| Photos (see all 12 | slideshow) | Videos |
| Julianne Moore | ... | Carol White | |
| Peter Friedman | ... | Peter Dunning | |
| Xander Berkeley | ... | Greg White | |
| Susan Norman | ... | Linda | |
| Kate McGregor-Stewart | ... | Claire (as Kate McGregor Stewart) | |
| Mary Carver | ... | Nell | |
| Steven Gilborn | ... | Dr. Hubbard | |
| April Grace | ... | Susan | |
| Peter Crombie | ... | Dr. Reynolds | |
| Ronnie Farer | ... | Barbara | |
| Jodie Markell | ... | Anita | |
| Lorna Scott | ... | Marilyn | |
| James LeGros | ... | Chris | |
| Dean Norris | ... | Mover | |
| Julie Burgess | ... | Aerobics instructor | |
| Martha Velez | ... | Fulvia (as Martha Velez-Johnson) | |
| Chauncey Leopardi | ... | Rory | |
| Saachiko | ... | Dry cleaners manager | |
| Tim Gardner | ... | Department store dispatcher | |
| Wendy Haynes | ... | Waitress | |
| Allan Wasserman | ... | Client | |
| Jean St. James | ... | Client's wife (as Jean Pflieger) | |
| Janel Moloney | ... | Hairdresser | |
| Brendan Dolan | ... | Patrolman | |
| John Apicella | ... | Psychiatrist | |
| Dana Anderson | ... | Lynn | |
| Wendy Gayle | ... | Baby shower mother | |
| Cassy Friel | ... | Baby shower child | |
| Frank Dent | ... | Video narrator | |
| Sarah Scott Davis | ... | Sarah | |
| Beth Grant | ... | Becky (auditorium speaker) | |
| Jo Wilkinson | ... | Listener #1 | |
| Gerrielani Miyazaki | ... | Listener #2 | |
| Edith Meeks | ... | Patient #1 | |
| Francesca Roberts | ... | Patient #2 | |
| Elinor O. Caplan | ... | Patient #3 | |
| Joe Comando | ... | Exterminator | |
| Tricia Dong | ... | Wrenwood patient | |
| James Lyons | ... | Cab driver | |
| Eleanor Graham | ... | Singer | |
| Mitch Greenhill | ... | Accompanist | |
| Rio Hackford | ... | Lester | |
| Jessica Harper | ... | Joyce | |
| Ravi Achar | ... | Wrenwood instructor | |
| Brandon Cruz | ... | Steve |
Directed by | |||
| Todd Haynes | |||
Writing credits(in alphabetical order) | ||
| Todd Haynes | written by | |
Original Music by | |||
| Ed Tomney | |||
Cinematography by | |||
| Alex Nepomniaschy | (director of photography) | ||
Film Editing by | |||
| James Lyons | |||
Casting by | |||
| Jakki Fink | |||
Production Design by | |||
| David J. Bomba | (as David Bomba) | ||
| Clare Scarpulla | (uncredited) | ||
Art Direction by | |||
| Anthony R. Stabley | |||
Set Decoration by | |||
| Mary E. Gullickson | |||
Costume Design by | |||
| Nancy Steiner | |||
Makeup Department | |||
| Deborah K. Larsen | .... | makeup department head | |
| David Syner | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Elizabeth Gill | .... | first assistant director | |
| Shawn Haynes | .... | second second assistant director | |
| Francesca Iorillo | .... | second assistant director | |
Art Department | |||
| Curtis Baruth | .... | construction coordinator | |
| Chris Brewster | .... | lead man | |
| Yvonne Jean | .... | set dresser | |
| Susan Mengal | .... | art department intern | |
| Melanie Paizis | .... | on-set dresser | |
| Dan Poche | .... | lead man | |
| Sally Reed | .... | prop assistant | |
| Chris Slivar | .... | art department intern | |
| Kathy Stewart | .... | property master | |
| Adam W. Wolf | .... | set dresser (uncredited) | |
Sound Department | |||
| Mark Beck | .... | sound effects editor | |
| Missy Cohen | .... | dialogue editor | |
| Neil Danziger | .... | sound mixer | |
| Alan deGraaf | .... | sound re-recording mixer | |
| John Dykstra | .... | foley engineer | |
| John Elliot | .... | foley assistant | |
| Daniel Falcone | .... | sound apprentice | |
| John Gare | .... | sound re-recording mixer | |
| Marlena Grzaslewicz | .... | dialogue editor | |
| Elliot Jacobson | .... | boom operator | |
| Jonas Kuhnemann | .... | dialogue editor | |
| Sid Lieberman | .... | foley artist | |
| David Novack | .... | sound re-recording mixer | |
| Tim O'Shea | .... | sound editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| V. Renee Taylor | .... | first assistant sound editor | |
Camera and Electrical Department | |||
| Luca Carena | .... | second assistant camera | |
| Hae-kyung Chung | .... | electric intern | |
| Kiely Cronin | .... | second assistant camera | |
| Egor Davidoff | .... | additional second assistant camera | |
| Kirill Davidoff | .... | first assistant camera | |
| Taj Gombart | .... | second assistant camera | |
| Ángel González | .... | third electrician | |
| Dean Hayasaka | .... | gaffer | |
| Dean Jackson | .... | dolly grip | |
| Dean Jackson | .... | key grip (as Dean T. Jackson) | |
| Tony St. John | .... | camera operator | |
| Gabor Szitanyi | .... | still photographer | |
| Kristen Wheeler | .... | third grip | |
| Kerrec 'K-Man' Williams | .... | best boy electric | |
Casting Department | |||
| Shawn Haynes | .... | extras casting | |
| Stacey Winkler | .... | casting intern | |
Costume and Wardrobe Department | |||
| Michelle Arthur | .... | assistant costume designer | |
Editorial Department | |||
| Fergus Grant | .... | apprentice editor | |
| Niall Grant | .... | apprentice editor | |
| Philip Harrison | .... | apprentice editor | |
| Phillip Harrison | .... | apprentice editor | |
| Sakae Ishikawa | .... | first assistant editor | |
| Brian A. Kates | .... | second assistant editor | |
| Erik McLane | .... | apprentice editor (as Eric McLane) | |
| Ray Morfino | .... | color timer | |
| Mark V. Phillips | .... | dailies assistant editor | |
| Eileen Schreiber | .... | editing room assistant | |
| Susan Strine | .... | editing room assistant | |
| Julie Wilde | .... | apprentice editor (as Julie Stalker-Wilde) | |
Music Department | |||
| Carol Sue Baker | .... | music supervisor | |
| Brendan Dolan | .... | composer: department store music | |
| William Ewart | .... | music supervisor | |
| Ed Tomney | .... | musician | |
Other crew | |||
| Brent M. Becker | .... | production accountant | |
| Alan Botvinick | .... | assistant production coordinator | |
| V.S. Brodie | .... | technical production assistant | |
| J. Robert Brown | .... | assistant production coordinator | |
| Catherine Budh-raja | .... | location assistant | |
| Sheralyn Bundy-Morrow | .... | researcher | |
| Rachel Cunningham | .... | production assistant | |
| Jeffrey L. Davidson | .... | location manager | |
| Reeve Howard | .... | technical production assistant | |
| Linda Krantz | .... | key set production assistant | |
| Paige Litz | .... | production assistant | |
| John Morrisseau | .... | key set production assistant | |
| Sean O'Connell | .... | craft service (as Sean Paul O'Connell) | |
| Lisa Riznikove | .... | production coordinator | |
| Kat Slater | .... | assistant to director (as Christina Peters) | |
| Barbara Tuss | .... | script supervisor | |
| Guinevere Turner | .... | adr loop group (uncredited) | |
Thanks | |||
| Karim Ainouz | .... | thanks | |
| Joe Alfano | .... | thanks | |
| Jeff Arnoni | .... | thanks (as Jeff Arnone) | |
| David Azzoto | .... | thanks (as Dave Azzato) | |
| M. Sean Bailey | .... | thanks | |
| Michael Balais | .... | thanks | |
| Jeremy Barnett | .... | thanks | |
| Scott Bauman | .... | thanks | |
| Steven J. Brandman | .... | thanks (as Steve Brandman) | |
| Barbara Bubla | .... | thanks | |
| Linda Cassidy | .... | thanks | |
| Melanie Chapman | .... | thanks | |
| Terry Chin | .... | thanks | |
| Ann Christensen | .... | thanks | |
| Adam Chuck | .... | thanks | |
| Jim Coen | .... | thanks | |
| Lisa Cohen | .... | thanks | |
| Richard Croul | .... | thanks | |
| Phil Diaz | .... | thanks | |
| Brendan Dolan | .... | thanks | |
| Phelim Dolan | .... | thanks | |
| Allen Edwards | .... | thanks | |
| Peter Friedman | .... | thanks | |
| Joyce George | .... | thanks | |
| Eloisa Godoy | .... | thanks | |
| Kathy Goldberg | .... | special thanks | |
| Nicki Goldstein | .... | special thanks | |
| Jorge Gonzales | .... | thanks | |
| J. Scott Grant | .... | special thanks | |
| Tjmder Grewal | .... | special thanks | |
| Bob Hadler | .... | special thanks | |
| Benjamin Harris | .... | special thanks (as Benji Harris) | |
| Benjamin Harris | .... | thanks (as Benji Harris) | |
| Melody Hinkell | .... | special thanks | |
| Neil Hobbs | .... | special thanks | |
| Dawn Hudson | .... | special thanks | |
| Sally Iorillo | .... | special thanks | |
| Sakae Ishikawa | .... | special thanks | |
| Eliana Jantz | .... | special thanks | |
| Chuck Jones | .... | special thanks | |
| Tom Kalin | .... | special thanks | |
| Derrick Kardos | .... | special thanks | |
| Lynda Klein | .... | special thanks | |
| Karl Kresser | .... | special thanks (as Carl Kresser) | |
| Bob Lee | .... | special thanks | |
| Dylan Leiner | .... | special thanks | |
| Bill Lennert | .... | special thanks | |
| Patrick Lyons | .... | special thanks | |
| Dane Marble | .... | special thanks | |
| Lily Marnell | .... | special thanks | |
| Jan Mason | .... | special thanks (as Ray & Jan Mason) | |
| Ray Mason | .... | special thanks (as Ray & Jan Mason) | |
| Byrd McDonald | .... | special thanks | |
| Ellis Mercantile | .... | special thanks | |
| Camdon Morse | .... | special thanks | |
| Dave Niles | .... | special thanks | |
| Susan Norman | .... | special thanks | |
| Michael Nusinow | .... | special thanks | |
| Dean O'Brien | .... | special thanks | |
| Jerry Ott | .... | special thanks | |
| Craig Paull | .... | special thanks | |
| Paulo Pausic | .... | special thanks | |
| Kevin Pensanti | .... | special thanks | |
| Michelle Peters | .... | special thanks | |
| Steven Peters | .... | special thanks | |
| Sharon Pillon | .... | special thanks | |
| Tom Porcaro | .... | special thanks | |
| Marten Rabarts | .... | special thanks | |
| Dean Ramser | .... | special thanks | |
| Jacob Ribicoff | .... | special thanks | |
| George Ricci | .... | special thanks | |
| Ann Ruark | .... | special thanks | |
| Gerry Sanseviero | .... | thanks (as Geraldine Sivero) | |
| Gladys Saunders | .... | special thanks (as Gladys & Julian Saunders) | |
| Julian Saunders | .... | special thanks (as Gladys & Julian Saunders) | |
| Cynthia Schneider | .... | special thanks | |
| Mort Schrag | .... | thanks | |
| Gerges Scott | .... | thanks | |
| Hillary Selvin | .... | thanks | |
| Mark Shoatz | .... | thanks | |
| Mary Jane Skalski | .... | thanks | |
| Mike Stevens | .... | thanks | |
| Craig Stevenson | .... | thanks | |
| David Suber | .... | thanks | |
| Daniel Sudit | .... | thanks | |
| Guinevere Turner | .... | thanks | |
| Mark Van Horne | .... | thanks | |
| Filberto Vasquez | .... | thanks | |
| Alex Wengert | .... | thanks | |
| Patricia White | .... | thanks | |
| Teresa Wilson | .... | thanks | |
| Stacey Winkler | .... | thanks | |
| Bill Winters | .... | thanks | |
| Mark Young | .... | thanks | |
| Rhonda Zwillinger | .... | thanks | |
|
|
|
|
|
| Donnie Darko | Outbreak | The Eyes of Van Gogh | The Howling | The Singing Detective |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb UK section |
| Add this title to MyMovies |
This is my very favorite movie, one of the scariest I've ever seen. The alienation and isolation of the suburbs come across beautifully in this film. Car culture and sprawl definitely contribute to the empty feeling one receives from following this story of a rich suburban housewife's allergic reaction to her vapid life. The mood and statement of the film are epitomized by the scene in which Carol is driving alone on the freeway, going into convulsions from "the fumes", all while the scratchy radio produces mundane religious babble. Ironically, she pulls off the road and is "saved" by the confines of a parking garage. How appropriate based upon the pigheaded tendency for urban planners to say, "Boy, this traffic is horrible, what do we do about it? I know! We'll build more parking garages!" The scratchy babble of religious radio in the scene indicates the hypocritical irrelevance of spirituality when it exists as part of a alienated consumer-driven, environmentally-destructive society. Religion, particularly the new-age movement seems to parallel the suburbs in its pretty blandness and emergence as a way for capitalists to try to redeem their souls/family life after destroying society (eg the inner city). New age and suburbia combine when Carol goes to Wrenwood (a place even more sterile and removed from reality than Carol's suburb), a healing retreat for people with environmental illness. Despite a lot of fluffy, positive talk on behalf of an AIDS victim guru, Carol's physical and spiritual condition only decline at Wrenwood--she becomes more and more like Lester, the faceless guy in the white suit (the perfect new age suburbanite) who is afraid of everything and is expected to die based on that fear.