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Michael Ondaatje (novel)
Anthony Minghella (screenplay)
15 November 1996 (USA) more
In love, there are no boundaries. more
At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair. full summary | full synopsis
Won 9 Oscars. Another 41 wins & 37 nominations more
Roger Corman to Receive Honorary Oscar
(From Icons of Fright. 13 November 2009, 10:58 AM, PST)
Maslansky Plays With Ondaatje's Slaughter
(From HollywoodNorthReport.com. 30 September 2009, 12:31 AM, PDT)
One of the greatest achievements in all of cinema, peerlessly beautiful more (408 total)
| Ralph Fiennes | ... | Count Laszlo de Almásy | |
| Juliette Binoche | ... | Hana | |
| Willem Dafoe | ... | David Caravaggio | |
| Kristin Scott Thomas | ... | Katharine Clifton | |
| Naveen Andrews | ... | Kip | |
| Colin Firth | ... | Geoffrey Clifton | |
| Julian Wadham | ... | Madox | |
| Jürgen Prochnow | ... | Major Muller | |
| Kevin Whately | ... | Hardy | |
| Clive Merrison | ... | Fenelon-Barnes | |
| Nino Castelnuovo | ... | D'Agostino | |
| Hichem Rostom | ... | Fouad | |
| Peter Rühring | ... | Bermann | |
| Geordie Johnson | ... | Oliver | |
| Torri Higginson | ... | Mary | |
| Liisa Repo-Martell | ... | Jan | |
| Raymond Coulthard | ... | Rupert Douglas | |
| Philip Whitchurch | ... | Corporal Dade | |
| Lee Ross | ... | Spalding | |
| Anthony Smee | ... | Beach Interrogation Officer | |
| Matthew Ferguson | ... | Young Canadian Soldier | |
| Jason Done | ... | Kiss Me Soldier | |
| Roger Morlidge | ... | Sergeant - Desert Train | |
| Simon Sherlock | ... | Private - Desert Train | |
| Sebastian Schipper | ... | Interrogation Room Soldier | |
| Fritz Eggert | ... | Interrogation Room Soldier | |
| Sonia Mankaï | ... | Arab Nurse (as Sonia Mankai) | |
| Rim Turkhi | ... | Aicha (as Rim Turki) | |
| Sebastian Rudolph | ... | Officer In Square | |
| Thoraya Sehill | ... | Interpreter In Square | |
| Sondos Belhassen | ... | Woman with Baby In Square (as Sondess Belhassen) | |
| Dominic Mafham | ... | Officer - El Taj | |
| Gregor Truter | ... | Corporal - El Taj | |
| Salah Miled | ... | Bedouin Doctor | |
| Abdellatif Hamrouni | ... | Ancient Arab | |
| Samy Azaiez | ... | Kamal | |
| Habib Chetoui | ... | Al Auf | |
| Philippa Day | ... | Officer's Wife (as Phillipa Day) | |
| Amanda Walker | ... | Lady Hampton | |
| Paul Kant | ... | Sir Ronald Hampton |
Directed by | |||
| Anthony Minghella | |||
Writing credits(WGA) | ||
| Michael Ondaatje | (novel) | |
| Anthony Minghella | (screenplay) | |
Produced by | |||
| Steve E. Andrews | .... | associate producer (as Steve Andrews) | |
| Scott Greenstein | .... | executive producer | |
| Alessandro von Norman | .... | line producer (as Alessandro Von Normann) | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Paul Zaentz | .... | associate producer | |
| Saul Zaentz | .... | producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| Michelle Guish | |||
| David Rubin | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Aurelio Crugnola | |||
Set Decoration by | |||
| Aurelio Crugnola | |||
| Stephanie McMillan | |||
Costume Design by | |||
| Gary Jones | (co-costume designer) | ||
| Ann Roth | |||
Makeup Department | |||
| Mustapha Ben Chaabane | .... | hair assistant: Tunisia | |
| Mustapha Ben Chaabane | .... | makeup assistant: Tunisia | |
| Giusy Bovino | .... | chief hair stylist (as Giusi Bovino) | |
| Louise Constad | .... | makeup artist: Ms. Binoche and Ms. Scott Thomas | |
| Elisabetta De Leonardis | .... | hair stylist | |
| Giuseppe Desiato | .... | makeup artist | |
| Antonio Maltempo | .... | makeup artist | |
| Maria Rizzo | .... | hair stylist: second unit | |
| Maria Rizzo | .... | makeup artist: second unit | |
| Alessandra Sampaolo | .... | makeup artist | |
| Ferid Sfaki | .... | hair assistant: Tunisia | |
| Ferid Sfaki | .... | makeup assistant: Tunisia | |
| Fabrizio Sforza | .... | makeup artist | |
| Chris Fitzgerald | .... | prosthetic painter (uncredited) | |
Production Management | |||
| Franco Ballati | .... | unit production manager | |
| Edie Bleiman | .... | post-production supervisor | |
| Hamid Elleuch | .... | unit manager: Tunisia | |
| Lynn Kamern | .... | unit production manager | |
| Paul Webster | .... | head of production: Miramax (uncredited) | |
Second Unit Director or Assistant Director | |||
| Steve E. Andrews | .... | first assistant director (as Steve Andrews) | |
| Gianni Arduini | .... | first assistant director: second unit | |
| Meriem Beschaouch | .... | assistant director: Tunisia | |
| Andrea Girolami | .... | assistant director | |
| Moez Kamoun | .... | assistant director: Tunisia (as Mouez Kamoun) | |
| Moslah Kraiem | .... | assistant director: Tunisia | |
| Peter Markham | .... | second unit director | |
| Enrico Marrari | .... | second assistant director: second unit (as Andrea Marrari) | |
| Emma Schofield | .... | second assistant director | |
| Luigi Vallini | .... | assistant director | |
Art Department | |||
| Mohamed Bargaoui | .... | prop master: Tunisia | |
| Romano Bellucci | .... | construction manager | |
| Brian Bishop | .... | scenic artist | |
| Doug Bishop | .... | scenic artist | |
| Jamel Bizid | .... | assistant props: Tunisia | |
| John Bush | .... | assistant set decorator | |
| Bruce Cheesman | .... | props: second unit | |
| Steve Clarke | .... | stand-by painter (as Steve Clark) | |
| Giulia Chiara Crugnola | .... | draftsman | |
| Luciano Curti | .... | painter | |
| Stefania D'Amario | .... | art department assistant | |
| Franco Fumagalli | .... | assistant art director | |
| Bernie Hearn | .... | stand-by props | |
| Maurizio Jacopelli | .... | dressing props (as Maurizio Iacopelli) | |
| Taieb Jallouli | .... | assistant art director: Tunisia | |
| Neil Lamont | .... | assistant art director | |
| Luciano Magagnini | .... | dressing props | |
| Roberto Magagnini | .... | stand-by props | |
| Paola Mugnai | .... | fresco painter | |
| Mauro Nati | .... | dressing props | |
| Michela Papa | .... | production assistant: art department | |
| Stefano Pessione | .... | art department assistant | |
| Franco Pizzonia | .... | construction supervisor: Tunisia (as Francesco Pizzonia) | |
| Francesco Postiglione | .... | dressing props | |
| Alessandra Querzola | .... | assistant set decorator | |
| Luigi Quintili | .... | construction coordinator | |
| Mohsen Rais | .... | assistant set dresser: Tunisia | |
| Bruno Ranieri | .... | assistant fresco painter | |
| Kamel Riabi | .... | prop buyer: Tunisia | |
| Stuart Rose | .... | desert cars art director | |
| Mick Rossman | .... | stand-by painter | |
| Remo Sperati | .... | assistant fresco painter | |
| Tony Teiger | .... | property master | |
| Ty Teiger | .... | assistant property master: Tunisia | |
| Lucinda Thomson | .... | art department stand-by (as Lucinda Thompson) | |
| Mohamed Trimeche | .... | assistant props: Tunisia | |
| Peter Watson | .... | dressing props | |
| Paul Wescott | .... | painter | |
| Tony Wright | .... | storyboard artist | |
Sound Department | |||
| James Austin | .... | staff: The Saul Zaentz Film Center (as Jim Austin) | |
| Michael Axinn | .... | apprentice sound editor | |
| Don Banks | .... | boom operator (as Donald Banks) | |
| David Franklin Bergad | .... | assistant dialogue editor | |
| Mark Berger | .... | sound re-recording mixer | |
| Sara Bolder | .... | dialogue editor | |
| Loren Byer | .... | staff: The Saul Zaentz Film Center | |
| Frank Canonica | .... | staff: The Saul Zaentz Film Center | |
| Vince Casper | .... | staff: The Saul Zaentz Film Center | |
| Amanda Chan | .... | staff: The Saul Zaentz Film Center | |
| Kyrsten Mate Comoglio | .... | sound effects editor | |
| Tobin Davis | .... | assistant dialogue editor (as Tobin Delaca Davis) | |
| Adriano Di Lorenzo | .... | sound assistant | |
| Adam Dornbusch | .... | sound department intern | |
| Richard Duarte | .... | foley mixer | |
| Malcolm Fife | .... | foley editor | |
| Grant Foerster | .... | staff: The Saul Zaentz Film Center | |
| Steve Fontano | .... | assistant foley mixer | |
| Anna Geyer | .... | staff: The Saul Zaentz Film Center | |
| Aura Gilge | .... | assistant sound effects editor (as Aura Belle Gilge) | |
| Pat Jackson | .... | supervising sound editor | |
| Rick Kahn | .... | staff: The Saul Zaentz Film Center | |
| Stephen Kearney | .... | assistant sound effects editor | |
| Michael Kelly | .... | staff: The Saul Zaentz Film Center | |
| Mark Levinson | .... | adr supervisor | |
| Scott Levitin | .... | staff: The Saul Zaentz Film Center | |
| Kathy McVey | .... | staff: The Saul Zaentz Film Center | |
| Marnie Moore | .... | foley artist | |
| Walter Murch | .... | sound re-recording mixer | |
| Douglas Murray | .... | sound effects editor (as Douglas S. Murray) | |
| Jennifer Myers | .... | foley artist | |
| Christopher Newman | .... | sound recordist (as Chris Newman) | |
| John Nutt | .... | dialogue editor | |
| Dan Olmsted | .... | staff: The Saul Zaentz Film Center | |
| Margie O'Malley | .... | foley artist | |
| David Parker | .... | sound re-recording mixer | |
| Jim Pasque | .... | staff: The Saul Zaentz Film Center | |
| Mark Paul | .... | staff: The Saul Zaentz Film Center | |
| Richard Quinn | .... | adr editor | |
| Scott G. Roberts | .... | staff: The Saul Zaentz Film Center (as Scott Roberts) | |
| David Roesch | .... | staff: The Saul Zaentz Film Center | |
| Gianni Sardo | .... | sound mixer: second unit | |
| Roy Segal | .... | staff: The Saul Zaentz Film Center | |
| Ivan Sharrock | .... | sound recordist | |
| Steve Shurtz | .... | staff: The Saul Zaentz Film Center | |
| Greg Simon | .... | staff: The Saul Zaentz Film Center | |
| Dianna Stirpe | .... | dialogue editor | |
| Marc-Jon Sullivan | .... | boom operator (as Marc Jon Sullivan) | |
| Diego Taborda | .... | sound department intern | |
| John Timperley | .... | sound engineer | |
| Joe Tysl | .... | staff: The Saul Zaentz Film Center | |
| Jennifer L. Ware | .... | sound effects editor | |
| Laurie Wentworth | .... | staff: The Saul Zaentz Film Center | |
| Jeff Whittle | .... | staff: The Saul Zaentz Film Center | |
| Mary Works | .... | assistant dialogue editor | |
| Marilyn S. Zalkan | .... | first assistant sound editor | |
| Liberata Zocchi | .... | sound transfer: Rome | |
| Frank Canonica | .... | supervising sound recordist: mix stage (uncredited) | |
| Ann Kroeber | .... | additional sound effects (uncredited) | |
| Peter Steinbach | .... | additional sound effects (uncredited) | |
Special Effects by | |||
| Vince Abbott | .... | animatronic designer: Jim Henson's Creature Shop (as Vincent Abbott) | |
| Marion Appleton | .... | artwork: Jim Henson's Creature Shop | |
| Fausto Baldinelli | .... | effects crew | |
| Raffaele Battistelli | .... | effects crew | |
| Nigel Booth | .... | prosthetic makeup artist: English patient, Jim Henson's Creature Shop | |
| Sam Broadbent | .... | fabricator: Jim Henson's Creature Shop | |
| Karen Cassie | .... | production supervisor: Jim Henson's Creature Shop | |
| Mel Coleman | .... | mold maker: Jim Henson's Creature Shop | |
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | effects crew | |
| Dave Eltham | .... | senior effects technician (as David Eltham) | |
| Barry Fowler | .... | mold maker: Jim Henson's Creature Shop (as Barry Folwer) | |
| Marie Fraser | .... | foam department: Jim Henson's Creature Shop | |
| Adrian Getley | .... | foam department: Jim Henson's Creature Shop | |
| Tamzine Hanks | .... | fabricator: Jim Henson's Creature Shop | |
| Graham High | .... | sculptor: Jim Henson's Creature Shop | |
| Jeremy Hunt | .... | sculptor: Jim Henson's Creature Shop | |
| Terry James | .... | mold maker: Jim Henson's Creature Shop | |
| Val Jones | .... | hair designer: Jim Henson's Creature Shop | |
| Louisa Jordan | .... | fabricator: Jim Henson's Creature Shop | |
| Andy Lee | .... | foam department: Jim Henson's Creature Shop (as Andy Lees) | |
| Giancarlo Mancini | .... | senior effects technician: Italy | |
| Esteban Mendoza | .... | fabricator: Jim Henson's Creature Shop | |
| Karina Randall | .... | foam department: Jim Henson's Creature Shop | |
| Jason Reed | .... | animatronic designer: Jim Henson's Creature Shop (as Jason Read) | |
| Andy Roberts | .... | animatronic designer: Jim Henson's Creature Shop | |
| Francesco Sabelli | .... | effects crew | |
| Kelly Sant | .... | silicone department: Jim Henson's Creature Shop | |
| Terry Sibley | .... | mold maker: Jim Henson's Creature Shop | |
| Paul Stentiford | .... | effects crew | |
| John Stephenson | .... | visual supervisor: Jim Henson's Creature Shop | |
| Tim Willis | .... | senior effects technician | |
| Kenny Wilson | .... | mold design supervisor: Jim Henson's Creature Shop | |
| Simon Clutterbuck | .... | special effects (uncredited) | |
| Dave Kelly | .... | chargehand: Jim Henson's Creature Shop (uncredited) | |
| Simon Rose | .... | animatronics trainee (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | visual effects designer: Digital Film | |
| Ian Chisholm | .... | film outputting: Digital Film | |
| Frazer Churchill | .... | visual effects designer: Digital Film | |
| Chris Emond | .... | visual effects opticals: Jim Henson's Creature Shop | |
| Andrew Hall | .... | computer generated designer: Digital Film (as Andy Hall) | |
| Matthew Holben | .... | visual effects facility producer: Digital Film | |
| Dennis Lowe | .... | visual effects supervisor: Digital Film | |
| Julian Mann | .... | computer generated designer: Digital Film | |
| Charlie Noble | .... | visual effects designer: Digital Film | |
| Matthew Plummer | .... | assistant visual effects producer: Digital Film | |
| Paul Riddle | .... | visual effects designer: Digital Film | |
| Keith Roberts | .... | computer generated designer: Digital Film | |
| Neal Scanlan | .... | creative project supervisor: Jim Henson's Creature Shop | |
| Mark Stannard | .... | visual effects designer: Digital Film | |
| Arthur Windus | .... | digital line producer: Digital Film | |
| Erik De Boer | .... | animator: MPC (uncredited) | |
| Dan Glass | .... | visual effects compositor: Digital Film (uncredited) | |
| Roma O'Connor | .... | production coordinator (uncredited) | |
| Joe Pavlo | .... | digital artist (uncredited) | |
| Kevin Phelan | .... | scanning and recoding producer: CFC London (uncredited) | |
Stunts | |||
| David Ambrosi | .... | stunt rigger | |
| Jim Dowdall | .... | stunt supervisor | |
| Steve Griffin | .... | stuntman (as Steve Street-Griffin) | |
| Paul Heasman | .... | stuntman | |
| Riccardo Mioni | .... | stuntman | |
| Franco Maria Salamon | .... | stunt coordinator (as Franco Salomon) | |
| Lee Sheward | .... | stuntman | |
| Julian Spencer | .... | stuntman | |
Animation Department | |||
| Paul J. Franklin | .... | computer animator (uncredited) | |
Casting Department | |||
| Deirdre Bowen | .... | casting: Canada | |
| Brendan Donnison | .... | voice casting: loop group | |
| Risa Kes | .... | casting: Germany | |
Costume and Wardrobe Department | |||
| Alfredo Bocci | .... | set costumer: second unit | |
| Gabriella Generosi | .... | seamstress | |
| Amel Helali | .... | wardrobe assistant: Tunisia | |
| Lilia Lakhoua | .... | wardrobe assistant: Tunisia | |
| Iris Horta Lemos | .... | key costumer | |
| Donna Maloney | .... | key costumer | |
| Kamel Marmouche | .... | wardrobe assistant: Tunisia | |
| Adriana Mattiozzi | .... | costumer | |
| Tim McKelvey | .... | key costumer | |
| Carlo Poggioli | .... | assistant to costume designer | |
| Franca Rotondo | .... | seamstress | |
| Salvatore Salzano | .... | costumer | |
| Montacer Skhiri | .... | wardrobe assistant: Tunisia | |
| Claudette Lilly | .... | costume buyer (uncredited) | |
Editorial Department | |||
| Edie Bleiman | .... | first assistant editor: avid | |
| Gary Burritt | .... | negative cutter | |
| Rosmary Conte | .... | first assistant editor: film | |
| Sean Cullen | .... | apprentice editor | |
| Daniel Farrell | .... | first assistant editor: film | |
| Robert Grahamjones | .... | assistant film editor | |
| Scott Guitteau | .... | assistant film editor | |
| Pat Jackson | .... | associate editor | |
| Glenn Kasprzycki | .... | telecine operator | |
| Robin Lee | .... | assistant film editor | |
| Harris Leibowitz | .... | telecine operator | |
| William Pine | .... | color timer (as Bill Pine) | |
| Franca Silvi | .... | assistant film editor | |
| Jeffery Stephens | .... | assistant film editor | |
| Blake Danforth | .... | assistant editor (uncredited) | |
| Michael Kelly | .... | post-production (uncredited) | |
| Matvey Shatz | .... | color timer (uncredited) | |
Music Department | |||
| John Constable | .... | musician: piano solo | |
| Keith Grant | .... | music recording engineer | |
| Ronnie Hazlehurst | .... | conductor: Shepheard's Hotel Jazz Orchestra | |
| Ronnie Hazlehurst | .... | music arranger | |
| Ling Ling Li | .... | assistant music editor | |
| Harry Rabinowitz | .... | conductor: The Academy of St. Martin in the Fields | |
| Robert Randles | .... | music editor | |
| Georges Rodi | .... | music sound designer | |
| Michael Semanick | .... | music premix | |
| Fletcher Henderson | .... | music arranger (uncredited) | |
Transportation Department | |||
| Duncan Barbour | .... | special vehicle coordinator | |
| Mahmoud Ben Dhifallah | .... | transportation manager: Tunisia | |
| Andrea Borella | .... | transportation manager | |
Rated R for sexuality, some violence and language.
162 min
1.85 : 1 more
USA:R (certificate #34884) | Iceland:12 (video rating) | Iceland:14 (original rating) | Denmark:15 | South Korea:18 | Philippines:PG-13 | Brazil:16 | Argentina:13 | Australia:M | Canada:14A | Chile:14 | Finland:K-12 | France:U | Germany:12 (bw) | Hong Kong:IIB | Netherlands:12 | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:M18 (re-rating) | Singapore:R(A) (original rating) | Spain:13 | Sweden:15 | UK:15
Minghella's first cut of the film was 4 hours and 10 minutes long. more
Anachronisms: American flags with 50 stars being waved by those on tanks instead of 48 in 1945. more
Katharine Clifton: Am I K in your book? I think I must be. more
Referenced in "Sabrina, the Teenage Witch: And the Sabrina Goes to... (#3.8)" (1998) more
Manhattan more
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Count Laszlo (Ralph Fiennes) has just been transferred to a hospital in Italy during World War II. He is horrifically burned from an ambush. His nurse Hana (Juliette Binoche) tends to him, body and mind, for she fears, quite rightly, that he may be a very troubled soul. In the course of his care, the Count starts to tell Hana of his recent past. It seems he worked in a government capacity in Africa, where he met a beautiful married lady named Katherine (Kristin Scott Thomas). Although they tried to avoid each other, they fell in love. After a brief affair, Katherine called it quits, leaving the Count desolate. Even so, the two would meet again, under heart-wrenching circumstances. Meanwhile, Hana herself falls for a Sihk man in the British bomb squad. Yet, the war is raging relentlessly. Can love exist when the world is in turmoil? This is a tremendous film, based on an equally fine but complex novel. The plot has many story lines that are woven together beautifully, each of them poignant beyond description. The script itself is elegant and contains many memorable lines. Fiennes is magnificent, both as the burn victim and as the man who thought love was a myth. Scott Thomas is also quite fine as the woman who fights against her passions. As for Binoche, she richly deserved the Oscar that she was presented, as her nurse is a shining example of hope in a hopeless situation. The scenery is utterly gorgeous, as are the costumes, the direction, and the production. If you have missed out on viewing this film, rectify that soon, very soon. The English Patient will remain one of the greatest achievements in film for centuries to come.