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Leaving Las Vegas
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Leaving Las Vegas (1995)

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User Rating: 7.6/10 (32,508 votes)
Photos (see all 35 | slideshow)

Overview

Director:
Mike Figgis
Writers:
John O'Brien (novel)
Mike Figgis (screenplay)
Release Date:
27 October 1995 (USA) more
Genre:
Drama | Romance more
Plot:
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera. full summary | add synopsis
Awards:
Won Oscar. Another 25 wins & 17 nominations more
NewsDesk:
(18 articles)
Cage Confronts Prowler Inside Home (From WENN. 3 October 2007)
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User Comments:
Leaving My Senses perhaps . . . but there's more here than meets the eye. more

Cast

 (Cast overview, first billed only)

Nicolas Cage ... Ben Sanderson

Elisabeth Shue ... Sera

Julian Sands ... Yuri
Richard Lewis ... Peter

Steven Weber ... Marc Nussbaum
Kim Adams ... Sheila

Emily Procter ... Debbie
Stuart Regen ... Man at Bar

Valeria Golino ... Terri
Graham Beckel ... L.A. Bartender
Al Henderson ... Man at Strip Bar
Shashi Bhatia ... Hispanic Prostitute

Carey Lowell ... Bank Teller
Anne Lange ... Business Colleague

Thomas Kopache ... Mr. Simpson
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Create a character page for: ?

Additional Details

Also Known As:
Leaving Las Vegas (France)
more
MPAA:
Rated R for strong sexuality and language, violence and pervasive alcohol abuse.
Runtime:
111 min
Country:
USA | UK | France
Language:
English | Russian
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby
MOVIEmeter: ?
^ 7% since last week why?

Fun Stuff

Trivia:
The movie that Ben and Sera are watching when they lie by the pool at the Desert Hotel is The Third Man (1949). more
Goofs:
Continuity: When supposed to be playing blackjack, Ben and Sera are sitting at a Caribbean Stud Poker table. more
Quotes:
Terri: Maybe you shouldn't drink so much.
Ben Sanderson: Maybe I shouldn't breathe so much Terri. HIHI!
more
Movie Connections:
References Apocalypse Now (1979) more
Soundtrack:
My One and Only Love more

FAQ

This FAQ is empty. Add the first question.
49 out of 68 people found the following comment useful:-
Leaving My Senses perhaps . . . but there's more here than meets the eye., 7 June 2005
10/10
Author: Bill Stoll (bill@billstoll.com) from Tampa FL

I've seen this film 5 or 6 times. It occurred to me on the last viewing that it could be the ultimate Touched by an Angel – Ben's time in Las Vegas, that is. I believe author John O'Brien thought he was living through a hallucination in the final throes of his diseased life.

The possibility rises out of several conspicuous dynamics in the film.

First, that Ben's life was invested developing Hollywood drama prior to being dismissed by his boss, who will clearly miss his talent and personality in the office, a talent singularly broken by the ravages of alcoholism. He is good at inventing and developing "story". If his occupation had been Investment Banking or Teaching, I'd feel differently. But John O'Brien bore him with a Hollywood mind. That lit the flame for me.

That Ben repeatedly calls Sera his angel during his demise - as he enjoys the best of - and endures the worst of - Las Vegas living. It is possible that all of it is a hallucination during the final pathetic act of his life. The invention of Sera makes his passing bearable, doable, a possible goal for him.

That Sera endures the college team horrors, discuses her relationship with the off-camera therapist to whom she confesses her soul-deep love for Ben ... even the problems with her pimp and landlord constitute deep back story in the mind of a man with a talent for such invention, desperate to flesh out the reasons why this angel will escort him to the next world. In my last analysis, she is an angel divined in his fertile mind to embody all of the good people and events in his life (the wealth flashback memories, e.g.). Sera has come to take him out while steeling the love in his heart. She sees him for what he is, because that's what responsible angels do.

This is a work with metaphor far beyond the veneer of the surface dialog. It's a film demanding to be viewed more than once. Or perhaps, I'm just going nuts, have lost it and I'm hallucinating in my own right.

Either way, enjoy. 10 out of 10.

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