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The Birdcage (1996)
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Overview
User Rating:
Release Date:
8 March 1996 (USA) moreTagline:
Come as you are. morePlot:
A gay cabaret owner and his drag queen companion agree to put up a false straight front so that their son can introduce them to his fiancé's right-wing moralistic parents. full summary | add synopsisAwards:
Nominated for Oscar. Another 5 wins & 13 nominations moreNewsDesk:
(12 articles)
Mike Nichols Has Achieved Much in His Lifetime, Says AFI (From FilmSchoolRejects. 12 October 2009, 11:51 AM, PDT)
Robin Williams Joins 'Wedding Banned'
(From Cinematical. 28 August 2009, 8:03 AM, PDT)
User Comments:
Seamless And Forever Hilarious Hollywood Remake! more (144 total)Cast
(Cast overview, first billed only)| Robin Williams | ... | Armand Goldman | |
| Gene Hackman | ... | Sen. Kevin Keeley | |
| Nathan Lane | ... | Albert Goldman | |
| Dianne Wiest | ... | Louise Keeley | |
| Dan Futterman | ... | Val Goldman | |
| Calista Flockhart | ... | Barbara Keeley | |
| Hank Azaria | ... | Agador | |
| Christine Baranski | ... | Katherine Archer | |
| Tom McGowan | ... | Harry Radman | |
| Grant Heslov | ... | National Enquirer Photographer | |
| Kirby Mitchell | ... | Keeley's Chauffeur | |
| James Lally | ... | Cyril | |
| Luca Tommassini | ... | Celsius | |
| Luis Camacho | ... | Goldman Girl | |
| Andre Fuentes | ... | Goldman Girl |
Additional Details
MPAA:
Rated R for language.Parents Guide:
View content advisory for parentsRuntime:
117 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
DTSCertification:
Brazil:14 | Singapore:M18 (re-rating) | South Korea:18 | Philippines:PG-13 | New Zealand:M | Argentina:13 | Australia:M | Chile:14 | Finland:S | France:U | Germany:12 (bw) | Netherlands:AL | Peru:14 | Portugal:M/12 | Spain:T | Sweden:Btl | UK:15 | USA:R | Singapore:R(A) | Iceland:LFun Stuff
Trivia:
Robin Williams was originally cast as Albert, but he wanted a change from flamboyant characters, and asked to be cast as Armand. Mike Nichols agreed, and re-cast him. moreGoofs:
Continuity: In the 'How 'bout those Dolphins?' scene, Armand teaches Albert how to be a man. While sitting at a table, the positioning of sugar packets on the table changes. moreQuotes:
[first lines][singers are performing "We Are Family" on-stage]
Cyril: [backstage, into a telephone] Agador! Where is Starina? She goes on in 5 minutes!
more
Soundtrack:
MI GUAJIRA moreFAQ
This FAQ is empty. Add the first question.more (144 total)
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Way over the top, but utterly and completely hilarious just the same American remake of the popular 1978 French film/play "La Cage Aux Folles" about a gay nightclub owner and his flamboyant drag-queen lover (played by Robin Williams and Nathan Lane, two actors who I might say look like they were born to each be the comedic halves that equal one fall-down hilarious whole) who in an attempt to please and hopefully fool the conservative parents (played by Gene Hackman and Diane Wiest) of Williams' biological son's (from what is obviously a previous liaison with a woman) fiancé, pretend for one evening to be a straight married couple, a la Williams is the husband and Lane is dressed up as the wife, with as it is blatantly apparent disastrous results! Absolutely nothing in this film is subtle I'll admit, and almost all of the characters here are written to be little more than hokey caricature's of nearly every gay stereotype going! However though, regardless of all that "The Birdcage" still winds up hitting the nail square on the head in terms of delivering to it's audience some astounding energy, superb camp-value and knee-slappingly hilarious jokes/one-liners that are all topped by a nearly uncanny chemistry between the actors. Overall, if you can manage to get past some of the so-called "Hollywood Clichés" and cheap shots made at the kinds of people/life-styles featured here that are deemed offensive by some, and just watch this great flick for the uproarious and seemingly light-hearted romp that it was initially intended to be. Then ultimately you will be justly rewarded by film's end because this is one of the few, and I do mean few, American remakes (and a comedy no less) that is worth watching time after time! (***** out of *****)