Fa yeung nin wa (2000)

Director:

Kar Wai Wong

Writer:

Kar Wai Wong (written by)

Release Date:

26 February 2001 (USA)

Genre:

Drama | Romance

Tagline:

Feel the heat, keep the feeling burning, let the sensation explode.

Plot:

A man and a woman move in to neighboring Hong Kong apartments and form a bond when they both suspect their spouses of extra-marital activities.

Plot Keywords:

Hong Kong | Newspaper | Apartment | Japan | What Happened To Epilogue

Awards:

Nominated for BAFTA Film Award. Another 31 wins & 23 nominations

US TV Schedule:

Sat. Nov. 14	10:35 PM	PBS
Sun. Nov. 15	1:40 AM	PBS
Wed. Nov. 18	1:30 AM	PBS

Cast

Maggie Cheung	...	Su Li-zhen - Mrs. Chan
Tony Leung Chiu Wai	...	Chow Mo-wan
Ping Lam Siu	...	Ah Ping
Tung Cho 'Joe' Cheung	...	Man living in Mr. Koo's apartment
Rebecca Pan	...	Mrs. Suen
Kelly Lai Chen	...	Mr. Ho (as Lai Chen)
Man-Lei Chan	...	Mr. Koo
Tsi-Ang Chin	...	Amah
Roy Cheung	...	Mr. Chan (voice)
Paulyn Sun	...	Mrs. Chow (voice)
rest of cast listed alphabetically:
Po-chun Chow
Kam-wah Koo
Hsien Yu

Also Known As:

In the Mood for Love (France) (Hong Kong: English title) (UK) (USA)
Beijing Summer (Hong Kong: English title) (working title)
Flower Like Years (Hong Kong: English title) (working title)
Hua yang nian hua (Hong Kong: Mandarin title)

MPAA:

Rated PG for thematic elements and brief language.

Runtime:

98 min | Poland:94 min

Country:

Hong Kong | France

Language:

Cantonese | Shanghainese | French

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | Malaysia:U | South Korea:15 | Argentina:Atp | Australia:G | Chile:TE | Finland:S | France:U | Germany:6 | Hong Kong:IIA | Ireland:PG | Netherlands:AL | Norway:A | Philippines:PG-13 | Singapore:PG | Spain:13 | Sweden:Btl | UK:PG | USA:PG

Filming Locations:

Cambodia

Company:

Block 2 Pictures

Trivia:

During filming, Kar Wai Wong improvised often with the actors, crafting the story and mood of the film as he went along. Originally, "In the Mood for Love" was a much more obvious romance film, with the actors throwing witty dialog at each other and engaging in several scenes of love-making. Eventually, the actors and director decided to tone the mood down to the more subtle version that was released in theaters.

Goofs:

Continuity: Before Su Li-zhen bestowed her landlady with a electric rice cooker, there already was one sitting on the kitchen counter in an earlier scene.

Quotes:

Chow Mo-wan: Feelings can creep up just like that. I thought I was in control.

Movie Connections:

Referenced in Ngo liu poh lut gau ching (2002)

Soundtrack:

Yumeji's Theme

Wonderful Hong Kong Art-house.

Two people living in the same flat complex find their partners are having an affair with each other. As they try and piece together how it happened, they also embark on an emotional journey that aches for a resolution…

Building on his previous success with Happy Together and Chungking Express, Wong Kar Wai gives us this rather old fashioned and marvellous story of reawakened passions, yearning and unrequited love.

Possibly, In the Mood for Love is not to everyone's taste. It wanders in rather lazily at 98mins: not particularly long for a film, but it appears longer because not a lot really happens. But this lazy feel conceals a quite tightly constructed film. Most of the story is cunningly woven around a series of set piece role plays, where the characters act out presumed scenarios between their respective spouses, trying to work out how the affair started. I say cunning because, of course, this makes it difficult for the audience (and the characters) to tell what is "in-role" and what is genuine.

If all this sounds rather arty and self-conscience, that's because it is. Unashamedly so. And it is played to perfection by two of Hong Kong's finest, Maggie Cheung and Leung Chui Wai, with some excellent support from Ping Lam Siu and Rebecca Pan.

It is also a virtuoso performance by Wong Kar Wai, who treats the audience to a sensory, and sensual, overload. Bringing together Christopher Doyle (who later deployed his lush, over-ripe style on Hero) and Pin Bing Lee (whose beautifully understated style can be seen on Springtime in a Small Town) was cinematographic genius. It has all the bold beauty of Doyle, without, frankly, the Athena-poster cheesiness of his work on Hero. The music, as always with Wong, is prominent. From Nat King Cole singing in Spanish, to the haunting strings of the main theme, it perfectly matches the eclectic beauty of the images.

All in all a top film, whether judged on plot, acting, cinematography or soundtrack. Similar to, but more accessible than, Wim Wenders' Wings of Desire, this is a beautiful, old fashioned story about love lost and regained.

And watch out for Tony Leung's hotel room 2046, which presaged Wong's recent film of the same name.