| Photos (see all 75 | slideshow) |
Directed by | |||
| Jonathan Frakes | |||
Writing credits(WGA) | ||
| Gene Roddenberry | (television series Star Trek) | |
| Rick Berman | (story) & | |
| Brannon Braga | (story) & | |
| Ronald D. Moore | (story) | |
| Brannon Braga | (screenplay) & | |
| Ronald D. Moore | (screenplay) | |
Produced by | |||
| Rick Berman | .... | producer | |
| Marty Hornstein | .... | executive producer (as Martin Hornstein) | |
| Peter Lauritson | .... | co-producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Matthew F. Leonetti | (director of photography) | ||
Film Editing by | |||
| Anastasia Emmons | |||
| John W. Wheeler | |||
Casting by | |||
| Junie Lowry-Johnson | |||
| Ron Surma | |||
Production Design by | |||
| Herman F. Zimmerman | (as Herman Zimmerman) | ||
Art Direction by | |||
| Ron Wilkinson | |||
Set Decoration by | |||
| John M. Dwyer | |||
Costume Design by | |||
| Deborah Everton | |||
Makeup Department | |||
| Lee Ann Brittenham | .... | hair stylist | |
| Belinda Bryant | .... | makeup artist | |
| Ellis Burman Jr. | .... | makeup artist (as Sonny Burman) | |
| Mark Bussan | .... | makeup artist | |
| Camille Calvet | .... | makeup artist | |
| Jane Galli | .... | special makeup effects artist | |
| Jake Garber | .... | special makeup effects artist | |
| Brad Look | .... | makeup artist | |
| James MacKinnon | .... | prostethics makeup artist | |
| Chris McBee | .... | hair stylist | |
| Mary Kay Morse | .... | makeup artist | |
| Gilbert A. Mosko | .... | makeup artist | |
| Joe Podnar | .... | special makeup effects artist | |
| Barbara Ronci | .... | hair stylist | |
| Danny Valencia | .... | hair stylist | |
| R. Stephen Weber | .... | makeup artist | |
| June Westmore | .... | makeup artist | |
| Michael Westmore | .... | makeup designer | |
| Michael Westmore | .... | makeup supervisor | |
| Monty Westmore | .... | makeup artist | |
| Scott Wheeler | .... | makeup artist | |
| Derik Wingo | .... | special makeup effects artist | |
| Natalie Wood | .... | makeup artist | |
| Bart Mixon | .... | makeup artist (uncredited) | |
| Alex Proctor | .... | makeup artist (uncredited) | |
Production Management | |||
| Marty Hornstein | .... | unit production manager (as Martin Hornstein) | |
| Ira S. Rosenstein | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Robin Bronner | .... | dga trainee | |
| Rosemary C. Cremona | .... | second assistant director (as Rosemary Cremona) | |
| Jerry Fleck | .... | first assistant director | |
| David Goldfarb | .... | additional second assistant director | |
| Peter Lauritson | .... | second unit director | |
| David Ticotin | .... | second second assistant director (as David A. Ticotin) | |
Art Department | |||
| Thomas J. Arp | .... | construction coordinator | |
| Shawn Baden | .... | scenic arts/illustrator | |
| Brent W. Bell | .... | lead man | |
| Elijah Bryant | .... | set dresser | |
| Philip Calhoun | .... | set dresser | |
| John M. Carroll | .... | propmaker foreperson | |
| Clete Cetrone | .... | construction foreman | |
| Gary Clark | .... | paint foreperson (as Gary A. Clark) | |
| Joe Colwell | .... | painter | |
| Ricardo F. Delgado | .... | illustrator (as Ricardo Delgado) | |
| Doug Drexler | .... | designer | |
| Doug Drexler | .... | scenic artist | |
| Dragon Dronet | .... | props, weapons | |
| John Eaves | .... | illustrator | |
| Greg Feldman | .... | assistant props | |
| David Galvan | .... | head paint foreman | |
| David Galvan | .... | production painter | |
| Bill George | .... | art consultant | |
| Les Gobruegge | .... | set designer (as Les D. Gobruegge) | |
| William Hawkins | .... | set designer (as William P. Hawkins) | |
| Jeffery J. Jenkins | .... | paint foreman | |
| Martha Johnston | .... | set designer (as Martha E. Johnston) | |
| Curt Jones | .... | construction foreman | |
| John B. Josselyn | .... | scenic arts/illustrator | |
| Linda King | .... | set designer (as Linda A. King) | |
| Roger L. King | .... | property maker | |
| Frank Leasure | .... | construction foreperson (as Frank 'Ferb' Leasure) | |
| John Mann | .... | storyboard artist | |
| Sam Mendoza | .... | propmaker foreperson (as Sammy Mendoza) | |
| Nancy Mickelberry | .... | set designer | |
| Steve Morey | .... | propmaker foreperson | |
| Joseph Musso | .... | illustrator | |
| Michael Okuda | .... | scenic art supervisor | |
| Aaron Rockler | .... | labor foreperson | |
| Penny Smartt-Juday | .... | art department coordinator (as Penny Juday) | |
| Tom Talley | .... | location foreman | |
| Barry Tugendhaft | .... | greensperson | |
| James Van Over | .... | scenic artist (as James E. Van Over) | |
| Jerry Wax | .... | set dresser | |
| Dean Wilson | .... | property master | |
| Don E. Gaffney | .... | prop construction (uncredited) | |
Special Effects by | |||
| Anna Albrecht | .... | special effects crew | |
| Thomas D. Bacho Jr. | .... | special effects technician | |
| Donald T. Black | .... | special effects assistant | |
| Patrick Chitty | .... | special effects | |
| Eugene Crum | .... | special effects foreperson | |
| Greg Curtis | .... | special effects foreperson | |
| Andy Evans | .... | special effects assistant | |
| Edward J. Franklin | .... | special effects crew | |
| Donald Frazee | .... | special effects foreperson | |
| Logan Frazee | .... | special effects assistant (as Logan Z. Frazee) | |
| Terry D. Frazee | .... | special effects coordinator | |
| Patrick M. Gerrety | .... | alien creature effects | |
| Russ Herpich | .... | special effects mechanic | |
| Scott Lingard | .... | special effects assistant | |
| Scott Lingard | .... | special effects technician | |
| Heather McCurdy | .... | special effects production assistant | |
| Alan McFarland | .... | Borg suit & space suit electronics design | |
| Robert Miller | .... | helmet & chest designer: Todd Masters Effects | |
| Donald Myers | .... | special effects foreperson (as Donald E. Myers Jr.) | |
| Samuel E. Price | .... | special effects assistant (as Samuel Price) | |
| John Shea | .... | robot suit fabricator | |
| Michael Shelton | .... | creature effects crew | |
| Bryan Smith | .... | sculptor and painter: Todd Masters Effects | |
| Alan Tuskes | .... | special makeup effects crew | |
| Brian Van Dorn | .... | mold technician | |
| Harold Weed | .... | model maker | |
| Ralph Winiger | .... | special effects assistant (as Ralph Allen Winiger) | |
| David W. Mosher | .... | mold technician: Todd Masters Company [us] (uncredited) | |
| Michael Walters | .... | special costumes (uncredited) | |
Visual Effects by | |||
| Barbara Affonso | .... | chief model maker | |
| Tim Alexander | .... | digital compositor | |
| Rick Anderson | .... | model maker: ILM | |
| Joakim Arnesson | .... | digital effects artist | |
| Caleb Aschkynazo | .... | digital editorial coordinator: p.o.p. digital film group | |
| Bill Barr | .... | key grip: ILM | |
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Michael Bauer | .... | digital effects artist: ILM | |
| Dugan Beach | .... | CG technical assistant | |
| Kathleen Beeler | .... | digital compositor | |
| Adam Bennes | .... | effects technician: ILM | |
| Bethany Berndt-Shackelford | .... | digital compositor | |
| Earl Beyer | .... | scanning operator | |
| Andrea Biklian | .... | negative line-up | |
| Jodi Birdsong | .... | optical scanning department assistant | |
| Patricia Blau | .... | senior staff: ILM (as Patricia Blau Price) | |
| Rod G. Bogart | .... | software development | |
| Todd Boyce | .... | CG animator: VisionArt | |
| Steve Braggs | .... | digital effects artist: ILM | |
| Noel Brevick | .... | digital mattes | |
| Jeff Brewer | .... | model maker: ILM | |
| Dale K. Brodt | .... | digital production manager: POP (as Dale Brodt) | |
| Carol Brzezinski | .... | digital post supervisor: POP | |
| Cathy Burrows | .... | digital rotoscope artist: ILM (as Cathy Burrow) | |
| Donald S. Butler | .... | digital compositor (as Don Butler) | |
| Kirk Cadrette | .... | computer animator: POP | |
| Kyeng-Im Chung | .... | digital effects artist | |
| Richard J. Cook | .... | digital effects coordinator: VisonArt | |
| Marc Cooper | .... | visual effects artist: ILM | |
| Stéphane Couture | .... | computer animator (as Stephane Couture) | |
| Betsy Cox | .... | digital compositor | |
| David Crawford | .... | Inferno compositor | |
| Gail Currey | .... | senior staff: ILM | |
| Andrea D'Amico | .... | digital visual effects producer: POP film | |
| Youssef Delara | .... | visual effects assistant (as A.Y. Dexter Delara) | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Mitch Deoudes | .... | digital effects artist | |
| Bryan Dewe | .... | chief model maker | |
| Giovanni Donovan | .... | model maker: ILM | |
| Jeff Doran | .... | digital compositor | |
| David S. Dranitzke | .... | plate coordinator: ILM (as David Dranitzke) | |
| John Duncan | .... | model maker: ILM | |
| Syd Dutton | .... | matte painter: Illusion Art | |
| Selwyn Eddy | .... | digital match mover (as Selwyn Eddy III) | |
| Kate Elsen | .... | digital rotoscope artist: ILM | |
| Anastasia Emmons | .... | visual effects assistant | |
| Christopher Evans | .... | chief digital matte artist: Matte World Digital (as Chris Evans) | |
| Ted Fay | .... | director of technology: VisionArt | |
| Jon Foreman | .... | chief model maker | |
| Debbie Fought | .... | digital rotoscope artist: ILM (as Deb Fought) | |
| Scott Frankel | .... | digital compositor | |
| George Gambetta | .... | senior scanning operator | |
| John Gazdik | .... | assistant motion control unit (as John Gazdick) | |
| Tim Geideman | .... | negative line-up (as Timothy Geideman) | |
| Jennifer German | .... | digital compositor: POP | |
| Michael Gleason | .... | visual effects editor (as Mike Gleason) | |
| Jeremy Goldman | .... | digital effects artist | |
| John Goodson | .... | model project supervisor: ILM | |
| Caroleen Green | .... | digital matte artist: Matte World | |
| John Haggar | .... | visual effects | |
| David Hanks | .... | digital match mover (as Dave Hanks) | |
| Dorene Haver | .... | digital compositor: VisionArt | |
| Aaron Haye | .... | modelmaker: ILM | |
| Matthew Hendershot | .... | digital effects artist | |
| Robert Hill | .... | visual effects camera assistant | |
| Carl Hooper | .... | CG animator: VisionArt | |
| Adam Howard | .... | visual effects supervisor | |
| Celine Jackson | .... | digital I/O: VisonArt | |
| Alex Jaeger | .... | visual effects art director: concept design/animatics, ILM | |
| Nancy Jencks | .... | dirt removal | |
| Brad Jerrell | .... | light technician | |
| Ira Keeler | .... | model maker: ILM | |
| Susan Kelly-Andrews | .... | digital rotoscope artist: ILM | |
| Greg Kimble | .... | digital optical supervisor: POP | |
| John Knoll | .... | special visual effects | |
| John Knoll | .... | visual effects supervisor | |
| Daniel Kramer | .... | senior technical director: VisionArt | |
| Angela Leaper | .... | electronic editorial | |
| Tad Leckman | .... | rebel unit production manager: ILM | |
| Kenneth Littleton | .... | digital compositor: Pacific Ocean Post | |
| Lawrence Littleton | .... | digital compositor: Pacific Ocean Post | |
| Nancy Luckoff | .... | CG resource manager | |
| Jodie Maier | .... | digital match mover | |
| Greg Maloney | .... | digital compositor | |
| Jeff Mann | .... | senior staff: ILM | |
| Stuart T. Maschwitz | .... | digital artist | |
| Fumi Mashimo | .... | digital animator: Illusion Art (as Fumi Mashimo) | |
| John McCunn | .... | visual effects associate producer | |
| Mickey McGovern | .... | visual effects editor (as Mike McGovern) | |
| Brandon McNaughton | .... | digital effects compositor | |
| Ladd McPartland | .... | assistant visual effects editor | |
| Ed Miarecki | .... | model maker: ILM | |
| Richard Miller | .... | model maker | |
| Todd Mitchell | .... | scanning operator: ILM | |
| Steve Molin | .... | digital effects artist | |
| Amanda K. Montgomery | .... | computer graphics resource assistant: ILM | |
| George Murphy | .... | associate visual effects supervisor | |
| Patrick T. Myers | .... | digital effects artist (as Pat Myers) | |
| Kenneth Nakada | .... | digital compositing: Illusion Arts | |
| Dan Nelson | .... | effects technician: ILM | |
| Cameron Noble | .... | motion control camera: Matte World Digital | |
| Luke O'Byrne | .... | visual effects production coordinator | |
| Michael Olague | .... | visual effects gaffer | |
| Jeff Olson | .... | visual effects producer | |
| David Owen | .... | still photographer | |
| Richard Patterson | .... | matte artist: Illusion Art | |
| Michael Peterson | .... | digital compositor: POP | |
| Jeff Pierce | .... | digital I/O: VisonArt | |
| Josh Pines | .... | film scanning supervisor (as Joshua Pines) | |
| Anthony Pitone | .... | digital technical assistant | |
| Scott Rader | .... | digital visual effects supervisor: POP | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Paul Rivera | .... | digital composite supervisor: Mate World Digital | |
| Joshua D. Rose | .... | digital producer: VisonArt | |
| Martin Rosenberg | .... | director of miniature photography | |
| Thomas Rosseter | .... | digital compositor (as Tom Rosseter) | |
| Jonathan Rothbart | .... | visual effects artist | |
| Patrice d.S. Saenz | .... | digital match mover (as Patrice Saenz) | |
| Heidi Schmidt | .... | digital technical assistant | |
| Dan Shumaker | .... | CG technical assistant | |
| Douglas James Smith | .... | digital effects artist | |
| Doug Smith | .... | assistant digital effects artist | |
| Kenneth Smith | .... | optical supervisor | |
| Kim Smith | .... | chief model maker | |
| Christa Starr | .... | visual effects | |
| Chris Stillman | .... | digital mattes | |
| Robert Stromberg | .... | matte artist: Illusion Art | |
| Pat Sweeney | .... | additional visual effects photography (as Patrick Sweeney) | |
| David Takemura | .... | visual effects supervisor | |
| Larry Tan | .... | digital modeler: ILM | |
| Chad Taylor | .... | Sabre artist: ILM | |
| Eric Texier | .... | digital effects artist | |
| Paul Theren | .... | digital modeler: ILM | |
| Robert Tom | .... | digital paint artist: VisionArt | |
| Suzie Vissitzky Tooley | .... | CG production manager | |
| Morgan Trotter | .... | digital compositor: Matte World Digital | |
| Dennis Turner | .... | CG sequence supervisor | |
| Trevor Tuttle | .... | model maker | |
| Lam Van To | .... | CG technical assistant | |
| Pam Vick | .... | digital rotoscope artist | |
| Mike Wassel | .... | matte artist: Illusion Arts | |
| Ken Wesley | .... | digital effects artist | |
| Jeffery Yost | .... | CG artist | |
| Heidi Zabit | .... | digital rotoscope artist: ILM | |
| Habib Zargarpour | .... | computer graphics supervisor: ILM | |
| Fon Davis | .... | model maker: ILM (uncredited) | |
| Christopher Horvath | .... | digital compositor: Matte World Digital (uncredited) | |
| Mark Moore | .... | concept designer: ILM (uncredited) | |
| Rick Rische | .... | matte artist: Matte World Digital (uncredited) | |
| Susumu Yukuhiro | .... | visual effects production assistant (uncredited) | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Robert Blackman | .... | costume designer: starfleet uniforms | |
| Leah Brown | .... | costumer (as Leah P. Brown) | |
| Joe Diaz | .... | costumer (as Joe Diaz Jr.) | |
| Christine Heinz | .... | key costumer | |
| Matthew A. Hoffman | .... | key costumer | |
| Sonny Merritt | .... | costumer | |
| Sarah Shawe | .... | costume supervisor (as Sarah Shaw) | |
| Heidi Odum Strasburg | .... | costumer (as Heidi Strasburg) | |
Editorial Department | |||
| Tim Board | .... | additional editor | |
| Mike Milliken | .... | color timer | |
| Travis G. Rendich | .... | apprentice editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| David Rossi | .... | post-production coordinator | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Mark Banning | .... | associate music executive producer | |
| Bob Bornstein | .... | music preparation | |
| Bruce Botnick | .... | music editor | |
| Bruce Botnick | .... | music mixer | |
| Alexander Courage | .... | composer: additional music (from "Star Trek") | |
| Alexander Courage | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Norman Dlugatch | .... | assistant music engineer | |
| Jerry Goldsmith | .... | conductor | |
| Jerry Goldsmith | .... | music producer | |
| Joel Goldsmith | .... | composer: additional music | |
| Dominic Gonzales | .... | assistant music engineer | |
| Kenneth Hall | .... | music editor (as Ken Hall) | |
| Cliff Kohlweck | .... | music editor | |
| Arthur Morton | .... | orchestrator | |
| Neil Norman | .... | executive music producer | |
| Lee Scott | .... | music editor | |
| Andrew Silver | .... | preview music editor | |
| Nick Vidar | .... | music programmer | |
| Paul Wertheimer | .... | assistant music engineer | |
Thanks | |||
| Ira Steven Behr | .... | special thanks | |
| Dan Curry | .... | special thanks | |
| Merri D. Howard | .... | special thanks | |
| Wendy Neuss | .... | special thanks | |
| Jeri Taylor | .... | special thanks | |
| Bill Wistrom | .... | special thanks | |
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| Star Trek: Insurrection | Star Trek: The Wrath of Khan | Star Trek: Nemesis | Star Trek V: The Final Frontier | Star Trek III: The Search for Spock |
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Star Trek: First Contact represents, at least to me, the pinnacle of the Star Trek movie franchise. This film was, in my opinion, -by far- the best of the "next generation" outings, and perhaps the finest from the entire collection of silver-screen Treks.
The Borg, a futuristic race of half-man, half-machine cyborgs from the other side of the galaxy, try once again to conquer the Federation, by attacking it at it's very core, our beloved Earth. This time, however, the Borg have a "plan B" up their sleeve. After the destruction of their main vessel, they send a small group of Borg back in time to 2063, a time when Earth is vulnerable after suffering massive casualties due to World War III. Once there they intend to prevent "first contact", an event that dramatically changes the course of human history, when friendly aliens discover humankind has learned how to travel faster-than-light, and make contact with the inventor of the warp drive, Dr Zefram Cochrane.
Of course the Enterprise crew must once again save humanity from certain destruction, by "following them back and repairing whatever damage they've done". When they reach the 21st century, however, the Borg find resistance is not so futile, and begin to take over the crippled Enterprise, deck by deck. Directing every move is the evil Borg Queen, played excellently by Alice Krige.
Patrick Stewart is, as always, fantastic as Captain Jean-Luc Picard. Stewart's background in the dramatic arts shines as he convincingly portrays a somewhat troubled and vengeful Picard, determined to destroy the insidious Borg once and for all.
The direction of Jonathan Frakes is flawless considering this film was his first attempt at directing on the big screen. In a few scenes I get the feeling that Frakes was committed to squeezing the absolute best out of Stewart, and this he did, apparently with ease (earning him the nickname "Two-Takes Frakes" from production members).
This film has it all. A well-conceived, intricate and dramatic plot, excellent acting, fantastic special effects, and real emotion on-screen. Picard's chilling "the line must be drawn here" monologue to Lily represents a scene with such dramatic quality that is rarely seen in science-fiction films. You can completely suspend disbelief and feel the anger, the pain, the sheer hunger for revenge in this broken man. You are there with him, the future of humanity is on the line, and not for a second will you think otherwise.
Whether you are a "Trekkie" or not, this is a film you will enjoy, and while there are references to previous Trek happenings in the film (such as when Picard was captured and assimilated by the Borg several years earlier), non-Trekkie's should definitely be able to follow what's going on.
All-in-all this is one of my favourite films of all time, and one that I can watch over and over and never get tired of. If you haven't seen it, why not grab a copy and check it out? I give it a well-deserved 9 out of 10.