forest | .... | insurance | |
| Vaclav Frkal | .... | booth supervisor | |
| Colin Giesbrecht | .... | volunteer | |
| Andrew Gillies | .... | volunteer | |
| Wayne Glesby | .... | security coordinator | |
| Karen Harrington | .... | volunteer | |
| Sheila Henke | .... | volunteer | |
| Simon Hughes | .... | volunteer | |
| Ross Ikeda | .... | post-production accountant | |
| Dan Iwaczewski | .... | craft service | |
| Connie Jantz | .... | volunteer | |
| Mike 'Chicago' Javor | .... | volunteer (as 'Chicago Mike' Javor) | |
| Corinne Kennedy | .... | volunteer | |
| Martyn Krys | .... | legal services | |
| Dianne Lafournaise | .... | volunteer (as Diane Lafournaise) | |
| Maureen Landa | .... | volunteer | |
| Phyllis Lang | .... | production accountant (as Phyllis Laing) | |
| Andrew Libich | .... | volunteer | |
| Jilian Maddin | .... | volunteer | |
| Paul Martens | .... | gallery photography | |
| Tamara Mauthe | .... | production secretary | |
| Tanya Mazur | .... | script supervisor | |
| Gary Munroe | .... | trainee: MMPIA | |
| David E. Nault | .... | trainee: MMPIA (as David Nault) | |
| Laura Neufeld | .... | production coordinator | |
| Nghia Nguyen | .... | legal services | |
| Tracy Noga | .... | stand-in | |
| Louise O'Brien-Moran | .... | unit publicist | |
| Shaunna O'Brien-Moran | .... | production executive | |
| Mark Pindera | .... | volunteer | |
| Matthew Rankin | .... | volunteer | |
| Alexandra Saborowski | .... | assistant to producer | |
| Toni Scinocca | .... | volunteer | |
| Ed Sinclair | .... | security officer | |
| Chris Sol | .... | office production assistant: preparation | |
| Jacob Steele | .... | volunteer | |
| Jane Tingley | .... | sculptress | |
| Caelum Vatnsdal | .... | diarist | |
| Mark Warhaft | .... | caterer | |
| Lisa Wayne | .... | volunteer | |
| Chris Wellard | .... | location production assistant (as Christopher Wellard) | |
| Jesse Wiebe | .... | security officer | |
| Simon Wincer | .... | volunteer | |
| Dwight Wolfe | .... | ostrich wrangler | |
Thanks | |||
| Paddy Bickerton | .... | thanks | |
| John Buchan | .... | thanks | |
| Karen Cameron | .... | thanks | |
| Craig Carter | .... | thanks | |
| Juliette Hagopian | .... | thanks | |
| Jacob | .... | thanks (as Kim & Matthew & Jacob) | |
| Kim | .... | thanks (as Kim & Matthew & Jacob) | |
| Shirley Loewen | .... | special thanks (as William and Shirley Loewen) | |
| William Loewen | .... | special thanks (as William and Shirley Loewen) | |
| Wendy MacKeigan | .... | thanks | |
| Andy Malcolm | .... | thanks | |
| Matthew | .... | thanks (as Kim & Matthew & Jacob) | |
| Neil McInnes | .... | thanks | |
| Ross McMillan | .... | thanks | |
| Susan Minas | .... | thanks | |
| Jon Taylor | .... | thanks | |
| Peter Tilley | .... | thanks | |
| Carole Vivier | .... | thanks | |
| Recent Posts (updated daily) | User |
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| Inland Empire | Sweet Movie | The 4th Life | Tromeo and Juliet | Subconscious Cruelty |
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| Full cast and crew | Company credits | External reviews |
| IMDb Fantasy section | IMDb Canada section | Add this title to MyMovies |
There's a blood vessel that pumps between the selves we drive through the day and the incubus we nourish, a creative self (perhaps cocreated by a love), relatively unconstrained, who we promise ourselves we will birth some day.
The most sublime art is what we imagine that young, more unfettered mind imagines. Its why we live, a large part of it, I think.
This is the domain Maddin has decided to explore. Its a sort of Joycean commitment, a raw commitment to dreams less shaped than usual by borrowed items and fed by distilled urges in blood. Small surprise that these don't fully resonate; its supposed to be strange, strange in disturbing ways.
I like the fact that this goes on too long. It has to go on long enough to plainly state that you are not a tourist, instead you've unknowingly entered something you can never really leave.
In its general shape, it is "The Tempest" meets the "Sarrogossa Manuscript" visually flavored by Max Parrish.
It has dreams within dreams and as they shift different controlling or dreaming minds move to the foreground, even a statue (us). There are sexual enchantments, shifting from honesty and deceit, knowing and manipulated. There's a Prospero and a Miranda, a Bloom/hunter who dreamhunts.
I think if you are serious about self, then you will be about film and that will lead you to Maddin and eventually to this. It isn't his most virile vision, but you can sure see what's going on. And that's worth something.
Ted's Evaluation -- 3 of 3: Worth watching.