Fallen
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A Note Regarding Spoilers

The following FAQ entries contain spoilers. Only the biggest ones (if any) will be covered with spoiler tags. Spoiler tags are used sparingly in order to make the page more readable.

For detailed information about the amounts and types of (a) sex and nudity, (b) violence and gore, (c) profanity, (d) alcohol, drugs, and smoking, and (e) frightening and intense scenes in this movie, consult the IMDb Parents Guide for this movie. The Parents Guide for Fallen can be found here.

The demon Azazel was not invented for the film, but does in fact have roots in, amongst other things, the Christian Bible, several Biblical apocrypha, Kabbalah, Islamic lore and the Koran.

The earliest known mention of Azazel is from the Book of Leviticus, 16:8-10. However, in order to understand the nature of Azazel as presented in Leviticus, one must first understand something of the wider context of Yom Kippur (a Jewish holiday more commonly known as the Day of Atonement). Yom Kippur occurs on the tenth day of what is known as Aseret Yemei Teshuva (the Ten Days of Repentance), which take place over the course of the first ten days of Tishrei, which is the first month of the civil year, and the seventh month of the ecclesiastical year in the Hebrew Calendar (in the Georgian calendar, Aseret Yemei Teshuva usually happens during September or October). The first day of Aseret Yemei Teshuva is known as Rosh Hashanah (more commonly referred to as the Jewish New Year). On Rosh Hashanah, the people are divided up into three groups; the righteous, the wicked and the undetermined. The names of the undetermined are entered into a book, and over the course of Aseret Yemei Teshuva, they must attempt to mend their ways so as to make themselves righteous, seeking forgiveness for sins against their fellow man and sins against Yahweh, the deity of the Israelites (better known to modern readers as Jehovah, but also known as Yhwh and Tetragrammaton). On Yom Kippur, the actions of each person during Aseret Yemei Teshuva are taken into consideration, and each previously undetermined individual is marked out as either righteous or wicked. At this time, the book is sealed, and the fate of each person for the upcoming year is fixed.

Leviticus 16 describes a specific part of the Temple Service of Yom Kippur, known as 'The Lottery of the Goats.' The Temple Service is a strict set of rites, sacrifices and purifications which are carried out in a specific order by the Kohen Gadol (High Priest). The Lottery of the Goats refers to a part of the service were two goats are taken from the flock, and are brought before Yahweh. The goats are presented to Yahweh at the door of the tabernacle, and the Kohen Gadol casts lots for them (hence the term Lottery of the Goats). Based on the lots, one goat is chosen to represent purity and is sacrificed to Yahweh. The second goat is chosen to absorb all of the sins of the congregation and is taken out into the desert and abandoned, thus symbolically removing the sins of the people (this goat is generally referred to as the scapegoat or emissary-goat). Prior to the goat's departure for the wilderness, an elaborate ceremony is carried out wherein the Kohen Gadol lays his hands upon the goat's head and confesses over it the sins of the people. He then fastens a scarlet woolen thread to the head of the goat; and recites a confession of sin and prayer for forgiveness: "O Lord, I have acted iniquitously, trespassed, sinned before Thee: I, my household, and the sons of Aaron Thy holy ones. O Lord, forgive the iniquities, transgressions, and sins that I, my household, and Aaron's children Thy holy people committed before Thee, as is written in the law of Moses, Thy servant, 'for on this day He will forgive you, to cleanse you from all your sins before the Lord; ye shall be clean'." This prayer is repeated by the congregation. A man is then selected, usually a lower priest, to take the goat to a precipice in the wilderness. When he gets to the precipice, he splits the scarlet thread into two parts, tying one to the rock and one to the goat's horns, and sets the goat free, thus removing the sins of the congregation, as it symbolically carries those sins away into the desert (hence the modern usage of the term scapegoat).

Leviticus 16:8-10 describes the first time the Lottery of the Goats was performed; "Aaron shall cast lots for the two goats, one lot for the LORD and the other lot for the scapegoat. Then Aaron shall offer the goat on which the lot for the LORD fell, and make it a sin offering. But the goat on which the lot for the scapegoat fell shall be presented alive before the LORD, to make atonement upon it, to send it into the wilderness as the scapegoat." As can be seen however, in this extract from Leviticus, there is no mention of Azazel. That is because there is some considerable debate about the validity of the word itself. The above quotation was taken from the New American Standard Bible, and the passage is nearly identical in the King James Bible, "And Aaron shall cast lots upon the two goats; one lot for the LORD, and the other lot for the scapegoat. And Aaron shall bring the goat upon which the LORD's lot fell, and offer him for a sin offering. But the goat, on which the lot fell to be the scapegoat, shall be presented alive before the LORD, to make an atonement with him, and to let him go for a scapegoat into the wilderness." However, in contrast, here is the same passage from the New Revised Standard Version: "Aaron shall cast lots on the two goats, one lot for the LORD and the other lot for Azazel. Aaron shall present the goat on which the lot fell for the LORD, and offer it as a sin offering; but the goat on which the lot fell for Azazel shall be presented alive before the LORD to make atonement over it, that it may be sent away into the wilderness to Azazel." Similarly, here is the passage in the Basic English Bible, "Aaron will make selection from the two goats by the decision of the LORD, one goat for the LORD and one for Azazel. And the goat which is marked out for the LORD, let Aaron give for a sin-offering. But the goat for Azazel is to be placed living before the LORD, for the taking away of sin, that it may be sent away for Azazel into the waste land."

The reason for the disparity between these various translations is that the word 'scapegoat' is used interchangeably with the word 'Azazel', and this raises one of the basic problems with the Leviticus presentation of Azazel - to what exactly does it refer? What, specifically, is Azazel as presented in Leviticus? Some argue that the word refers simply to the mountain to which the goat is to be brought (hence, the goat is "for Azazel" insofar as it is to be brought to the mountain). This is based on the claim that the word Azazel is a combination of the Hebrew 'azaz' (meaning 'rugged') and 'el' (referring to 'the strength of God'), thus suggesting that Azazel is a literal translation of 'the rugged strength of God', and as such it describes the strong and rugged rocks of the Judean desert. Another theory is that Azazel refers to an abstract personification of sin and is an ancient word that means the general removal of sin from the entire congregation. Proponents of this theory claim that the word is not a specific name, but an ancient and rare Hebrew noun, meaning 'entire removal.' Yet another theory is that it refers to the goat itself. Those who subscribe to this belief argue that the word 'scapegoat' comes from the Hebrew 'azazel', which literally means 'goat of departure,' formed from 'azal' (meaning 'to go away') and 'ez' (meaning 'goat'). A fourth theory is that Azazel refers to an actual demon residing in the desert.

Of these four theories, the most common (certainly amongst modern scholars) is the theory that Azazel is a demon. This theory was originated by the 13th century rabbi, Nahmanides, who argued that Azazel is one of the leaders of a class of demon known as the Se'irim, goat-like satyrs who haunt the desert, and to whom most primitive tribes offered sacrifices. Se'irim are mentioned several times in the Bible, but they are usually referred to as "goat-demons" (which is what the word Se'irim literally means). For example, Leviticus 17:7 reads, "they may no longer offer their sacrifices for goat-demons, to whom they prostitute themselves." Similarly, 2 Chronicles 11:15 states, "He had appointed his own priests for the high places, and for the goat-demons, and for the calves that he had made." Whatever the case regarding the Se'irim however, if one accepts that Azazel is a demon, then the Lottery of the Goats seems to function to return the sins of the people to the evil spirit whose influence possibly brought about those sins in the first place. However, the fact is that scholars cannot reach a consensus as to exactly what Azazel is in Leviticus; it could be a person, place, thing or abstract notion. As an example of just how divergent interpretations can range, see here for an argument that Azazel is in fact Satan, and here for the opposite argument, that Azazel is actually Christ.

Moving away from Leviticus, the theory that Azazel is a demon is heavily based upon the Book of Enoch (an apocryphal text which offers an alternate account of the fall of the rebel angels). As this theory is the most widely accepted notion of what Azazel is, as well as the best known, it is likely the one most applicable to the film. Indeed, in the film, upon first discovering Azazel's name, John Hobbes (Denzel Washington) looks it up in a dictionary and discovers that it means "evil spirit of the wilderness." The Se'irim specifically haunted the barren desert, and were known as demons of the wilderness, which seems to confirm the film's acceptance of the theory that Azazel is indeed the demon hypothesized by Nahmanides.

In any case, in the Book of Enoch (also known as 1 Enoch), Azazel (spelt Azâzêl) is a high ranking member of the Grigori (more commonly known as the Watchers), a group of 200 angels who were sent to Earth to watch over Mankind, but who began to lust after human women, and become involved in human affairs. 1 Enoch 6-7 explains that the leader of the Grigori, Semjâzâ urged his followers to join him in choosing wives and begetting children. Once they had taken wives, they then began to teach Man forbidden skills and impart secret knowledge, which was supposed to be discovered by Man only over vast periods of time and through great effort. 1 Enoch 8 then continues, "And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all coloring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways. Semjâzâ taught enchantments, and root-cuttings, Armârôs the resolving of enchantments, Barâqîjâl astrology, Kôkabêl the constellations, Êzêqêêl the knowledge of the clouds, Araqiêl the signs of the earth, Shamsiêl the signs of the sun, and Sariêl the course of the moon." However, after the Grigori copulated with the human women, the women gave birth to giants (known as the Nephilim). The Nephilim consumed the produces of Man, but after a short period, resources began to run out, and the Nephilim turned on Man and on one another. Man, using the newly learned skills thought by the Grigori began to fight back, and soon a war erupted between the Nephilim and Man (this story is also told in Genesis 6:2-4, but without the mention of any of the names of the Grigori).

In Heaven, the situation is observed by the archangels Michael, Uriel, Raphael and Gabriel, who, after listening to the cries for help from Man, approach God for advice, telling him, "Thou seest what Azâzêl hath done, who hath taught all unrighteousness on earth and revealed the eternal secrets which were preserved in heaven, which men were striving to learn: And Semjâzâ, to whom Thou hast given authority to bear rule over his associates. And they have gone to the daughters of men upon the earth, and have slept with the women, and have defiled themselves, and revealed to them all kinds of sins. And the women have borne giants, and the whole earth has thereby been filled with blood and unrighteousness. And now, behold, the souls of those who have died are crying and making their suit to the gates of heaven, and their lamentations have ascended: and cannot cease because of the lawless deeds which are wrought on the earth " (1 Enoch 9:6-10). Upon hearing the appeal, God decrees that a great flood, wiping out all mortal creatures on earth is necessary to purge the evil visited onto the earth by the Grigori. God assigns each of the four archangels specific tasks; Uriel, he sends to Moses, with instructions on how to preserve the human race and the animals after the flood; Gabriel is sent to destroy the Nephilim; Michael to imprison the Grigori; and Raphael to heal the earth after the flood has subsided. Raphael is also given a more specific task by God; 1 Enoch 10:4-6 reads, "The Lord said to Raphael: 'Bind Azâzêl hand and foot, and cast him into the darkness: and make an opening in the desert, which is in Dûdâêl, and cast him therein. And place upon him rough and jagged rocks, and cover him with darkness, and let him abide there for ever, and cover his face that he may not see light. And on the day of the great judgment he shall be cast into the fire'."

Later, 1 Enoch 13:1-3 describes in more detail the severity of God's judgment, as God sends Enoch to tell Azâzêl "thou shalt have no peace: a severe sentence has gone forth against thee to put thee in bonds: And thou shalt not have toleration nor request granted to thee, because of the unrighteousness which thou hast taught, and because of all the works of godlessness and unrighteousness and sin which thou hast shown to men". At this point, the Grigori draft a petition to God asking for mercy, and ask Enoch to deliver it for them. He takes it, but that night he has a dream wherein he is visited by God, who tells him "say to the Watchers of heaven, who have sent thee to intercede for them: "You should intercede" for men, and not men for you: Wherefore have ye left the high, holy, and eternal heaven, and lain with women, and defiled yourselves with the daughters of men and taken to yourselves wives, and done like the children of earth, and begotten giants as your sons? And though ye were holy, spiritual, living the eternal life, you have defiled yourselves with the blood of women, and have begotten with the blood of flesh, and, as the children of men, have lusted after flesh and blood as those also do who die and perish. Therefore have I given them wives also that they might impregnate them, and beget children by them, that thus nothing might be wanting to them on earth. But you were formerly spiritual, living the eternal life, and immortal for all generations of the world. And therefore I have not appointed wives for you; for as for the spiritual ones of the heaven, in heaven is their dwelling...And now as to the watchers who have sent thee to intercede for them, who had been aforetime in heaven, say to them: "You have been in heaven, but all the mysteries had not yet been revealed to you, and you knew worthless ones, and these in the hardness of your hearts you have made known to the women, and through these mysteries women and men work much evil on earth." Say to them therefore: "You have no peace"." (1 Enoch 15-16). As such, Enoch returns to the Grigori with the petition, telling them he will not bring it to God, and thus bringing to an end the story of the Fall.

Azazel and the Grigori are mentioned several more times in 1 Enoch, but only insofar as to confirm the severity and finality of their punishment. In 54:4-6, Enoch is walking through the Valley of Judgment when he sees angels constructing massive chains near a vast pit of fire. Enquiring as to the purpose of the chains, Enoch is told, "These are being prepared for the hosts of Azâzêl, so that they may take them and cast them into the abyss of complete condemnation, and they shall cover their jaws with rough stones as the Lord of Spirits commanded. And Michael, and Gabriel, and Raphael, and Uriel shall take hold of them on that great day, and cast them on that day into the burning furnace, that the Lord of Spirits may take vengeance on them for their unrighteousness in becoming subject to Satan and leading astray those who dwell on the earth." In 55:3-4 and 56:1-4, God makes his final judgment on the Grigori, refusing them clemency, and condemning them to the pit of fire for all eternity; "the days of the their lives shall be at an end, and the days of their leading astray shall not henceforth be reckoned" (1 Enoch 56:4).

Azazel (spelt Azzael) is also featured in The Hebrew Book of Enoch (more commonly referred to as 3 Enoch, but also known as The Revelation of Metatron). The main subject matter of 3 Enoch is the ascension of Enoch into heaven, his transformation into the angel Metatron, and his studying of cosmological secrets. In 3 Enoch 4, Metatron is relating to Ishmael ben Elisha (more commonly known as Rabbi Ishmael, a 1st century Jewish sage who is the ostensible narrator of 3 Enoch) how he went from being the mortal man Enoch to the immortal angel Metatron, but he points out that his appointment as a high ranking angel did not sit well with some of the existing angels. 3 Enoch 4:6-9 reads "In that hour three of the ministering angels, UZZA, AZZA and AZZAEL came forth and brought charges against me in the high heavens, saying before the Holy One, blessed be He : "Said not the Ancient Ones rightly before Thee: Do not create man!' The Holy One, blessed be He, answered and said unto them: "I have made and I will bear, yea, I will carry and will deliver". As soon as they saw me, they said before Him: "Lord of the Universe! What is this one that he should ascend to the height of heights? Is not he one from among the sons of those who perished in the days of the Flood? "What doeth he in the Raqia'?" Again, the Holy One, blessed be He, answered and said to them: "What are ye, that ye enter and speak in my presence? I delight in this one more than in all of you, and hence he shall be a prince and a ruler over you in the high heavens." Forthwith all stood up and went out to meet me, prostrated themselves before me and said: Happy art thou and happy is thy father for thy Creator doth favor thee."

Azzael is mentioned once more in 3 Enoch 5, which describes the activities of mankind on the earth and how they came to worship false gods and idols. 3 Enoch 5:7-9 reads "And they erected the idols in every quarter of the world: the size of each idol was 1000 parasangs. And they brought down the sun, the moon, planets and constellations, and placed them before the idols on their right hand and on their left, to attend them even as they attend the Holy One, blessed be He, as it is written: "And all the host of heaven was standing by him on his right hand and on his left". What power was in them that they were able to bring them down? They would not have been able to bring them down but for Uzza, Azza and Azzael who taught them sorceries whereby they brought them down and made use of them." This is, of course, a reference to the Grigori of 1 Enoch, and their decision to take wives and to teach Man the sciences, although obviously one cannot take the account of Azâzêl in 1 Enoch and the account of Azzael in 3 Enoch as both being correct due to the chronological problems; in 1 Enoch, Azâzêl is expelled from heaven prior to the flood, but in 3 Enoch, Azzael is still in heaven after the flood.

Azazel also makes an appearance in another apocryphal text, the Apocalypse of Abraham. In this text, 12-14, Abraham is performing a sacrifice upon Mount Horeb, supervised by an angel (as described in Genesis 15:8-17) when he is visited by a bird; "And an unclean bird flew down on the carcasses, and I drove it away. And the unclean bird spoke to me and said, "What are you doing, Abraham, on the holy heights where no one eats or drinks, nor is there upon them food for men. But these all will be consumed by fire and they will burn you up. Leave the man who is with you and flee! For if you ascend to the height, they will destroy you." And it came to pass when I saw the bird speaking I said this to the angel: "What is this, my lord?" And he said, "This is disgrace, this is Azazel!" And he said to him, "Shame on you, Azazel! For Abraham's portion is in heaven, and yours is on the earth, for you have selected here, and become enamored of the swelling place of your blemish. Therefore the Eternal Ruler, the Mighty One, has given you a dwelling on earth. Through you the all-evil spirit is a liar, and through you are wrath and trials on the generations of men who live impiously. For the Eternal, Mighty One did not allow the bodies of the righteous to be in your hand, so through them the righteous life is affirmed and the destruction of ungodliness. Hear, counselor, be shamed by me! You have no permission to tempt all the righteous. Depart from this man! You cannot deceive him, because he is the enemy of you and of those who follow you and who love what you wish. For behold, the garment which is heaven was formerly yours has been set aside for him, and the corruption which was on him has gone over to you. And the angel said to me, "Abraham!" And I said, "Here I am, your servant." And he said, "Know from this that the Eternal One whom you have loved has chosen you. Be bold and do through your authority whatever I order you against him who reviles justice. Will I not be able to revile him who has scattered about the earth the secrets of heaven and who has taken counsel against the Mighty One? Say to him, 'May you be the firebrand of the furnace of the earth! Go, Azazel, into the untrodden parts of the earth. For your heritage is over those who are with you, with the stars and with the men born by the clouds, whose portion you are, indeed they exist through your being. Enmity is for you a pious act. Therefore through your own destruction be gone from me!' And I said the words as the angel had taught me. And he said, "Abraham." And I said, "Here I am, your servant!" And the angel said to me, "Answer him not!" And he spoke to me a second time. And the angel said, "Now, whatever he says to you, answer him not, lest his will run up to you. For the Eternal, Mighty One gave him the gravity and the will. Answer him not." And I did what the angel had commanded me. And whatever he said to me about the descent, I answered him not."

Azazel is mentioned a number of times over the course of the rest of the book. In 20-21, for example, God is explaining to Abraham the constitution of the race of Man, and he points out that although many of the people will be good, others will follow a path of wickedness and worship Azazel, who God has allowed to inhabit the world. When Abraham queries why God has allowed such a being as Azazel to survive, God shows him an image of the corruption of Adam and Eve in the Garden of Eden; "And I saw there a man very great in height and terrible in breadth, incomparable in aspect, entwined with a woman who was also equal to the man in aspect and size. And they were standing under a tree of Eden, and the fruit of the tree was like the appearance of a bunch of grapes of the vine. And behind the tree was standing something like a dragon in form, but having hands and feet like a mans, on his back six wings on the right and six on the left. And he was holding the grapes of the tree and feeding them to the two I saw entwined with each other" (23:5-9). God explains that this dragon is Azazel, and again, Abraham asks why God has allowed Azazel such an important role in earthly affairs. God explains that Azazel only has power over those who wish for evil, he has no authority or influence whatsoever over those who follow the way of righteousness. God then shows Abraham an image of what is to come, and Abraham sees all manner of sin and blasphemy, greed and cruelty, licentiousness and sloth. Again, he questions why God has made it such that the world is so, and God explains that from the moment of the seduction in the Garden of Eden, Man has had the potential for evildoing in his soul, but Man also has free will, and must choose to abstain from evil. God tells Abraham of the coming of Jesus, and how some will choose to worship him and others will choose to condemn him. He then explains that at the time of Judgment, those who followed Azazel will be punished, whilst those who follow the true God will be saved and rewarded. 29:14-21 reads "Before the age of justice starts to grow, my judgment will come upon the heathen who have acted wickedly through the people of your seed who have been set apart for me. In those days I will bring upon all earthly creation ten plagues through evil and disease and the groaning of the bitterness of their souls. Such will I bring upon the generations of those who are on it, out of anger and corruption of their creations with which they provoke me. And then from your seed will be left the righteous men in their number, protected by me, who strive in the glory of my name. And they will live, being affirmed by the sacrifices and the gifts of justice and truth in the age of justice. And they will rejoice forever in me, and they will destroy those who have destroyed them, they will rebuke those who have rebuked them through their mockery, and they will spit in their faces. Those rebuked by me when they are to see me rejoicing with my people for those who rejoice and receive and truly return to me."

God then describes exactly what will happen to Azazel and the evildoers come the Day of Judgment. 31:1-8 reads; " And then I will sound the trumpet out of the air, and I will send my chosen one, having in him one measure of all my power, and he will summon my people, humiliated by the heathen. And I will burn with fire those who mocked them and ruled over them in this age and I will deliver those who have covered me with mockery over to the scorn of the coming age. Because I have prepared them to be food for the fire of Hades, and to be ceaseless soaring in the air of the underworld regions of the uttermost depths, to be the contents of a wormy belly. For the makers will see in them justice, the makers who have chosen my desire and manifestly kept my commandments, and they will rejoice with merrymaking over the downfall of the men who remain and who followed after the idols and after their murders. For they shall putrefy in the belly of the crafty worm Azazel, and be burned by the fire of Azazel's tongue. For I waited so they might come to me, and they did not deign to. And they glorified an alien god. And they joined one to whom they had not been allotted, and they abandoned the Lord who gave them strength." As such, the general picture of Azazel given by the Apocalypse of Abraham is roughly equivalent to contemporary notion of Satan, and is it is not uncommon for critics to argue that the origins of Satan are to be found in the myth of Azazel. Some have also interpreted the line "For they shall putrefy in the belly of the crafty worm Azazel, and be burned by the fire of Azazel's tongue" to suggest that Azazel is actually both a demon and hell itself; much as Hades is the name of both a god and the underworld in Greek mythology.

Finally, Azazel is not limited to Christian texts. For example, in the Zohar, the central book of Kabbalah, Azazel is identified as the rider of the serpent in the Garden of Eden. Vayetze 116 reads "From the north side, the grades spread until the dross of gold reaches down TO BRIYAH, YETZIRAH, AND ASIYAH of the unholy side. The unholy filth grasps THE MALE above and THE FEMALE below. Here, male and female join together. They are the rider ON THE SERPENT and the serpent, which is the secret of the male and female. This is the secret of Azazel, WHICH INCLUDES THE MALE AND FEMALE OF DEFILEMENT." Azazel also appears in Islamic lore, where he is interchangeable with Iblis, the primary demon of Islam. Azazel is depicted as a high ranking angel who refused to bow down to Adam when he was first presented to the heavenly hierarchies, demanding to know "Why should a son of fire fall down before a son of clay?" For this disobedience, God cast Azazel/Iblis out of heaven, condemning him to wander the earth and haunt desert ruins. Eventually, Iblis became the king of the Shaitans (it is this myth which forms the basis of the theory that Azazel was the leader of the Se'irim, as forwarded by Nahmanides). Over time, the role of Iblis lessened, and he was eventually replaced by Satan. Azazel is also mentioned in the Koran, where the story of Iblis refusing to bow down before Adam is repeated. Finally, Azazel also makes a brief appearance in John Milton's Paradise Lost, where he is depicted as Satan's standard bearer; "..upreared/His mighty standard. That proud honor claimed/Azazel as his right, a Cherub tall,/Who forthwith from the glittering staff unfurled/The imperial ensign, which, full high advanced,/Shone like a meteor streaming to the wind" (I; 533-537).

Yes; according to writer Nicholas Kazan on his DVD commentary, Art (Gabriel Casseus) is supposed to be slightly mentally impaired, although exactly what is wrong with him is never specified. It is also worth noting that during the film, Sam (Michael J. Pagan) refers to Art as a "spas" when he is forced to team with him during a basketball match, prompting Hobbes to reprimand him and tell not to disrespect his father.

Throughout the course of the film, Hobbes finds several messages from Azazel, which he has to try to piece together. The first one is on the body of Mucovich; 18. The second is found on the body of Charles Olom (Robert Joy); 2. The next is found on the schoolteacher (Bob Rumnock); APO, followed by the letters on Hobbes' mirror; CAL, then on Sam's chest; Y, and finally on Art's chest; PSE.

The letters spell out APO-CAL-Y-PSE; ie. apocalypse. As the nun (Ellen Sheppard) explains to Hobbes, the Apocalypse is the main subject of the Book of Revelation in the Bible, and as such, 18:2 Apocalypse thus becomes Revelation 18:2; "He called out with a mighty voice, "Fallen, fallen is Babylon the great! It has become a dwelling place of demons, a haunt of every foul spirit, a haunt of every foul bird, a haunt of every foul and hateful beast." "He" is an unnamed angel, although most commentators usually take it to be referring to Christ. God has decreed that the city of Babylon has strayed so far from His teachings, that it has become a bastion of inequity where the people worship false idols, and the men there have become spiritually vacuous. It is also a place of lust and greed, and has become so corrupt that it must be destroyed. Obviously, this is an ironic commentary on the part of Azazel insofar as it is he who is continuing the ways of Babylon, and Hobbes who is trying to do God's righteous work. Azazel could also be suggesting to Hobbes that the modern world is beyond redemption; that it is just another Babylon and it too will be destroyed no matter what people like Hobbes try to do to prevent it.

A number of fans have asked how can a reasonably intelligent man who goes to church every now and then, not know what apocalypse means (Hobbes has to ask the nun to help him with it). However, Hobbes never says he doesn't know what the word means, he simply doesn't understand the relevance of the message '18, 2, Apocalypse'. He hasn't thought of the Book of Revelation, and it is only when the nun makes the connection for him that he realizes Apocalypse is a veiled biblical reference.

The answer to this question is to be found in the translation of Reese's (Elias Koteas) Syrian-Aramaic speech to Hobbes in the scene in the jail near the start of the movie. The complete translation is as follows: "I can't enter you by touch, but even when I can get inside you when I'm spirit, I won't. No, better I get you for real. I'll fuck you up and down, left and right, coming, going. I'll get so close to you, so close it breaks you. And if that doesn't work, I have other ways. I have so many, many ways." Azazel has no desire to enter into Hobbes just yet, he wants to destroy Hobbes' life from the outside, he wants to break Hobbes and see him suffer and collapse. The reason for Azazel's desire to destroy Hobbes is provided by an extract from one of Milano's books, which explains that the demons tend to focus on people who attempt to bring them down; "If you can, do not let them notice you, or your life will be filled with regret. They stalk those who prey upon them, therefore, hide your good works. Only those who are quiet and modest will avoid their attention altogether."

Later, after the schoolteacher has died, Azazel possesses the young girl (Tara Carnes), and begins to taunt Hobbes. Hobbes asks Azazel why he doesn't just kill him and get it over with, to which Azazel responds "I'm still having fun." Again, as with Reese, Azazel could have entered Hobbes at this point, but chose not to because he is still having fun. Because Hobbes was the one who caught Reese, Azazel has decided to toy with Hobbes, much as he had previously toyed with Milano, until he gets bored, so rather than possess him or kill him, Azazel possesses other people around him and uses them to gradually dismantle Hobbes' life.

This is perhaps the most commonly asked question about the film; exactly why does Hobbes choose to do what he does, kill Jonesy (John Goodman) and then poison himself.

The answer to this question is provided in the film itself (although how valid a reason it may be in a real-world logical sense is open to debate). Early on in the movie, Hobbes mentions that in spirit form, Azazel can travel only 500 cubits, after which time, he will die if he doesn't find another host. Gretta (Embeth Davidtz) explains that a cubit is the distance between the fingers and the elbow of an average sized person, and she reasons that 500 cubits is about 1/6 of a mile (actually, it's nearer 1/7; as 500 cubits is roughly 760 feet; a mile is 5280 feet, so 1/6 of a mile is 880 feet, whereas 1/7 is 754 feet).

With this in mind then, the question is why does Hobbes not incapacitate Jonesy/Azazel, and drive over 500 cubits away, leaving Jonesy/Azazel to die slowly, at which point, Azazel would be expelled from Jonesy, Hobbes would be gone, and Azazel would have no new host to enter (disregarding the cat of course).

The main argument as to exactly why Hobbes formulates his plan as he does is that Hobbes couldn't be sure he'd make it far enough if he ran. As he says himself in the film, "If Jonesy dies too fast, as powerful as you are, I might never get away from you." If Hobbes ran, it could be possible for Azazel to speed up Jonesy's death, meaning Hobbes would not be guaranteed to get to the minimum safe distance before Azazel reached him. As such, Hobbes reasons that to ensure Azazel has no viable host, both he and Jonesy must die, and so he keeps Jonesy/Azazel talking so as to give himself enough time to poison himself.

Which raises the second question. After mortally wounding Jonesy/Azazel, why doesn't Hobbes just shoot himself? The end result would be the same; Azazel would be expelled, and both Jonesy and Hobbes would be dead. As such why did Hobbes choose poison? The main answer to this question seems to be that Hobbes needed to ensure that he was still alive to kill Jonesy, but also ensure that Azazel couldn't do anything to prevent him committing suicide, ie he needed to 'kill' himself prior to killing Jonesy, but still actually be alive. Obviously, Hobbes couldn't shoot himself prior to killing Jonesy, as he would have no way of ensuring Jonesy/Azazel died. On the other hand however, if Hobbes shot Jonesy and then tried to shoot himself, Azazel could have gotten inside of him and prevented his suicide. As such, by poisoning himself he manages to ensure his own death prior to killing Jonesy; Azazel can do nothing to prevent Hobbes' suicide even after he has entered him upon Jonesy's death.

It is also worth nothing that several fans have pointed out that Hobbes may have wanted to die, hence why he doesn't try to escape after wounding Jonesy. His brother was dead, his career in ruins, his nephew gone; if he returning to civilization, he would most likely have spent the rest of his life in jail, or been executed anyway. So, perhaps, he felt that his life was over in any case, hence he could make his death serve a purpose.

Most fans argue that this as a plot hole. Whatever about Hobbes not knowing about Azazel's ability to possess cats, it would seem unusual that Gretta, who has been studying him for over 20 years, is unaware of this ability. In all the data and facts compiled by her father, and in all her own research, including communicating with others who know about demons, the fact that nowhere within all of that is there any suggestion that Azazel is not limited to human form seems extremely unlikely, and as such, this does indeed seem to be something of an oversight on the part of the filmmakers.

Of course, it could perhaps be argued that Gretta does know about Azazel's ability to possess cats, and it is only Hobbes who doesn't. However, if this is the case then we must assume that Gretta simply never told Hobbes this piece of vital information, which, again, seems extremely unlikely.

Is Azazel immortal?

No. Some fans have argued that if Azazel can possess animals, then he can possess any living thing, such as bacteria, and as such, he is in fact impossible to kill. Whatever the merits of this argument, Azazel specifically mentions that he is not immortal. Towards the end of the film, he asks "Can you imagine what it feels like to be alive for thousands of years and realize that you're actually going to die?."

Azazel is narrating in Hobbes' voice. The film starts with Hobbes/Azazel 'almost' dying, and apparently narrating the events that led him to this situation. The twist at the end of the film is that it is actually Azazel narrating, whereas all along the audience assumed it was Hobbes. The whole movie is Azazel telling us a story about the time that Detective John Hobbes almost killed him, not Detective John Hobbes telling us a story about the time Azazel almost killed him. When one listens to the voiceover with this in mind, one can see that much of it is applicable to either Hobbes or Azazel.

For example, the first voiceover is "I want to tell you about the time I almost died. I never thought it would happen to me, not at this age. Beaten, outsmarted. How did I get into this fix, how did it all begin? No, no, no, if I go back to the beginning that'll take forever. So let's start more recently. Somewhere. Anywhere. Reese." Hobbes: He never thought he'd die at such a young age, and to explain everything would take too long, so he'll start at Reese. Azazel: He never thought he'd die at such an old age, and to explain everything would take too long (as he is thousands of years old), so he'll start at Reese.

Towards the end of the film, the voiceover points out, "It's just him and me now. Hobbes versus Azazel. I thought I had him, but he thought he had me too." The first person here is nonspecific; it doesn't necessarily refer to either Hobbes or Azazel, but it could refer to either one of them. Both Hobbes and Azazel think they have the other, so the line makes sense either way.

The final voiceover in the film is "So, like I said at the start, I was beaten, outsmarted, poisoned, by Detective John Hobbes. Can you imagine what it feels like to be alive for thousands of years and realize that you're actually going to die because some self-righteous cop decided he was going to save the fucking world. Yes, a demon can die, and Hobbes figured out how to beat me at my own game. So what. The war isn't over, I promise you, not by a long shot. [sees cat] Oh, you forgot something didn't you? At the beginning I said I was going to tell you about the time I almost died...See you around." This is when it is clarified that it is in fact Azazel narrating, not Hobbes.

Because Azazel absorbs the memories of the people he possesses. For example, when he possess Charles Olom, he knows exactly where Charles works and what he's doing at the sandwich bar; when he possesses Lou (James Gandolfini), he knows about Lou meeting Hobbes in the basement the pervious day; when he possesses John Reynolds (Graham Beckel) and is about to posses Gretta, he asks her a question and then says, "It doesn't matter, I'm about to find out anyway". This explains how Azazel knew about such incidents as Hobbes' visits to Gretta, his family life, his conversations with Jonesy and Stanton (Donald Sutherland) etc.

The erzählzeit of the film (ie the time of narrating) occurs after Hobbes has died, and Azazel has been saved by the arrival of the cat. As such, fans have asked the question of why Azazel speaks in Hobbes' voice when Hobbes is already dead. Most fans accept this as either a plot hole, or artistic license on the part of the filmmakers, although some fans have speculated that perhaps when Azazel possesses a non-human, he retains the voice of the last human he possessed. This theory however is pure conjecture, with no evidence provided by the film itself. The fact is that Azazel narrating the film in Hobbes' voice after Hobbes has already died makes little practical sense.

Both the R1 US DVD, released by Turner Home Entertainment in 1998 and the R2 UK DVD, released by Warner Bros. Home Entertainment (UK) in 1998, contain the following special features:

A feature length audio commentary with director Gregory Hoblit, writer Nicholas Kazan, and producer Charles Roven.

Original theatrical trailer.

Production notes (3 pages)

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