Immortal Beloved (1994)

User Rating:

7.2/10   

Director:

Bernard Rose

Writer (WGA):

Bernard Rose (written by)

Release Date:

6 January 1995 (USA)

Genre:

Biography | Drama | History | Music | Romance

Tagline:

The genius behind the music. The madness behind the man. The untold love story of Ludwig von Beethoven.

Plot:

The life and death of the legendary Ludwig van Beethoven. Beside all the work he is known for, the composer...

Plot Keywords:

Beethoven | Last Will | Love Letter | Composer | Letter

Cast

Gary Oldman	...	Ludwig van Beethoven
Jeroen Krabbé	...	Anton Felix Schindler
Isabella Rossellini	...	Anna Marie Erdödy
Johanna ter Steege	...	Johanna Reiss
Marco Hofschneider	...	Karl van Beethoven
Miriam Margolyes	...	Nanette Streicherová
Barry Humphries	...	Clemens Metternich
Valeria Golino	...	Giulietta Guicciardi
Gerard Horan	...	Nikolaus Johann van Beethoven
Christopher Fulford	...	Kaspar Anton Carl van Beethoven
Alexandra Pigg	...	Therese Obermayer
Luigi Diberti	...	Franz Josef Guicciardi
Michael Culkin	...	Jakob Hotscevar
Donal Gibson	...	Karl Holz
Matthew North	...	Young Karl van Beethoven

Runtime:

121 min

Country:

UK | USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS (8 channels) | Dolby Digital

Certification:

Iceland:12 | Canada:14A | South Korea:15 | Philippines:R-18 | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | Germany:12 | Portugal:M/12 | Singapore:NC-16 | Spain:T | Sweden:15 | UK:15 | USA:R

Filming Locations:

Kromeriz, Czech Republic

Company:

Icon Entertainment International

Trivia:

Anthony Hopkins was the original choice to play Beethoven.

Goofs:

Audio/visual unsynchronized: Beethoven plays Fur Elise for his nephew Karl, with his arms reaching around Karl's body, whilst Karl sits at the piano. There is no way Beethoven can reach the sustain pedal in this position, yet the piece is being correctly pedaled as we hear it played. Carl is not proficient enough to pedal for himself, let alone for another player, so it is not even an issue as to whether he may have been pedaling - he was not.

Quotes:

Ludwig van Beethoven: [Miss Guiccardi's first piano lesson. She is playing, poorly, a little minuet. She errs, and begins pounding on the keyboard, perhaps to gets some kind of reaction from Beethoven. He says nothing until he realizes she has stopped. He gives his critique] You think that because I do not stop you, that I am not listening.
[She sighs in agreeance]
Ludwig van Beethoven: The manner in which you thump out the notes without the slightest thought as to their meaning is unforgivable. And your lack of passion is unforgivable. I shall have to beat you.
[...]

Movie Connections:

References Citizen Kane (1941)

Soundtrack:

Piano Trio No. 4 in D Major, Op. 70, No. 1 'Ghost'

Oldman Brings Beethoven To Life

Ludwig van Beethoven was one of the greatest composers-- some would say THE greatest-- in the history of the world. But what of the man himself? His passions, his loves? The humanness behind the genius? `Immortal Beloved,' written and directed by Bernard Rose, examines the man behind the music in a dramatization focusing on the mystery behind a letter-- written by Beethoven-- found among his effects after his death in 1827. The letter bears no name or address, but was written to a woman to whom he refers as his `immortal beloved,' with nary a clue as to her identity. But in his final will, it is she to whom he bequeaths his estate, and it therefore falls to Beethoven's secretary, Anton Schindler (Jeroen Krabbe), to unravel the mystery and discover her identity. And as Schindler pursues his quest, a portrait of Beethoven, in his most human aspect, emerges. Reminiscent of the approach taken by Orson Welles with `Citizen Kane,' Rose presents a riveting study of the enigmatic genius that was Beethoven. He suggests a man driven by passion and ego, who was under appreciated during his lifetime (as great artists often are), and who grew bitter in the wake of the slings and arrows fate so surreptitiously hurled at him. The great irony of his life, of course, was the deafness that deprived him of the aural beauty of his own creation, an affliction Rose implies was brought about through the brutality of a drunken father who would beat his son about the head and ears (And in retrospect, what a testimony to his genius, that he could write such music in his head without ever hearing an actual note). As Beethoven, Gary Oldman gives an outstanding performance, one for which he should have received acclaim that somehow was never forthcoming. His ability to create a total character, with such incredible emotional depth as he does here, is astounding. It's puzzling as to why so many of his performances are overlooked, especially at Oscar time. Besides this film, consider his work in `Sid and Nancy,' or more recently in `The Contender.' He is simply a tremendous actor who has yet to have his day in the sun. As Beethoven, he so completely immerses himself in the character that his soul is veritably reflected in his eyes. You feel the silent world in which he was confined for most of his life, and it allows you to identify with the inner turmoil with which he had to cope and endure without respite. Most importantly, Oldman makes you feel that unabashed passion that motivated and drove Beethoven on. It's quite simply a remarkable performance. Turning in notable performances as well are Isabella Rossellini, as Anna Marie Erdody, one of the women in Beethoven's life who may or may not have been the one to whom the letter was intended, and Johanna ter Steege, as Johanna, Beethoven's sister-in-law and the mother of his beloved nephew, Karl (Marco Hofschneider). The supporting cast includes Miriam Margolyes (Nanette), Barry Humphries (Clemens), Valeria Golino (Giulietta), Gerard Horan (Nikolaus), Christopher Fulford (Casper), Alexandra Pigg (Therese) and Luigi Diberti (Franz). Beethoven's renown today, of course, exceeds even mythological proportions, which often facilitates the blending of fiction with fact. But with `Immortal Beloved,' whether or not the finer points are historically accurate or not is of little consequence, for at it's heart this is a love story that is engrossing drama that is altogether transporting. It's a memorable film, highlighted by Oldman's performance and, of course, the music. And there are a number of scenes, as well, that are unforgettable and demand mention. One depicting the debut performance of the `Ode to Joy,' and another in which the young Beethoven (played by Leo Faulkner) runs at night through the streets of the city to escape his drunken father (Fintan McKeown), coming at last to a lake, into which he wades to float on his back; and with the camera positioned directly above, looking down upon him, a billion stars are reflected in the water around him. Then slowly the camera pulls back until the young Ludwig blends with the reflected stars to seemingly take his place among all the brightest lights of the firmament. It's a scene that will leave you breathless and remain etched in your memory forever. And it's but one of the more astounding moments from an astounding motion picture that absolutely must not be missed. I rate this one 10/10.