| Videos (see all 2) |
Theodoros Angelopoulos (screenplay) &
Tonino Guerra (co-writer) ...
(more)
1 November 1997 (USA) more
"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend... more | full synopsis
9 wins & 5 nominations more
In the meadow, we can pan a snowman
(From Roger Ebert's Blog. 24 December 2008, 9:04 AM, PST)
A proof of the superiority of European cinema. more (48 total)
Directed by | |||
| Theodoros Angelopoulos | |||
Writing credits | ||
| Theodoros Angelopoulos | screenplay & | |
| Tonino Guerra | co-writer & | |
| Petros Markaris | co-writer & | |
| Giorgio Silvagni | co-writer | |
| Homer | (poem) uncredited | |
Produced by | |||
| Theodoros Angelopoulos | .... | producer | |
| Phoebe Economopoulos | .... | executive producer | |
| Eric Heumann | .... | producer | |
| Dragan Ivanovic | .... | producer: Serbia (as Dragan Ivanovic-Hevi) | |
| Herbert G. Kloiber | .... | producer | |
| Saimir Kumbaro | .... | producer: Albania | |
| Piro Milkani | .... | producer: Albania | |
| Ivan Milovanovic | .... | producer: Serbia | |
| Amedeo Pagani | .... | producer | |
| Lucian Pricop | .... | producer: Romania | |
| Giorgio Silvagni | .... | producer | |
Original Music by | |||
| Eleni Karaindrou | |||
Cinematography by | |||
| Giorgos Arvanitis | |||
| Andreas Sinanos | |||
Film Editing by | |||
| Takis Koumoundouros | (co-editor) | ||
| Yannis Tsitsopoulos | |||
Casting by | |||
| Alexandros Labridis | |||
| Margarita Manda | |||
| Dinko Tucakovic | |||
Production Design by | |||
| Dinos Katsouridis | |||
Set Decoration by | |||
| Miodrag Nikolic | |||
| Giorgos Patsas | |||
Costume Design by | |||
| Giorgos Ziakas | |||
Makeup Department | |||
| Fani Alexaki | .... | makeup artist | |
| Filippas Kapsalis | .... | wig maker | |
| Katerina Moletti | .... | hair stylist | |
| Athina Tseregof | .... | makeup artist | |
Production Management | |||
| Kostas Lambropoulos | .... | production manager | |
| Slobodan Pavicevic | .... | production manager: Serbia | |
Art Department | |||
| Stefan Antonescu | .... | property master: Romania | |
| Negoslav Djokovic | .... | property master: Serbia | |
| Hristos Goutis | .... | construction coordinator | |
| Kosta Keskinov | .... | property master: Serbia | |
| Vlasis Koutsoukos | .... | property master | |
| Thodoros Mourtas | .... | construction coordinator | |
| Kostas Soulakelis | .... | property master | |
| Nikos Triandafilopoulos | .... | set dresser | |
| Gabriel Nechita | .... | assistant art director (uncredited) | |
| Gabriela Nechita | .... | assistant art director (uncredited) | |
Sound Department | |||
| Thanassis Arvanitis | .... | sound | |
| Dusan Bogunovic | .... | assistant sound | |
| Yannis Haralambidis | .... | sound | |
| Marton Jankov-Tomica | .... | sound | |
| Bernard Leroux | .... | sound mixer | |
| Francis Perrard | .... | digital sound consultant | |
| Panos Tzelekis | .... | assistant sound | |
| Nenad Vukadinovic | .... | assistant sound | |
Special Effects by | |||
| Pino Carozza | .... | special effects | |
| Srba Kabadajic | .... | special effects: Serbia | |
| Nenad Pukmajster | .... | special effects: Serbia | |
| Olivier Zenenski | .... | special effects (as Olivier Zenensky) | |
| Dusan Zivkovic | .... | pyrotechnician: Serbia | |
Camera and Electrical Department | |||
| Dimitris Damalas | .... | first assistant camera | |
| Ljubomir Despotovic | .... | best boy grip | |
| Dionysis Efthymiopoulos | .... | steadicam assistant | |
| Slobodan Gojkovic | .... | electrician | |
| Dimitris Horianopoulos | .... | second assistant camera | |
| Milenko Knezevic | .... | grip: Serbia | |
| Linos Meitanis | .... | steadicam assistant | |
| Miljan Milovanovic | .... | assistant camera: Serbia | |
| Grigoris Samiotis | .... | grip | |
| Mihalis Samiotis | .... | best boy grip | |
| Zdravko Simojlovic | .... | gaffer (as Zdravko Simojlovic-Bosanac) | |
| Alekos Yiannaros | .... | Steadicam operator | |
| Akis Zorbas | .... | second assistant camera | |
| Boris Zupnik | .... | electrician | |
| Josef Koudelka | .... | still photographer (uncredited) | |
Editorial Department | |||
| Maria Daoudaki | .... | assistant editor | |
Music Department | |||
| Valentin Beikof | .... | singer: Bulgarian songs | |
| Andreas Chekouras | .... | musician: accordion | |
| Manfred Eicher | .... | music producer | |
| Manfred Eicher | .... | recording director: score | |
| Lefteris Halkiadakis | .... | conductor | |
| Kim Kashkashian | .... | musician: viola | |
| Antonis Kontogeorgiou | .... | choir director | |
| Vangelis Kristopoulos | .... | musician: oboe | |
| Vangelis Skoufas | .... | musician: corno | |
| Ioannis Smirnaios | .... | score engineer | |
| Georgia Voulvi | .... | singer: Byzantine hymns | |
Transportation Department | |||
| Jugoslav Bobera | .... | driver: Serbia | |
Other crew | |||
| Slobodan Jankovic | .... | production assistant: Serbia | |
| Damir Jovanovic | .... | production assistant: Mostar | |
| Dimitris Karatzounis | .... | production assistant | |
| Ellen Katsikeas | .... | production assistant (as Eleni Katsikea) | |
| Jeannie H. Kelly | .... | assistant: Harvey Keitel (as Jean Helen Kelly) | |
| Caslav Kovacevic | .... | production coordinator: Serbia | |
| Margarita Manda | .... | script supervisor | |
| Vlado Mojsilovic | .... | production assistant: Serbia | |
| Igor Nescovic | .... | production assistant: Serbia | |
| Dusan Ristic | .... | caterer: Serbia | |
| Manolis Sakkadakis | .... | titles and opticals | |
| Jon Sperry | .... | assistant: Harvey Keitel | |
| Darko Stjipcevic | .... | production assistant: Mostar | |
| Milos Tomin | .... | production assistant: Serbia | |
| Kaii Tsitseli | .... | script translator | |
| Dragoslav Vulanovic | .... | extras coordinator: Serbia | |
| Margarita Yariou | .... | production secretary | |
| Zeljian Zelaska | .... | production assistant: Mostar | |
Thanks | |||
| Amy Androulidaki | .... | thanks | |
| Dimitris Katsanos | .... | thanks | |
| Gilat Meltzer | .... | thanks | |
| Elena Mirchovska | .... | thanks | |
| Sifet Orucevic | .... | thanks | |
| Pavlos Tsakiridis | .... | thanks | |
| Vangelis Tsembelis | .... | thanks | |
| Rasmi Tsopela | .... | thanks | |
| Gian Maria Volonté | .... | in memory of | |
Το βλέμμα του Οδυσσέα (Greece)
Der Blick des Odysseus (Germany)
Lo sguardo di Ulisse (Italy)
The Gaze of Odysseus
The Look of Ulysses
Ulysses' Gaze (USA) (literal English title)
more
176 min
Greece | France | Italy | Germany | UK | Federal Republic of Yugoslavia | Bosnia and Herzegovina | Albania | Romania
Black and White | Color (Eastmancolor)
1.66 : 1 more
Argentina:13 | Chile:14 | Finland:K-8 | Portugal:M/12 | Spain:13 | Sweden:11 | UK:PG
Niko: The first thing God created was the journey, then came doubt, and nostalgia. more
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| Sunshine | Mia aioniotita kai mia mera | Topio stin omichli | The Odyssey | La tregua |
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With "Ulysses' Gaze", Theo Angelopoulos proves that he is one of the most influential figures in contemporary cinema. This film explores the idea of how people must go through their personal Odyssey to reach their destination with an unbelievable poetic quality. By exploring the idea of this journey, Angelopoulos shows how much he is influenced by the poems of Nobel prize-winning Greek poet George Seferis. The atmosphere of the film is admittedly extraordinary, aided by the terrific cinematography of Giorgos Arvanitis, Angelopoulos' collaborator since "Reconstruction" (1972).
But the incredibly dense philosophical context of the film does not stop there, as Angelopoulos depicts the tumultuous history of twentieth-century Balkans with extreme precision and artistry.
Harvey Keitel gave the best performance of his career, even managing to speak a few sentences in Greek without sounding too awkward. Maia Morgenstern (as symbols for Penelope, Nausikaa, Circe and Calypso in her multiple roles) and Erland Josephson are also quite good, while Thanassis Vengos gives a tragi-comic note to the film, with his performance as the taxi driver.
The fact that I am Greek (and therefore I am familiar with the political situation and able to identify with events better) admittedly played a major part in my interpretation of "Ulysses' Gaze" and non-Balkan viewers may find it difficult to identify with the film. However, the idea of the journey is universal and it is a pity that Angelopoulos is often dismissed by most Greeks as being too "difficult".