| Photos (see all 2 | slideshow) |
| Rüdiger Vogler | ... | Phillip Winter | |
| Patrick Bauchau | ... | Friedrich Monroe | |
| Vasco Sequeira | ... | Truck Driver | |
| Canto e Castro | ... | Barber | |
| Viriato Jose da Silva | ... | Shoemaker | |
| João Canijo | ... | Crook | |
| Ricardo Colares | ... | Ricardo | |
| Joel Cunha Ferreira | ... | Zé | |
| Sofia Bénard da Costa | ... | Sofia | |
| Vera Cunha Rocha | ... | Vera | |
| Elisabete Cunha Rocha | ... | Beta | |
| Teresa Salgueiro | ... | Herself (Madredeus) | |
| Pedro Ayres Magalhães | ... | Himself (Madredeus) | |
| Rodrigo Leão | ... | Himself (Madredeus) | |
| Gabriel Gomes | ... | Himself (Madredeus) | |
| José Peixoto | ... | Himself (Madredeus) | |
| Francisco Ribeiro | ... | Himself (Madredeus) | |
| Manoel de Oliveira | ... | Himself |
Directed by | |||
| Wim Wenders | |||
Writing credits(in alphabetical order) | ||
| Wim Wenders | writer | |
Produced by | |||
| Paulo Branco | .... | producer | |
| João Canijo | .... | line producer | |
| Ulrich Felsberg | .... | producer | |
| Wim Wenders | .... | producer | |
Original Music by | |||
| Jürgen Knieper | |||
| Madredeus | |||
Cinematography by | |||
| Lisa Rinzler | |||
Film Editing by | |||
| Peter Przygodda | |||
| Anne Schnee | |||
Art Direction by | |||
| Zé Branco | |||
Second Unit Director or Assistant Director | |||
| Isabel Aboim | .... | trainee assistant director | |
| José Maria Vaz da Silva | .... | assistant director | |
Art Department | |||
| Fernando Assunção | .... | assistant art director | |
Sound Department | |||
| André Bendocchi-Alves | .... | sound editor | |
| Hartmut Eichgrün | .... | sound mixing engineer | |
| Claudia Froehlich | .... | foley editor | |
| Hans-Walter Kramski | .... | foley artist (as Hans W. Kramski) | |
| Pedro Melo | .... | boom operator | |
| Vasco Pimentel | .... | sound recording engineer | |
| Evelyn Schmidt | .... | adr editor | |
Special Effects by | |||
| Jaime Brito | .... | special effects | |
Visual Effects by | |||
| Morten McAdams | .... | optical effects | |
| Frank Schlegel | .... | optical effects | |
Camera and Electrical Department | |||
| João 'Musga' Carlos Aguiar | .... | gaffer | |
| Mário Castanheira | .... | head gaffer | |
| Andreas Giesecke | .... | assistant camera | |
| Andreas Giesecke | .... | camera operator: second unit | |
| João Guerra | .... | assistant camera | |
| Paulo Miranda | .... | key grip | |
Editorial Department | |||
| Oli Weiss | .... | assistant editor | |
Other crew | |||
| Paulo Barbosa | .... | runner | |
| Yael Bitton | .... | continuity | |
| Fernanda Costa | .... | accountant | |
| Catherine Coste | .... | production coordinator | |
| Andrea Gebert | .... | accountant | |
| Steffi Hiller | .... | production administrator | |
| Marco Martins | .... | production assistant | |
| João Montalverne | .... | location manager | |
| Luísa Perestrello | .... | production administrator | |
| Daniele Pfennigs | .... | assistant to producer | |
| Jörn Poetzl | .... | footsteps | |
| Paula Ribas | .... | production secretary | |
| Donata Wenders | .... | story editor | |
| Recent Posts (updated daily) | User |
|---|---|
| i would give an arm and a leg for the soundtrack... | brunzkachel |
| Where can I buy this film? | artemisia8848 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Germany section | Add this title to MyMovies |
This film is Wim Wenders' own anti-Wenders movie, a self-commentary on (even great) overblown moviemaking. After years of making increasingly larger and more grandiose (though excellent) films, with Lisbon Story, Wenders has made a film as much about quiet and reflection as about image.
It's a refreshing exception to most of film as a media, which is driven almost entirely by image, and sometimes leaves our other senses by the wayside.
Seen through the eyes (or more rather heard through the ears) of the main character (a sound and sound effects engineer) we hear, see, and feel Lisbon.
And we see that Wim Wenders can make a small and intimate movie as well as Until the End of the World. This film is slow by Hollywood standards, but slow like a long soak in a hot tub, not something you would want to go any faster.