| Photos (see all 5 | slideshow) | Videos |
| Michael J. Fox | ... | Daniel McTeague | |
| Kirk Douglas | ... | Uncle Joe McTeague | |
| Nancy Travis | ... | Robin Hunter | |
| Olivia d'Abo | ... | Molly Richardson | |
| Phil Hartman | ... | Frank | |
| Ed Begley Jr. | ... | Carl McTeague | |
| Jere Burns | ... | Glen | |
| Colleen Camp | ... | Patti | |
| Bob Balaban | ... | Ed | |
| Joyce Hyser | ... | Muriel | |
| Mary Ellen Trainor | ... | Nora McTeague | |
| Siobhan Fallon | ... | Tina | |
| Kevin McCarthy | ... | Bartlett | |
| Khandi Alexander | ... | Laura Densmore, P.I. | |
| Jonathan Lynn | ... | Douglas the Butler | |
| Francis X. McCarthy | ... | Daniel McTeague Sr. | |
| Tom Mason | ... | Actor | |
| Austin Pendleton | ... | Hotel Clerk | |
| Lowell Ganz | ... | TV Director | |
| Bea Soong | ... | Assistant TV Director | |
| Beau Byron | ... | Little Danny | |
| Ronnie Prettyman | ... | Little Carl | |
| Sean Babb | ... | Dennis | |
| Adam Hendershott | ... | Joe (9 years old) | |
| Eric Lloyd | ... | Joe (6 years old) | |
| Kirsten Dunst | ... | Jolene | |
| Lisa Bradley | ... | Joette | |
| Rita Gomez | ... | Yolanda the Maid | |
| John Lafayette | ... | Wayne | |
| Rich Barletta | ... | Beefy Scrap Yard Worker | |
| Vince Morton | ... | Uncle Vince at the Piano | |
| Chris Schenkel | ... | Himself |
Directed by | |||
| Jonathan Lynn | |||
Writing credits(WGA) | ||
| Lowell Ganz | (written by) & | |
| Babaloo Mandel | (written by) | |
Produced by | |||
| George Folsey Jr. | .... | executive producer | |
| David T. Friendly | .... | executive producer | |
| Brian Grazer | .... | producer | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Gabriel Beristain | |||
Film Editing by | |||
| Tony Lombardo | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| Victoria Paul | |||
Art Direction by | |||
| Dan Webster | |||
Set Decoration by | |||
| Anne H. Ahrens | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Felicity Bowring | .... | makeup department head | |
| Ken Diaz | .... | makeup artist | |
| Bron Roylance | .... | makeup artist: Michael J. Fox | |
Production Management | |||
| John J. Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Matthew H. Rowland | .... | second assistant director | |
| Jeffrey Wetzel | .... | first assistant director | |
Art Department | |||
| John Hammer Maxwell | .... | on-set dresser | |
| Lauren E. Polizzi | .... | set designer | |
| Jimmy Raitt | .... | property master | |
| Greg Sanger | .... | second lead man | |
| Greg Sanger | .... | set dresser | |
| Cheryl Tyre Smith | .... | set designer | |
| Chris Snyder | .... | construction coordinator | |
Sound Department | |||
| Anna Behlmer | .... | sound re-recording mixer | |
| Odin Benitez | .... | sound effects editor | |
| Mark DeSimone | .... | adr mixer | |
| Tommy Goodwin | .... | foley mixer | |
| Randall Guth | .... | assistant sound editor | |
| Michael Hilkene | .... | supervising sound editor | |
| Robert Morrisey | .... | first assistant sound editor | |
| Andy Nelson | .... | sound re-recording mixer | |
| Tom Perry | .... | sound re-recording mixer | |
| Troy Porter | .... | adr mixer | |
| Wolf Schmidt | .... | sound effects editor | |
| Dean St. John | .... | adr mixer | |
| Dan Zimmerman | .... | assistant sound editor | |
Special Effects by | |||
| Rocky Gehr | .... | special effects supervisor | |
Stunts | |||
| Charles Croughwell | .... | stunt coordinator | |
| Charles Croughwell | .... | stunt double: Mr. Fox | |
| Billy Morts | .... | stunt double | |
Camera and Electrical Department | |||
| Michael Alexonis | .... | grip | |
| Brian Bernstein | .... | assistant camera | |
| Ted Chu | .... | camera operator: "a" camera | |
| Peter Iovino | .... | still photographer | |
| Bob Leitelt | .... | rigging key grip | |
| Peter McAdams | .... | grip | |
| Michael K. O'Melia | .... | assistant chief lighting technician | |
| Charles Smith | .... | key rigging grip | |
| H. Mark Vuille | .... | gaffer | |
| Tom Wholey | .... | electrician | |
| Ron Wisnesky | .... | rigging gaffer | |
| Randy Nolen | .... | steadicam operator (uncredited) | |
Casting Department | |||
| Bianca Cioffi-Zaring | .... | casting associate | |
| Katie McCaffrey | .... | casting intern | |
Costume and Wardrobe Department | |||
| Terry Anderson | .... | costumer | |
| Vincent Lapper | .... | costumer | |
| Austin Meyers | .... | assistant costume designer | |
| Austin Myers | .... | assistant costume designer | |
| Taryn Walsh | .... | set costumer | |
Editorial Department | |||
| Christopher Kroll | .... | first assistant editor | |
Music Department | |||
| Thomas A. Carlson | .... | music editor | |
| Phil Marshall | .... | composer: additional music | |
| Bill Pearson | .... | music engineer | |
Other crew | |||
| Gregory Alpert | .... | assistant location manager | |
| Susan Bierbaum | .... | script supervisor | |
| Lee J. Bognar | .... | assistant: Kirk Douglas | |
| Joshua Deighton | .... | production assistant | |
| Ryan Folsey | .... | production assistant | |
| Edward Lynn | .... | production assistant | |
| Gary MacPherson | .... | assistant production coordinator | |
| Burke Mattsson | .... | title designer | |
| Mark C. Smith | .... | production assistant | |
| Kayla Thames | .... | location manager: re-shoots | |
| Janet L. Wattles | .... | production accountant | |
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| Lonesome Jim | Little Miss Sunshine | Little Fish | Say It Isn't So | The Big Lebowski |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Saw it before, and watched it again last night, even though I normally don't watch films twice. Period.
I think this is a brilliant film.
The humour in it is great, even though I knew what was coming. I mean: the fact that I remembered some of the lines from watching it a couple of years ago, while I can't remember what I had for dinner yesterday, speaks for itself. In my book anyway. :-)
Regardless of the comments, by others or myself, this film deserves a chance, so if you've never seen it I heartily recommend watching it. I'm (pretty) sure you'll love it.