Overview
Contact:
View
company
contact information for Jonathan Creek on
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Release Date:
10 May 1997 (UK)
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Tagline:
It's not who, it's how.
Plot:
Madeline Magellan, an investigative journalist, is the kind of journalist that generally sticks her nose in where it isn't wanted...
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Awards:
3 wins
&
6 nominations
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User Comments:
Don't underestimate American audiences.
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| Jo Cole | .... | second assistant director (8 episodes, 1997-1998) |
| Ian Hutchinson | .... | third assistant director (6 episodes, 1998) |
| Brett Fallis | .... | first assistant director (3 episodes, 1997) |
| Julian Hearne | .... | first assistant director (3 episodes, 1998) |
| Janice Langley | .... | second assistant director (3 episodes, 1998) |
| Carrie Rodd | .... | first assistant director (3 episodes, 1998) |
| Manuel Santa Cruz | .... | second assistant director (3 episodes, 1998) |
| Katrin Strong | .... | second assistant director (3 episodes, 1998) |
| Jamie Annett | .... | second assistant director (2 episodes, 1997) |
| Kas Braganza | .... | second assistant director (2 episodes, 1997) |
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| Ryan Green | .... | third assistant director (unknown episodes, 1999) |
| Simon Downes | .... | second assistant director (unknown episodes) |
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| Darren Wisker | .... | stand-by props (10 episodes, 1997-2001) |
| Simon Fairclough | .... | property master (9 episodes, 1997-1998) |
| Rob Sellers | .... | stand-by props (8 episodes, 1997-2001) |
| Kevin Hegarty | .... | setting crew (7 episodes, 1998-2001) |
| Dickson Peschek | .... | assistant property master / property master (7 episodes, 1998-2001) |
| Jean Mitchell | .... | properties buyer (6 episodes, 1997-1998) |
| Nick Barnett | .... | properties buyer / production buyer (5 episodes, 1998-2009) |
| Paul Clifton | .... | stand-by props (3 episodes, 1997) |
| Gregory Fangeaux | .... | art department assistant (3 episodes, 2004) |
| Mark Earles | .... | stand-by props (2 episodes, 1997) |
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| Verity Woolf | .... | assistant art director (unknown episodes, 2002) |
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| Luiz Provin | .... | dubbing mixer / sound dubbing mixer (10 episodes, 1998-1999) |
| Terry Elms | .... | sound recordist (9 episodes, 1997-2001) |
| Richard Jupp | .... | boom / boom operator (8 episodes, 1998-2009) |
| Ben Norrington | .... | dubbing editor / sound effects editor (7 episodes, 1997-2001) |
| Jamie Caple | .... | sound editor (6 episodes, 2003-2004) |
| Laurie Taylor | .... | dubbing mixer (5 episodes, 1997-1998) |
| Lee Crichlow | .... | dubbing editor (3 episodes, 1997-1998) |
| Julian Dodwell | .... | dubbing editor (3 episodes, 1997-1998) |
| Craig Irving | .... | dubbing mixer (3 episodes, 1997) |
| Nick Roast | .... | dubbing mixer (3 episodes, 1998) |
| Adam Powell | .... | foley editor (3 episodes, 2004) |
| Mik Gough | .... | boom (2 episodes, 1997) |
| Steve Fish | .... | boom operator (2 episodes, 2004) |
| Richard Manton | .... | sound mixer (2 episodes, 2004) |
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| Pete Collins | .... | sound editor (unknown episodes) |
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| Chris Lawson | .... | special effects / special effects designer (5 episodes, 2001-2009) |
| Peter Kersey | .... | special effects (4 episodes, 2001-2004) |
| Tony Harding | .... | special effects (3 episodes, 2003-2004) |
| Daniel Lawson | .... | special effects (2 episodes, 2003) |
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| Alexander Gunn | .... | special effects senior technician (unknown episodes) |
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| Chris Lawson | .... | visual effects designer / visual effects (9 episodes, 1997-1998) |
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| Peter Robinson | .... | gaffer (10 episodes, 1997-2001) |
| Billy Byrne | .... | best boy (9 episodes, 1997-1998) |
| Mark Funnell | .... | electrician (8 episodes, 1997-1998) |
| Robert Shacklady | .... | clapper loader / clapper/loader (6 episodes, 1997-1998) |
| Simon Anderson | .... | electrician / generator operator (6 episodes, 1998) |
| Ian Jackson | .... | camera operator (4 episodes, 1997-1998) |
| Andy Kendall | .... | grip (4 episodes, 1997-1998) |
| James Moss | .... | focus puller (4 episodes, 1997-1998) |
| John Cridlin | .... | focus puller (3 episodes, 1998) |
| Darren Harvey | .... | electrician (3 episodes, 1998) |
| Adrian McCarthy | .... | grip (3 episodes, 1998) |
| Clive Pittman | .... | clapper loader (3 episodes, 1998) |
| Richard Terry | .... | camera operator (3 episodes, 1998) |
| Bob Brock | .... | electrician (2 episodes, 1997) |
| David Meadows | .... | focus puller (2 episodes, 1997) |
| Noel Probyn | .... | camera operator (2 episodes, 1997) |
| John Rake | .... | grip (2 episodes, 1997) |
| Brian Sullivan | .... | electrician (2 episodes, 1997) |
| Marc Ehrenbold | .... | focus puller (2 episodes, 2000-2001) |
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| Russell Diamond | .... | grip (unknown episodes) |
| Camilla Drennan | .... | camera trainee / clapper loader: pick-up shots (unknown episodes) |
| Tim Gee | .... | camera trainee (unknown episodes) |
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| Tracey Gillham | .... | casting / casting advisor (11 episodes, 1997-2009) |
| Judy Loe | .... | casting (3 episodes, 1997) |
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| Julian Stewart Lindsay | .... | music arranger / arranger: title music (10 episodes, 1997-2009) |
| Camille Saint-Saëns | .... | title music: variations on a theme from 'Danse Macabre' / title music: variations on a theme from "Danse Macabre" (10 episodes, 1997-2009) |
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| Mark Gladwin | .... | assistant location manager / location scout (9 episodes, 1998-2004) |
| Lisa McArthur | .... | location manager (8 episodes, 1997-1998) |
| Kim Ahrens | .... | production accountant (6 episodes, 1998) |
| Heather Siverns | .... | production secretary (6 episodes, 1998) |
| Paula Turnbull | .... | runner (6 episodes, 1998) |
| Caroline Sanders | .... | production accountant (6 episodes, 2003-2004) |
| Claire Stanley | .... | production coordinator (4 episodes, 1997-1998) |
| Janice Brackenridge | .... | script supervisor (4 episodes, 1998-2009) |
| Andy Lumsden | .... | runner (3 episodes, 1997) |
| Angus Smith | .... | location manager (3 episodes, 1997) |
| Emily Smith | .... | production secretary (3 episodes, 1997) |
| Charlotte Blair | .... | script supervisor (3 episodes, 1998) |
| Michael Day | .... | production coordinator (3 episodes, 1998) |
| Johnny Ludlow | .... | location manager (3 episodes, 1998) |
| Mike Paterson | .... | location manager (3 episodes, 1998) |
| Jo Randall | .... | location manager (3 episodes, 1998) |
| Rachel Heard | .... | production secretary (3 episodes, 2003-2004) |
| Lorraine Anderson | .... | script supervisor (2 episodes, 1997) |
| Lesley Hardstaff | .... | production coordinator (2 episodes, 1997) |
| Maggie Kelleher | .... | programme budget assistant (2 episodes, 1997) |
| Edward Skillbeck | .... | location manager (2 episodes, 1997) |
| Sarah Hitchcock | .... | production executive (2 episodes, 2001-2009) |
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| Ali Bongo | .... | magic consultant (unknown episodes) |
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Additional Details
Runtime:
60 min (25 episodes)
Fun Stuff
Trivia:
The windmill that Jonathan Creek lives in, is open to the public. It's in the town of Shipley, West Sussex, around 6 or 7 miles South of Horsham, England.
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Soundtrack:
Danse Macabre
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FAQ
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Message Boards
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Related Links

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For years now, I've heard my friends and relatives in the UK singing the praises of "Jonathan Creek". Unfortunately, I had never gotten the chance to experience the genius that is this show. But thanks to BBC-America, I can savor each and every mystery on Thursday afternoons (we get 2 episodes back-to-back!). I realize that, especially in the past 3 years, American television has consisted of a lot of very bad reality shows, and little else. Anything of substance is quickly taken off the air.. so that two more Real World/Survivor/Bachelor clones can take its place. There are millions of Americans who are starving for intelligent, thought-provoking entertainment. Of course Americans can handle "Jonathan Creek" -- why else would BBC-America continue to air it? This is an amazing show, and I truly wish our television big-wigs would realize that these kinds of shows work. Alan Davies is the ultimate anti-hero. Davies is gorgeous as the shy, rather nerdy, Jonathan. (I've developed a bit of a crush on him, to be honest :D) Maddy, played by the amazing Caroline Quentin, is the kind of role-model American women need: a tough-as-nails every-woman, who looks nothing like the malnourished actresses and models we see every day. The Americans who love this show are intelligent and witty, and we know good television when we see it.. and this is by far the best show I've had the pleasure of watching in a very long time.