"Buffy the Vampire Slayer" (1997) TV series 1997-2003

Creator:

Joss Whedon

Seasons:

1 | 2 | 3 | 4 | 5 | 6 | 7

Release Date:

10 March 1997 (USA)

Genre:

Action | Drama | Fantasy

Tagline:

Get home before dark.

Plot:

After the traumatizing ordeal in the movie with the same name, Buffy Summers and her mother move to Sunnydale, only to discover that L.A. was just a walk in the park...

Plot Keywords:

Demon | High School | Vampire | College | Chosen One

Awards:

Nominated for Golden Globe. Another 34 wins & 99 nominations

Cast

Sarah Michelle Gellar	...	Buffy Summers / ... (145 episodes, 1997-2003)
Nicholas Brendon	...	Xander Harris (145 episodes, 1997-2003)
Alyson Hannigan	...	Willow Rosenberg (144 episodes, 1997-2003)
Anthony Head	...	Rupert Giles (123 episodes, 1997-2003)
James Marsters	...	Spike (97 episodes, 1997-2003)
Emma Caulfield	...	Anya (85 episodes, 1998-2003)
Michelle Trachtenberg	...	Dawn Summers (66 episodes, 2000-2003)

Also Known As:

BtVS (USA) (promotional abbreviation)
Buffy (USA) (short title)
Buffy, the Vampire Slayer: The Series (USA) (long title)

Runtime:

44 min (144 episodes)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Dolby

Certification:

UK:12 (some episodes) | UK:15 (some episodes) | Australia:PG (some episodes) | Portugal:M/12 | New Zealand:M | USA:TV-14 | Australia:M | Israel:PG | Singapore:M18 (DVD rating) (season 7) | Singapore:PG | USA:TV-14 (some episodes) | USA:TV-PG (some episodes)

Filming Locations:

California State University Northridge - 18111 Nordhoff Street, Northridge, Los Angeles, California, USA

Company:

Mutant Enemy

Trivia:

The series is based not on the feature film Buffy the Vampire Slayer (1992), but Joss Whedon's original screenplay, which had been heavily rewritten to be more comedic. The Buffy comic book series adapted the screenplay, bringing the events of the movie in line with the TV show's continuity.

Quotes:

Rupert Giles: No vampires transporting boxes?
Xander Harris: No, but a four-hundred-pound wino offered to wash my hair.

Movie Connections:

Referenced in "Reaper: I Want My Baby Back (#2.5)" (2009)

Soundtrack:

Buffy the Vampire Slayer Theme

Don't judge a book by it's cover.

Very often, when you find a particularly negative review of Buffy the Vampire Slayer, you find someone whose glancing opinion bounces off the surface "appearance" of the show and does not delve into the actual substance therein. Frequently, they are people who haven't really seen enough episodes to form a well thought-out opinion on the series, the content, and the characters as a whole--especially, people who have only seen a few eps from season one. Season one is the most shallow end of the series. It really gives you no clue as to what the series ends up being. Believe me, it gets more intense and complicated as it goes on. If you decide to give it a try, I suggest checking out a handful of episodes from season three on before passing judgment. Some good examples are S3--The Wish, Helpless, Doppelgangland, S4--Something Blue, Hush and Restless, S5--Fool for Love, Triangle, Weight of the World, The Gift (I'd also say The Body but that one gives too much away) S6--Bargaining, Tabula Rasa, Villains, S7--Beneath You, Selfless, Conversations With Dead People, The Killer In Me, Get It Done (I'd say Chosen but it's the series finale which also would give too much away).

About the show itself--Buffy is the antithesis of the "pretty-blond-victim" who runs from the "psycho ax-murderer" in horror films past--the girl who always twisted her ankle and fell in her attempt to get away. How many times did we see that scene and feel just a little bit disgusted with the victim for not even trying to fight back? How many times did we see that scene and feel disgusted with the directors for typing female victims in this way over and over again? Buffy, herself, isn't the "traditional" feminist TV icon. Many of those are women who have forfeited the ultra-feminine symbols of their gender--love, compassion and vulnerability in order to maintain equal footing with men. Buffy doesn't do this. Buffy embraces those symbols in one hand and hones and wields them to fight evil in the other.

The show appears as a bubble-gum program, aimed at teens and while it's fan-base is largely younger viewers (teens-twenties), it's major themes profoundly confront the more mature ideas of good vs. evil, life and death, friendship, religion, the soul and the true meanings of power and love in such a way that is rarely addressed in current entertainment. It challenges the traditional ideas of religion as being an "institution" and asserts that it is something to be lived, that real love requires self-sacrifice, that true friendship requires far-reaching forgiveness, that true power is rooted in love and compassion and that good and evil, while in shades of gray can still be defined.