| Videos (see all 6) |
Directed by | |||
| Joel Coen | |||
| Ethan Coen | (uncredited) | ||
Writing credits(WGA) | ||
| Joel Coen | (written by) & | |
| Ethan Coen | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| John Cameron | .... | line producer | |
| Ethan Coen | .... | producer | |
| Eric Fellner | .... | executive producer | |
| Joel Coen | .... | producer (uncredited) | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Roger Deakins | |||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| John S. Lyons | (as John Lyons) | ||
Production Design by | |||
| Rick Heinrichs | |||
Art Direction by | |||
| Thomas P. Wilkins | |||
Set Decoration by | |||
| Lauri Gaffin | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| John Blake | .... | key makeup artist | |
| Daniel Curet | .... | key hair stylist | |
| Bart Mixon | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Margaret Hayes | .... | post-production supervisor | |
| Gilly Ruben | .... | unit production manager | |
Special Effects by | |||
| Bruce R. Anderson | .... | special effects technician | |
| Wilfred Caban | .... | pyrotechnician | |
| Joe Carroll | .... | special effects technician | |
| Michael Kranz | .... | special effects technician | |
| Paul Murphy | .... | special effects coordinator | |
| Dieter Sturm | .... | special effects snowmaker | |
| Yvonne Sturm | .... | snowmaker | |
Visual Effects by | |||
| John Alagna | .... | opticals | |
Stunts | |||
| Danny Downey | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Jery Hewitt | .... | stunts | |
| Jennifer Lamb | .... | stunts | |
| Eddie L. Watkins | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jim Bridges | .... | still photographer (as James Bridges) | |
| Robin Brown | .... | camera operator | |
| Robin Brown | .... | director of photography: second unit | |
| Peter Clemence | .... | best boy grip | |
| Tony Corapi | .... | electrician | |
| Ed Dally | .... | film loader | |
| Milo Durben | .... | dolly grip | |
| Tom Franchett | .... | electrician | |
| Adam Gilmore | .... | second assistant camera | |
| Andy Harris | .... | first assistant camera | |
| William H. Hobson | .... | company grip (as William Hobson) | |
| Jeremy Knaster | .... | best boy electric | |
| Mitchell Andrew Lillian | .... | key grip (as Mitch Lillian) | |
| William Moore | .... | rigging gaffer | |
| Bill O'Leary | .... | chief lighting technician | |
| Timothy O'Toole | .... | video playback operator | |
| Joseph Slagerman | .... | company grip | |
| Michael Tackett | .... | still photographer | |
| Niel Williams | .... | company grip (as Neil Williams) | |
Casting Department | |||
| Jane Brody | .... | location casting | |
| Kathleen Chopin | .... | casting assistant | |
| Sandra Dawes | .... | extras casting (as Sandra D. Dawes) | |
| Christine Sheaks | .... | casting associate | |
Costume and Wardrobe Department | |||
| Virginia Burton | .... | costumer | |
| Sister A. Daniels | .... | costume supervisor (as Sister Daniels) | |
Editorial Department | |||
| Tricia Cooke | .... | associate editor | |
| Nick Dibeneditto | .... | negative cutter | |
| David Diliberto | .... | first assistant editor (as Big Dave Diliberto) | |
| Daniel J. Geiger | .... | location assistant editor (as Daniel Geiger) | |
| Alma Kuttruff | .... | apprentice editor | |
Music Department | |||
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Emile Charlap | .... | music contractor | |
| Edmund Choi | .... | assistant to composer | |
| Michael Farrow | .... | score mixer | |
| Todd Kasow | .... | music editor (as Todd Kassow) | |
| Paul Peabody | .... | musician: violin | |
| Shari Schwartz | .... | associate music editor | |
| John Moses | .... | musician: clarinet (uncredited) | |
Transportation Department | |||
| Dave Amberik | .... | driver | |
| Michael Arnold | .... | picture car coordinator | |
| Keith Carlson | .... | driver | |
| Dave Drentlaw | .... | driver (as David Drentlaw) | |
| Wade P. Ehlen | .... | driver | |
| David F. Evans | .... | driver | |
| Scott Michael Johnson | .... | driver (as Scott Johnson) | |
| Michael Kennedy | .... | transportation coordinator (as Michael J. Kennedy) | |
| Frank Ketchum | .... | transportation captain | |
| Eugene Kirsch | .... | driver (as Gene Kisch) | |
| Peter L. Mullin | .... | picture car assistant | |
| Ivy Poulliot | .... | driver | |
| John Rehborg | .... | driver | |
| Marti Smith | .... | driver (as Marty E. Smith) | |
| Tommy Ray Smith | .... | driver | |
Other crew | |||
| John Albrecht | .... | payroll accountant | |
| Randall Balsmeyer | .... | title designer | |
| Clement Baque | .... | caterer | |
| Cheryl Broussard | .... | assistant production coordinator (as Cheryl M. Broussard) | |
| Mark Demarais | .... | set production assistant | |
| Daniel J. Dustin | .... | set medic (as Dan Dustin) | |
| Joe Everett | .... | unit publicist | |
| Mimi Everett | .... | title designer | |
| Jane Frazer | .... | head of production: Working Title | |
| Kurt W. Gensmer | .... | set medic | |
| Karen Ruth Getchell | .... | production coordinator | |
| Robert Graf | .... | location manager (as Robert J. Graf) | |
| Senor Greazer | .... | meat dinner MC | |
| Dave Halls | .... | set production assistant | |
| Elizabeth Himelstein | .... | dialect coach | |
| Carlos José Ibarra | .... | mechanic (as Jose Ibarra) | |
| Dana Kelley | .... | assistant accountant | |
| Donald J. Koshiol | .... | location assistant | |
| T. Kukovinski | .... | script supervisor | |
| Michelle Suzanne LeDoux | .... | craft service | |
| Rachel Lynn | .... | assistant location manager (as Rachel L.T. Kapel) | |
| Angela Morrison | .... | head of business affairs: Working Title | |
| William Preston Robertson | .... | meat dinner MC (as Bill Robertson) | |
| Albert G. Ruben | .... | insurance | |
| Dan Runyon | .... | craft service | |
| Bill Schwab | .... | location projectionist | |
| Mindy Sheldon | .... | production accountant | |
| Jessica Shepherd | .... | set production assistant | |
| Bix Skahill | .... | office production assistant (as Don 'Bix' Skahill) | |
| Stuart Skrien | .... | location assistant | |
| Jose Solorzano | .... | caterer | |
| Eric Vignando | .... | caterer | |
| Charlie Vogel | .... | post-production accountant (as Charles Vogel) | |
| Jeffrey Abramson | .... | pre-production intern (uncredited) | |
| Christopher P. Jacobs | .... | location projectionist: Grand Forks (uncredited) | |
| Kelly Nathe | .... | photo double: Jean Lundegaard (uncredited) | |
| William Preston Robertson | .... | field interviewer/archivist for Minnesota accents (uncredited) | |
Thanks | |||
| Mark Cady | .... | special thanks | |
| David Daugherty | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| Rick Finkelstein | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Julie Hartley | .... | special thanks | |
| James Hautman | .... | special thanks | |
| Robert Hautman | .... | special thanks | |
| Michael Kuhn | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Russell Schwartz | .... | special thanks | |
| Stewart Till | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
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| A History of Violence | Bad Boys II | Pulp Fiction | Kiss Kiss Bang Bang | Before the Devil Knows You're Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
With no major stars or well-known names, the actors outshine many more familiar personages. The story is well thought out. The criminals don't try to ingratiate themselves with the audience which adds to its reality. The acting is most convincing and the writing is excellent. Even the cold of a North Dakota winter comes across. Every film course should make use of this movie to demonstrate how to make a very good film without relying on a bottomless budget.