| Photos (see all 35 | slideshow) |
Directed by | |||
| David Lynch | |||
Writing credits(WGA) | ||
| David Lynch | (written by) & | |
| Barry Gifford | (written by) | |
Produced by | |||
| Deepak Nayar | .... | producer | |
| Tom Sternberg | .... | producer | |
| Mary Sweeney | .... | producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Peter Deming | (director of photography) | ||
Film Editing by | |||
| Mary Sweeney | |||
Casting by | |||
| Elaine J. Huzzar | |||
| Johanna Ray | |||
Production Design by | |||
| Patricia Norris | |||
Art Direction by | |||
| Russell J. Smith | (uncredited) | ||
Set Decoration by | |||
| Leslie Morales | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Robert Bowen | .... | makeup effects lab technician | |
| Lynne Brinton | .... | makeup effects assistant | |
| Michael Burnett | .... | special effects makeup coordinator | |
| Hayley Cecile | .... | assistant makeup artist | |
| Shane Donahue | .... | makeup effects lab technician | |
| Dan Gates | .... | makeup effects lab technician | |
| Chris Hanson | .... | makeup effects assistant | |
| Chip Heller | .... | makeup effects lab technician | |
| Marlene Lipman | .... | body makeup artist | |
| Patricia Miller | .... | hair stylist (as Patty Miller) | |
| Kathleen Norris | .... | assistant hair stylist | |
| Vince Oddone | .... | special effects makeup shop manager | |
| Toni-Ann Walker | .... | hair stylist | |
| Henry Wilfredo | .... | makeup effects lab technician | |
| Debbie Zoller | .... | makeup artist | |
Production Management | |||
| Desmond Cannon | .... | post-production supervisor | |
| Deepak Nayar | .... | unit production manager | |
| Sabrina S. Sutherland | .... | production supervisor | |
Art Department | |||
| Jerry Brumley | .... | art laborer | |
| Chris Burch | .... | art swing gang | |
| Keith Cox | .... | construction coordinator | |
| Eric DaRe | .... | art swing gang | |
| Eric DaRe | .... | property buyer | |
| Morgan Flaherty | .... | property maker | |
| Craig Sherman Hall | .... | property master | |
| Jon Kazunaga | .... | construction foreman | |
| Robert A. Masini | .... | property maker | |
| Scott Miller | .... | property maker | |
| David C. Nute | .... | construction gang boss | |
| Frank A. Oliveri | .... | painter | |
| Dano Parker | .... | art laborer | |
| Andrew J. Peterson | .... | art swing gang (as Andrew 'Skip' Peterson) | |
| Mark Peterson | .... | art laborer | |
| Greg Polutonovich | .... | sculptor | |
| Alfredo Ponce | .... | builder extraordinaire | |
| Edmund C. Quintero | .... | art laborer | |
| David E. Robinson | .... | lead scenic | |
| Russell McCarthy Smith | .... | production illustrator | |
| David Storm | .... | on-set dresser | |
| Samuel J. Tell | .... | assistant property master | |
| David D. Wheeler | .... | property maker | |
| Deborah Winship | .... | lead person | |
| Doug Wuitschick | .... | painter | |
Special Effects by | |||
| Bart Barber | .... | special effects | |
| Philip Bartko | .... | special effects (as Philip D. Bartko) | |
| Gary D'Amico | .... | special effects coordinator (as Gary P. D'Amico) | |
| David A. Poole | .... | special effects (as David Poole) | |
| Michael Wilmot | .... | special effects (as Mike Wilmot) | |
Visual Effects by | |||
| Kurt Godel | .... | digital transfer engineer | |
Stunts | |||
| Bruce Paul Barbour | .... | stunts | |
| David Barrett | .... | stunts | |
| Joey Box | .... | stunts | |
| Jophery C. Brown | .... | stunts (as Jophery Brown) | |
| John T. Churchill | .... | stunts | |
| Eliza Coleman | .... | stunts (as Liza Coleman) | |
| Gilbert B. Combs | .... | stunts (as Gil Combs) | |
| Gene Hartline | .... | stunts | |
| Chris Howell | .... | stunt coordinator | |
| Chris Howell | .... | stunts | |
| Terry Jackson | .... | stunts | |
| Robert Jauregui | .... | stunts (as Bob Jauregui) | |
| Cole S. McKay | .... | stunts (as Cole McKay) | |
| Cole McLarty | .... | stunts | |
| Jim Palmer | .... | stunts | |
| Rick Seaman | .... | stunts | |
| Matt Sigloch | .... | stunts | |
| Mike Watson | .... | stunts | |
| Glen Yrigoyen | .... | stunts | |
Casting Department | |||
| Mary Jane Fendler | .... | casting assistant (as Mary Jane Lavacca) | |
Costume and Wardrobe Department | |||
| Marisa Aboitiz | .... | set costumer | |
| Maurizio Bizzarri | .... | costume supervisor (as Maurizio Bizzari) | |
Editorial Department | |||
| Eric Archer | .... | apprentice film editor | |
| Brian Johnson | .... | first assistant film editor | |
| Cassandra King | .... | post-production assistant | |
| Dan Muscarella | .... | color timer | |
| Hilary Schroeder | .... | second assistant film editor | |
Music Department | |||
| Barry Adamson | .... | composer: additional music | |
| Angelo Badalamenti | .... | conductor | |
| Angelo Badalamenti | .... | orchestrator | |
| Andrew Barrett | .... | orchestrator (as Andy Barrett) | |
| Jason George | .... | assistant music editor | |
| Stepán Konícek | .... | conductor (as Stepan Konicek) | |
| David Lynch | .... | composer: additional music | |
| Charles Samek | .... | orchestrator | |
| Tony Suraci | .... | assistant music editor | |
| Marc Vanocur | .... | music editor | |
| Trent Reznor | .... | soundtrack producer (uncredited) | |
Transportation Department | |||
| Richard G. Almo | .... | driver | |
| Thomas P. Cantrell | .... | driver | |
| John Feinblatt | .... | transportation captain | |
| Felician Ghitescu | .... | driver | |
| Larry Hardman | .... | driver: honeywagon | |
| Ron Hardman | .... | driver | |
| Gary Hellerstein | .... | driver | |
| Billie E. Manning | .... | driver | |
| Alan Meyers | .... | driver | |
| Josue Meza | .... | cook driver | |
| H. Lee Noblitt | .... | driver (as Lee Noblitt) | |
| Michael Ralph Price | .... | transportation co-captain | |
| Arturo Ruvalcaba | .... | cook driver | |
| Paul Stanbrough | .... | driver | |
| Patrick Sullivan | .... | driver | |
| Sandra Thomason | .... | driver | |
| David Trevino | .... | driver | |
| Tom Winchester | .... | driver | |
| Allan Yamauchi | .... | transportation coordinator | |
Other crew | |||
| Hilary Adahms | .... | stand-in: Patricia Arquette | |
| Jeremy Alter | .... | assistant location manager | |
| Margo Altman | .... | office assistant | |
| Robert D. Brugger | .... | medic | |
| Robert D. Brugger | .... | remote control car wrangler (as Robert Brugger) | |
| Caroline Burton | .... | assistant: Deepak Nayar | |
| Ted Chalmers | .... | office manager | |
| John T. Churchill | .... | production assistant: David Lynch | |
| Mark Conway | .... | production intern | |
| Kristin Dornig | .... | assistant: Deepak Nayar | |
| Julie Duvic | .... | location manager | |
| Missy Eustermann | .... | second assistant production accountant | |
| Ruth Fainberg | .... | assistant: Bill Pullman | |
| Cori Glazer | .... | script supervisor | |
| Gregg Goldin | .... | office production assistant (as Gregory Goldin) | |
| David Gould | .... | assistant: Patricia Arquette | |
| Teddy M. Haggarty | .... | stand-in: Bill Pullman | |
| William Jorgenson | .... | production assistant: Asymmetrical | |
| Joe Juneau | .... | foam runner | |
| Roland Kermarec | .... | production intern | |
| Cassandra King | .... | production intern | |
| Steven R. Kutcher | .... | bug wrangler (as Steve Kutcher) | |
| Kristi Lake | .... | post-production accountant | |
| Sarah Levy | .... | office production assistant | |
| Sheridan Liu | .... | assistant production accountant | |
| George Lowe | .... | assistant: Tom Sternberg | |
| John K. Meyer | .... | office production assistant | |
| Ed Morris | .... | execution consultant | |
| Tasha Oldham | .... | assistant production coordinator | |
| Anton Pardoe | .... | location assistant | |
| Sondra Peluce | .... | craft service | |
| Gilbert Perez | .... | security supervisor | |
| Gaye Pope | .... | additional publicist | |
| Gaye Pope | .... | assistant: David Lynch | |
| Albert G. Ruben | .... | insurance | |
| Karen R. Sachs | .... | production coordinator | |
| Vance Strickland | .... | stand-in | |
| Jennifer Syme | .... | receptionist: Asymmetrical | |
| Mic Tomasi | .... | stand-in (as Mick Thomason) | |
| Scott Westgard | .... | production intern | |
| Cynthia Wise | .... | production accountant | |
| Deborah Wuliger | .... | unit publicist | |
| Leslie Porter | .... | assistant to producer (uncredited) | |
Thanks | |||
| Tony Ciulla | .... | special thanks | |
| Charlotte Fraisse | .... | special thanks | |
| Ron Fruchey | .... | special thanks | |
| Fred Goldring | .... | special thanks | |
| Guadalupe Hurst | .... | thanks: a real trooper | |
| John A. Malm Jr. | .... | special thanks | |
| Tom McGuire | .... | special thanks | |
| María Méndez | .... | special thanks (as Maria Mendez) | |
| Fred V. Murphy | .... | special thanks | |
| Dana Ross | .... | special thanks | |
| Debby Trutnik | .... | special thanks | |
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| Blue Velvet | Mulholland Dr. | Wild at Heart | The Departed | Cidade de Deus |
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This is the first film directed by David Lynch I've seen, not counting The Elephant Man, which is another great film, but is an outsider in his career, since it is not surreal. This film is, however, making it the first typical Lynch film I've seen. And I'm honestly not sure what to make of it. I had heard a lot about Lynch's films before watching, but I guess I hadn't heard enough. I went into this film hoping for a good mystery, an interesting puzzle to solve. As the end credits rolled I didn't know what to make of what I had just seen. I didn't get an answer to the question I kept asking while I was watching; "What exactly is this film about?". As soon as the credits were over, I read a comment or two by Lynch fans... and the truth dawned on me. It's not supposed to be solved. It's not a movie where you, when you see the very end, exclaim "Ah! Now I get it!". This film won't provide you with some twist ending or have a character come up to the lead and explain it all. It's not supposed to make perfect sense or be easily explainable. It's not real. It's fantasy. Fiction. The whole film is like a dream, or, more appropriately, a nightmare. The film is great; it's just not for me. I won't let that affect my rating, however. This was an excellent example of masterful film-making. Lynch's direction is eminent, evidenced by the fact that I kept watching, despite not understanding half of what was going on or being able to sympathize with any character(something we are much too used to from mainstream movies). The lighting is great. Lynch really plays around with it, and it's always interesting to look at. It also really adds to the mood, nicely set by careful editing and music usage. The acting is flawless, and that is not a term I use lightly. All in all, a wonderfully well-done film, but definitely not for everyone. Wasn't in my tastes, but I enjoyed how well-made it was regardless. I recommend this to fans of art films, rather than conventional ones. Fans of Lynch should enjoy this. Very surreal and loose. 10/10