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Pablo Neruda (poems)
Anna Pavignano (writer)
(more)
14 June 1995 (USA) more
Dreams do come true. more
Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice. full summary | full synopsis
Won Oscar. Another 21 wins & 10 nominations more
Radford Halts Shooting On La Mula
(From WENN. 3 November 2009, 2:01 PM, PST)
No More Mulling Over Radford's La Mula
(From ioncinema. 8 June 2009)
Better than most all American romances. more (95 total)
| Philippe Noiret | ... | Pablo Neruda | |
| Massimo Troisi | ... | Mario Ruoppolo | |
| Maria Grazia Cucinotta | ... | Beatrice Russo | |
| Renato Scarpa | ... | Telegrapher | |
| Linda Moretti | ... | Donna Rosa | |
| Sergio Solli | |||
| Carlo Di Maio | |||
| Nando Neri | |||
| Vincenzo Di Sauro | |||
| Orazio Stracuzzi | |||
| Alfredo Cozzolino | |||
| Mariano Rigillo | ... | Di Cosimo | |
| Anna Bonaiuto | ... | Matilde | |
| rest of cast listed alphabetically: | |||
| Simona Caparrini | ... | Elsa Morante (uncredited) | |
Directed by | |||
| Michael Radford | |||
Writing credits(in alphabetical order) | ||
| Pablo Neruda | poems | |
| Anna Pavignano | writer | |
| Michael Radford | writer | |
| Furio Scarpelli | screenplay | |
| Furio Scarpelli | story | |
| Giacomo Scarpelli | screenplay | |
| Giacomo Scarpelli | story | |
| Antonio Skármeta | novel "Ardiente Paciencia" | |
| Massimo Troisi | writer | |
Produced by | |||
| Mario Cecchi Gori | .... | producer | |
| Vittorio Cecchi Gori | .... | producer | |
| Gaetano Daniele | .... | producer | |
| Alberto Passone | .... | executive producer | |
Original Music by | |||
| Luis Enríquez Bacalov | (as Luis Bacalov) | ||
Cinematography by | |||
| Franco Di Giacomo | |||
Film Editing by | |||
| Roberto Perpignani | |||
Production Design by | |||
| Lorenzo Baraldi | |||
Costume Design by | |||
| Gianna Gissi | |||
Makeup Department | |||
| Alfredo Marazzi | .... | makeup artist | |
| Simone Marazzi | .... | makeup artist | |
| Ferdinando Merolla | .... | hair stylist | |
| Léone Noël | .... | makeup artist | |
| Angelo Vannella | .... | hair stylist | |
Production Management | |||
| Federico Foti | .... | unit manager | |
| Vincenzo Testa | .... | production manager | |
| Raffaele Veneruso | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Gaia Gorrini | .... | assistant director | |
| Stefano Veneruso | .... | second assistant director | |
Art Department | |||
| Laura Casalini | .... | assistant production designer | |
| Roberto Magagnini | .... | lead person | |
| Riccardo Passanisi | .... | property master | |
| Luigi Sergianni | .... | construction manager | |
Sound Department | |||
| Paolo Amici | .... | sound effects | |
| Tullio Arcangeli | .... | sound effects | |
| Vince Caro | .... | sound recording engineer | |
| Giulio De Angeli | .... | sound effects (as Giulio D'Angeli) | |
| Franco Finetti | .... | sound | |
| Saverio Lancia | .... | sound effects | |
| George A. Lara | .... | foley mixer | |
| Massimo Loffredi | .... | sound | |
| Ettore Mancini | .... | boom operator | |
| Ezio Marcorin | .... | sound editor | |
| Ezio Marcorin | .... | sound effects | |
| Daniele Masini | .... | sound effects | |
| Nicoletta Negri | .... | dubbing assistant | |
| Augusto Penna | .... | sound effects | |
| Alessandra Perpignani | .... | sound supervisor | |
| Paolo Pucci | .... | sound effects editor | |
| Angelo Raguseo | .... | sound re-recording mixer | |
| Roberto Sterbini | .... | sound effects | |
| Marco Streccioni | .... | sound re-recording mixer | |
| Fabio Venturi | .... | sound | |
Costume and Wardrobe Department | |||
| Yvette Bonnay | .... | wardrobe | |
| Alberta Ceccarelli | .... | wardrobe | |
| Rita Cirilli | .... | wardrobe | |
| Luciana Morosetti | .... | assistant costumer | |
Editorial Department | |||
| Stefano Giovannini | .... | color technician | |
| Lidia Pascolini | .... | assistant editor | |
| Rita Triunveri | .... | assistant editor | |
Music Department | |||
| Luis Enríquez Bacalov | .... | conductor (as Luis Bacalov) | |
Other crew | |||
| Bruno Alessandro | .... | voice dubbing: Philippe Noiret | |
| Rodolfo Bianchi | .... | dubbing director | |
| Cristiana Caimmi | .... | publicist | |
| Anna Cenciarelli | .... | administrator | |
| Elide Cortesi | .... | script supervisor | |
| Marco Mattei | .... | cashier | |
| Marco Mattei | .... | payroll clerk | |
| Gianluca Passone | .... | production secretary | |
| Flavio Tallone | .... | production secretary | |
| Alfredo Veneruso | .... | production secretary | |
| David H. Kramer | .... | adr loop group (uncredited) | |
Thanks | |||
| Massimo Troisi | .... | dedicatee | |
Il Postino: The Postman (UK) (USA)
Le facteur (France)
more
Rated PG for mild thematic elements.
108 min
Color (Eastmancolor)
1.66 : 1 more
Iceland:L | South Korea:All | Peru:PT | Argentina:Atp | Australia:G | Chile:14 | Finland:S | Germany:o.Al. | Netherlands:AL | Portugal:M/12 | Spain:7 | Sweden:11 | UK:U | USA:PG | Singapore:PG
Pollara, Salina Island, Aeolian Islands, Messina, Sicily, Italy more
This is a remake of Ardiente paciencia (1983), a film directed by Antonio Skármeta, the exiled Chilean author of the original source novel. more
Mario Ruoppolo: If you make this much of a fuss about one poem, you're never going to win that Nobel Prize. more
Featured in Poetry, Passion, the Postman: The Poetic Return of Pablo Neruda (1996) (TV) more
If You Forget Me more
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| Ardiente paciencia | La grande strada azzurra | Captain Corelli's Mandolin | Respiro | Le notti di Cabiria |
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"Il Postino" is a movie that received oodles of critical acclaim upon its release in 1994. While I don't think it was as good as advertised, I understand why it received such praise. In a movie world that is filled with dry and unamusing romance stories, "Il Postino" is a relatively lush and beautiful tale.
The plot is fairly simple but loaded with subtleties that allow, even encourage, multiple viewings. Mario (Massimo Troisi) longs for something more than his simple fisherman life on an Italian island, so he takes a small job as a postman, delivering mail to famed romantic poet Pablo Neruda (Phillipe Noiret), who is living in exile on the same island. Over time, they develop a relationship that is based on Neruda aiding Mario in wooing his beloved Beatrice (Maria Grazia Cucinotta).
The final act is where the film makes the leap from well-made standard fare to something greater. With a couple plausible plot developments, characters and relationships are deepened beyond a basic love story, to a place that accents everything that happens leading up to that point. I can't say much else without giving things away, but stick with the movie to the end, even if you're dragging midway through.
As you might expect from an Italian film, "Il Postino" has a very European feel. The passion of Italy is present throughout, explained through lifestyles, literal and metaphorical imagery, and the emotions of the characters. The setting is far from the bustling dollar-driven society in which Americans dwell, and a movie like this wouldn't get made in America, because the cultures are drastically different.
The film's star, Massimo Troisi, is excellent. He embodies everyman qualities exceptionally, similar to Tom Hanks, yet with more...something. Soul perhaps? He, like the entire film, is just more European, and I hope you understand what I mean by that. Noiret portrays Neruda perfectly, expressing his romantic ways through both words and actions. Everyone else is very good, although no one stands out; the overall anonymity of the cast aids the viewer in establishing culture as well.
The cinematography and the scenery it presents is often breathtaking, although not in the sweeping manner of something like The Lord of the Rings. Rather, cinematographer Franco Di Giacomo wisely chose to let the pictures speak for themselves. The elegant cliffs, white-capped waves, and rolling topography of the island gently yet firmly frame and support the story. A straight-forward tale should have suitable pictures, and "Il Postino" meets that requirement.
The film is touted as a romantic comedy, and it is, although not in the traditional sense. The comedy isn't slapstick and won't elicit bushels of laughter. But there is an underlying sense of humor laced through the whole movie, often in simple movements, tasks, or occurrences.
All of this combines to present something like a fairy tale replete with Italian heart and soul. "Il Postino" won't blow you away, but its tender lessons about life, love, and friendship will stick with you for some time, urging another viewing.
Bottom Line: A very European romance that is better than most anything Hollywood can conjure up. 8/10.
(If you like the film, get the Collector's Edition DVD; it's quite good.)