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Disclosure
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Disclosure (1994) More at IMDbPro »

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Disclosure (1994) -- A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.

Overview

User Rating:
5.8/10   14,366 votes
MOVIEmeter: ?
Up 1% in popularity this week. See rank & trends on IMDbPro.
Director:
Barry Levinson
Writers (WGA):
Michael Crichton (novel)
Paul Attanasio (screenplay)
Contact:
View company contact information for Disclosure on IMDbPro.
Release Date:
9 December 1994 (USA) more
Genre:
Drama | Thriller more
Tagline:
sex is power
Plot:
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life. full summary | add synopsis
Awards:
1 win & 2 nominations more
NewsDesk:
(14 articles)
Film: Review: Obsessed
 (From The AV Club. 25 April 2009, 1:31 PM, PDT)

Two New Michael Crichton Novels Found
 (From Worst Previews. 7 April 2009, 12:30 PM, PDT)

User Comments:
Intellectual thriller about sex used as a tool for power. more

Cast

  (Cast overview, first billed only)

Michael Douglas ... Tom Sanders

Demi Moore ... Meredith Johnson

Donald Sutherland ... Bob Garvin

Caroline Goodall ... Susan Hendler

Roma Maffia ... Catherine Alvarez

Dylan Baker ... Philip Blackburn
Rosemary Forsyth ... Stephanie Kaplan
Dennis Miller ... Mark Lewyn

Suzie Plakson ... Mary Anne Hunter

Nicholas Sadler ... Don Cherry
Jacqueline Kim ... Cindy Chang
Joe Urla ... John Conley Jr

Michael Chieffo ... Stephen Chase
Joseph Attanasio ... Furillo
Faryn Einhorn ... Eliza Sanders
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Additional Details

MPAA:
Rated R for language.
Runtime:
128 min
Country:
USA
Language:
English
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Dolby Digital

Fun Stuff

Trivia:
Director Trademark: [Barry Levinson]Ralph Tabakin (Elevator Attendant) has appeared in every Levinson picture from Diner (1982) to Liberty Heights (1999). more
Goofs:
Errors in geography: When Tom is driving to the Bainbridge - Seattle ferry at the beginning of the movie (with the Mt. Rainier in the background), he's actually driving away from the ferry down a dead end road on the island. more
Quotes:
Philip Blackburn: It gets worse. His lawyer is Catherine Alvarez.
Bob Garvin: Oh, great. She'd change her name to "TV Listings" just to get it in the paper.
more
Movie Connections:
Featured in ... A Father... A Son... Once Upon a Time in Hollywood (2005) (TV) more

FAQ

This FAQ is empty. Add the first question.
14 out of 15 people found the following comment useful:-
Intellectual thriller about sex used as a tool for power., 16 May 2005
9/10
Author: BansheeCreature from The World Of Movies

Michael Doulgas and Demi Moore head this fine piece of work based on Michael Crichtons' novel. Douglas is Tom Sanders, a typical business man working with a fairly normal company. He is dark horse in the running for promotion, until Meredith Johnson(Moore) arrives. Meredith is an old fling, and she hasn't forgotten the past. When a desperate attempt to open old wounds, or relive steamy times goes awry, Meredith is sickened by Toms' monogamy, and wants revenge! Director Barry Levinson creates a brilliant conflict, which seems to grow heavy with each scene. The entire cast is phenomenal. Moore and Douglas are perfect in their roles, but the main attraction for my eyes, was the quick, smart, catchy performance of Catherine Alvarez by Roma Maffia. Film keeps a strong interest for the whole time, only lacking in some possible slow moments. Part of why the film works so well is the fact that Levinson keeps it intellectual, dealing with adults, and the way they handle these situations. Sex is not a crutch to use for the main stars, who, at the time, were rather big. Instead, sex is portrayed as the key power in the situation. Catherine Alvarez states in the film "Sexual harassment is not about sex, it's about power. She has it, you don't". Pretty catchy way to portray sexual harassment. Technology is later brought in as a power to...but why should I say anything more? See the film for yourself.

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