|
| Bernie Brillstein | .... | executive producer (96 episodes, 1995-1999) |
| Brad Grey | .... | executive producer (96 episodes, 1995-1999) |
| Paul Simms | .... | executive producer (96 episodes, 1995-1999) |
| Julie Bean | .... | associate producer / co-producer (94 episodes, 1995-1999) |
| Josh Lieb | .... | supervising producer / co-executive producer / ... (80 episodes, 1995-1999) |
| Drake Sather | .... | producer / supervising producer / ... (76 episodes, 1996-1999) |
| Joe Furey | .... | supervising producer / co-executive producer / ... (68 episodes, 1995-1998) |
| Kent Zbornak | .... | producer (68 episodes, 1996-1999) |
| Jeffrey L. Goldstein | .... | associate producer (66 episodes, 1995-1998) |
| Brian Kelley | .... | co-producer (45 episodes, 1996-1998) |
| Lewis Morton | .... | co-producer (45 episodes, 1996-1998) |
| Alan J. Higgins | .... | co-producer / supervising producer (44 episodes, 1997-1999) |
| Sam Johnson | .... | co-executive producer / co-producer (44 episodes, 1997-1999) |
| Chris Marcil | .... | co-executive producer / co-producer (44 episodes, 1997-1999) |
| Bruce Rand Berman | .... | coordinating producer / associate producer (29 episodes, 1995-1997) |
| Orit Schwartz | .... | associate producer (22 episodes, 1997-1998) |
| Kell Cahoon | .... | producer (22 episodes, 1998-1999) |
| Tom Saunders | .... | producer (22 episodes, 1998-1999) |
| Brad Isaacs | .... | co-executive producer (16 episodes, 1995-1997) |
| Todd 'Spider' Chambers | .... | associate producer (9 episodes, 1999) |
| Barbara O'Connell | .... | associate producer (9 episodes, 1999) |
| Annette Sahakian Davis | .... | coordinating producer (8 episodes, 1996) |
| Eileen Conn | .... | supervising producer (6 episodes, 1995-1997) |
| Andrew Gordon | .... | supervising producer (6 episodes, 1995-1997) |
| Barbara Dorio | .... | producer (6 episodes, 1995) |
| Holli Gailen | .... | associate producer post (6 episodes, 1995) |
| Mark Grossan | .... | producer (5 episodes, 1995-1997) |
| |
|
| Robert Gagnier | .... | first assistant camera (97 episodes, 1995-1999) |
| Michael E. Little | .... | camera operator (97 episodes, 1995-1999) |
| Robert G. Lestak | .... | grip (90 episodes, 1995-1999) |
| Joey Alvarado | .... | gaffer (45 episodes, 1996-1998) |
| Paul Ferrara | .... | key grip (45 episodes, 1996-1998) |
| Pete G. Papanickolas | .... | key grip (22 episodes, 1998-1999) |
| Philip N. Berardi | .... | gaffer (10 episodes, 1998) |
| Rik Montgomery | .... | gaffer (9 episodes, 1999) |
| Ben Batzdorff | .... | gaffer (6 episodes, 1995) |
| Marge Mullen | .... | camera coordinator (6 episodes, 1995) |
| William Ford | .... | gaffer (3 episodes, 1999) |
|
| Dan Hofstad | .... | electrician (unknown episodes, 1998) |
| David French | .... | best boy grip (unknown episodes) |
| Henry Minski | .... | assistant camera (unknown episodes) |
| Leslie Otis | .... | first assistant camera (unknown episodes) |
| Dave Perkal | .... | assistant camera (unknown episodes) |
| Bruce Sharp | .... | electrician (unknown episodes) |
| |
|
| Pittard Sullivan Fitzgerald | .... | title designer: main titles / title designer (96 episodes, 1995-1999) |
| Billy Pittard | .... | title designer: main titles / title designer (96 episodes, 1995-1999) |
| Lynn Souza | .... | production accountant (85 episodes, 1995-1999) |
| Judi Elterman | .... | technical coordinator (83 episodes, 1995-1999) |
| Susan Leslie | .... | script coordinator (81 episodes, 1995-1999) |
| Barbara O'Connell | .... | production staff / production coordinator (75 episodes, 1995-1999) |
| Robert Spina | .... | script supervisor (70 episodes, 1995-1999) |
| Jonathan Glabman | .... | script coordinator / production staff (65 episodes, 1995-1998) |
| Richard Harris | .... | production staff (60 episodes, 1996-1999) |
| Orit Schwartz | .... | production coordinator / production staff (51 episodes, 1995-1997) |
| Mike Hileman | .... | production staff (45 episodes, 1996-1998) |
| Manny Mena | .... | production staff (45 episodes, 1996-1998) |
| Stephanie Chambers | .... | production staff (44 episodes, 1997-1999) |
| Brad Copeland | .... | production staff / script coordinator (44 episodes, 1997-1999) |
| Marisa Tambornini | .... | production staff / production coordinator (44 episodes, 1997-1999) |
| Chris Marcil | .... | executive story editor / story editor (43 episodes, 1995-1997) |
| Todd 'Spider' Chambers | .... | production staff / post supervisor / ... (36 episodes, 1995-1999) |
| Alan J. Higgins | .... | executive story editor / story editor (30 episodes, 1996-1997) |
| Sam Johnson | .... | executive story editor / story editor (30 episodes, 1996-1997) |
| Joe Furey | .... | executive consultant / story editor (28 episodes, 1995-1999) |
| Nick Koskoff | .... | production staff (28 episodes, 1995-1997) |
| Josh Belson | .... | production staff (23 episodes, 1996-1997) |
| Dawn DeKeyser | .... | story editor (22 episodes, 1995-1997) |
| Sandra Paige Eustis | .... | script supervisor (22 episodes, 1995-1997) |
| Mark Frederickson | .... | production staff (22 episodes, 1995-1997) |
| Peggy Illman | .... | production staff (22 episodes, 1995-1997) |
| Lewis Morton | .... | story editor (22 episodes, 1995-1997) |
| Cathy Reinking | .... | production staff (22 episodes, 1995-1997) |
| Rita VanderWaal | .... | production staff (22 episodes, 1995-1997) |
| Laura Gutin | .... | production staff (22 episodes, 1998-1999) |
| Chris Starr | .... | production staff (22 episodes, 1998-1999) |
| Margo Campillo | .... | production staff (21 episodes, 1998-1999) |
| Lesley Robins | .... | production staff (20 episodes, 1998-1999) |
| Brian Kelley | .... | story editor (17 episodes, 1995-1996) |
| Josh Lieb | .... | executive story editor / story editor (16 episodes, 1995-1997) |
| Leslie Caveny | .... | story editor (13 episodes, 1995-1996) |
| C.J. Arabia | .... | script supervisor / script coordinator (11 episodes, 1995-1998) |
| Hannah Cooper | .... | production staff (11 episodes, 1997) |
| Scott Devaney | .... | script coordinator (9 episodes, 1995-1997) |
| William Klug | .... | script coordinator (9 episodes, 1995-1997) |
| Joshua Baerwald | .... | production staff (8 episodes, 1995-1996) |
| Cara Coslow | .... | production staff (6 episodes, 1995) |
| Joanne Geller | .... | production staff (6 episodes, 1995) |
| Mark Lavine | .... | production coordinator (6 episodes, 1995) |
| Aaron Lemos | .... | production staff (6 episodes, 1995) |
| Emily Miller | .... | production staff (6 episodes, 1995) |
| Sandy Shimooka | .... | production staff (6 episodes, 1995) |
| Naama Ashkenazi | .... | production staff (5 episodes, 1995-1997) |
| Sonny P. Filippini | .... | script supervisor (5 episodes, 1995) |
| Dana De Vally Piazza | .... | technical coordinator (3 episodes, 1997-1998) |
| John Witmer | .... | technical coordinator (2 episodes, 1999) |
|
| J. Ryan | .... | production coordinator (unknown episodes, 1997-1999) |
| Kevan Jenson | .... | associate director (unknown episodes) |
| Phoef Sutton | .... | creative consultant (unknown episodes) |
| |
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): Bill McNeal frequently misattributes quotes to John Keats. In Season One, Episode 10, "Rat Funeral," Hartman attributes the line "Gather ye rosebuds while ye may..." to Keats; the line is actually from "To the Virgins, to Make Most of time" written by Robert Herrick. In Season Two, Episode 11, "Station Sale," Hartman attributes the line "Yours is not to reason why, yours is but to do and die;" to John Keats, 1776; Hartman's version is actually slightly adapted from Alfred, Lord Tennyson's "Charge of the Light Brigade" published in 1870.
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I have to say, I really didn't get into this show until A&E started showing it in reruns. I really miss the fact that there are no new shows that will ever come because NBC didn't have the foresight to place it on its Thursday night lineup. In that time slot it would have easily outpaced such dogs as Veronica's closet even without Phil Hartman (I raise my glass to you sir).
While Phil Hartman was truly the glue to the show, it did start to make a recovery after the writers and Lovitz started to make some sense of what to do with his character (I think it might have been good to use him as his original role as a mental patient).
I think Steven Root's character was possibly the greatest TV boss in history. He was nuts! If you think that his character was little unrealistic for a multi billionaire, just look at the owner of the Dallas Mavericks, Mark Cuban. I was glad to see him again in the movies in "Oh Brother, Where Art Thou?"
The writing was always fresh. The actors were all perfect for the role's they played (I am NOT an Andy Dick fan, but he even worked in this show). The humor was sometimes understated, sometimes slapstick, but always funny.