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Lost Highway (1997)
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Overview
Release Date:
21 February 1997 (USA) morePlot:
After a bizarre encounter at a party, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic and begins leading a new life. full summary | full synopsis (warning! may contain spoilers)Plot Keywords:
Night Driving | Body In Trunk | Actor Playing Multiple Roles | Infidelity | Anal Sex moreUser Comments:
An incredibly well-done film... but not for everyone's tastes moreCast
(Cast overview, first billed only)| Bill Pullman | ... | Fred Madison | |
| Patricia Arquette | ... | Renee Madison / Alice Wakefield | |
| John Roselius | ... | Al | |
| Louis Eppolito | ... | Ed (as Lou Eppolito) | |
| Jenna Maetlind | ... | Party Girl | |
| Michael Massee | ... | Andy | |
| Robert Blake | ... | Mystery Man | |
| Henry Rollins | ... | Guard Henry | |
| Michael Shamus Wiles | ... | Guard Mike | |
| Mink Stole | ... | Forewoman (voice) | |
| Leonard Termo | ... | Judge (voice) | |
| Ivory Ocean | ... | Guard Ivory | |
| Jack Kehler | ... | Guard Johnny Mack | |
| David Byrd | ... | Doctor Smordin | |
| Gene Ross | ... | Warden Clements |
Additional Details
MPAA:
Rated R for bizarre violent and sexual content, and for strong language.Parents Guide:
View content advisory for parentsRuntime:
135 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
Netherlands:16 | Canada:R (Manitoba/Ontario) | Italy:VM14 | Canada:18 (Nova Scotia) | New Zealand:R18 | Canada:16+ (Quebec) | Iceland:16 | Argentina:18 | Australia:R | Chile:18 | Finland:K-16 | France:-12 | Germany:16 | Hong Kong:III | Ireland:18 | Mexico:C | Norway:18 | Peru:18 | Poland:18 | Portugal:M/18 | Singapore:R(A) | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R | Australia:MA (cable rating)Filming Locations:
Amargosa Hotel & Opera House, Death Valley Junction, Death Valley National Park, California, USA moreMOVIEmeter: 
Fun Stuff
Trivia:
According to the script for this film, the scene with Mr. Eddy and the tailgater takes place on Mulholland Drive. David Lynch would go on to direct a film of the same name (Mulholland Dr. (2001)), which also has a motor accident take place in the same spot. moreQuotes:
Fred Madison: I had a dream about you last night.Renee Madison: Yeah? What was it about?
Fred Madison: You were in the house, calling my name, but I couldn't find you. Then there you were, lying in bed... but it wasn't you. It looked like you, but it wasn't.
more
Soundtrack:
Various Ominous Drones moreFAQ
What is this movie about?What is reality?
What is with the Mystery Man (Robert Blake)?
more
more
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This is the first film directed by David Lynch I've seen, not counting The Elephant Man, which is another great film, but is an outsider in his career, since it is not surreal. This film is, however, making it the first typical Lynch film I've seen. And I'm honestly not sure what to make of it. I had heard a lot about Lynch's films before watching, but I guess I hadn't heard enough. I went into this film hoping for a good mystery, an interesting puzzle to solve. As the end credits rolled I didn't know what to make of what I had just seen. I didn't get an answer to the question I kept asking while I was watching; "What exactly is this film about?". As soon as the credits were over, I read a comment or two by Lynch fans... and the truth dawned on me. It's not supposed to be solved. It's not a movie where you, when you see the very end, exclaim "Ah! Now I get it!". This film won't provide you with some twist ending or have a character come up to the lead and explain it all. It's not supposed to make perfect sense or be easily explainable. It's not real. It's fantasy. Fiction. The whole film is like a dream, or, more appropriately, a nightmare. The film is great; it's just not for me. I won't let that affect my rating, however. This was an excellent example of masterful film-making. Lynch's direction is eminent, evidenced by the fact that I kept watching, despite not understanding half of what was going on or being able to sympathize with any character(something we are much too used to from mainstream movies). The lighting is great. Lynch really plays around with it, and it's always interesting to look at. It also really adds to the mood, nicely set by careful editing and music usage. The acting is flawless, and that is not a term I use lightly. All in all, a wonderfully well-done film, but definitely not for everyone. Wasn't in my tastes, but I enjoyed how well-made it was regardless. I recommend this to fans of art films, rather than conventional ones. Fans of Lynch should enjoy this. Very surreal and loose. 10/10