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In weiter Ferne, so nah! (1993)
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Overview
User Rating:
Release Date:
21 December 1993 (USA) morePlot:
A sequel to Wender's Der Himmel über Berlin (Wings of desire), it again follows a group of angels in... more | add synopsisAwards:
Nominated for Golden Globe. Another 3 wins & 3 nominations moreUser Comments:
A Wonderful Cinematic Experience moreCast
(Cast overview, first billed only)| Otto Sander | ... | Cassiel | |
| Bruno Ganz | ... | Damiel | |
| Nastassja Kinski | ... | Raphaela | |
| Martin Olbertz | ... | Dying man | |
| Aline Krajewski | ... | Raissa | |
| Monika Hansen | ... | Hanna / Gertrud Becker | |
| Peter Falk | ... | Himself | |
| Rüdiger Vogler | ... | Phillip Winter | |
| Heinz Rühmann | ... | Chauffeur Konrad | |
| Mikhail Gorbachev | ... | Himself | |
| Tilmann Vierzig | ... | Young Konrad | |
| Hanns Zischler | ... | Dr. Becker | |
| Antonia Westphal | ... | Young Hanna | |
| Ingo Schmitz | ... | Anton Becker | |
| Günter Meisner | ... | Forger |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
144 min | USA:140 minCountry:
GermanyAspect Ratio:
1.85 : 1 moreSound Mix:
DolbyFun Stuff
Trivia:
When Cassiel walks through the underground after becoming a human, there's a poster of Lou Reed in the background. Lou Reed plays himself in the movie. moreGoofs:
Continuity: After Cassiel meets Anton Becker and returns to Angelo's pizzeria, he meets Emit Flesti and Damiel puts his flour stained hands on Flesti's shoulder, leaving a white mark on the black suit. The next time we see Flesti, moments later, there is no white mark. moreQuotes:
Emit Flesti: Have you heard the prophecy? "In the Year of Hate, when all that is foreign is despised, dark riders will enter the harbor, seize the ship and everyone on it and sail them straight into hell"Cassiel: I know all prophecy, but not this one. You made it up.
Emit Flesti: What's the difference? It just happened.
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Speak My Language moreFAQ
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Although it has received mixed reviews by critics, this follow-u= p to "Der Himmel über Berlin" (1987) is a deeply moving and beautiful film. Wen= ders explores the polarities which exist in a newly unified Berlin and in so doing examines some of the polarities which exist in life itself. As "Cassiel," Otto Sander has given us another endearing Wenders protagonis= t who learns all too quickly about what life (and time) can present upon a= n individual. Laurent Petitgand's stunning musical score enhances the subl= ime images photographed by Jürgen Jürges. Although "Der Himmel über Be= rlin" (1987), is an almost mandetory pre-requisit, "In weiter Ferne, so nah!"= (1993) is a vastly different film which proves itself in its own right.= Cinema has produced many wonderful films over the past century or so, bu= t when looking at the various elements of film combined here, there is no other movie which touches me quite so positively, quite as deeply as thi= s one.