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A Dangerous Woman (1993) More at IMDbPro »

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6 out of 6 people found the following comment useful :-
Offbeat, provocative drama..., 2 July 2006

Author: moonspinner55 from redlands, ca

Debra Winger at her most mercurial, portraying a mildly retarded woman who becomes involved in a murder. This adaptation of Mary McGarry Morris' novel becomes prime material for director-extraordinare Stephen Gyllenhaal, an intense filmmaker who was creating quite a resume for himself in the mid-1990s before eventually turning to TV programs (our loss). This script has a messy structure and is hurt by an overload of hot-headed supporting characters, but Gyllenhaal is very sensitive to his protagonist, and magnetic Winger does remarkable, Oscar-worthy work. Incredible cast also includes Barbara Hershey, Gabriel Byrne, Chloe Webb, and Laurie Metcalf. Perfect viewing for audiences interested in something unusual and left of center. **1/2 from ****

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5 out of 5 people found the following comment useful :-
It was not as good as the book but good, 30 July 2004
Author: Kristinartist79 from Long Island

It was not as good as the book but at least the ending was more clear in the movie than in the book. Barbra Hershey is a great actress! She did a great job at the role she played, so did Martha (Debra). Although, in the book they described her as a girl with normal intelligence with a mental illness, the movie shows her as mentally challenged. So when I saw the movie, Martha was totally different than how I pictured her when I read the book. The story line was sad but interesting. Its interesting and touching to see how a girl could not lye even to save herself. What they did not mention in the story, which bugged me,was the fact that, Gesto was hurting Martha, which I thought could have made it self-defense. I felt like, if she could tell the truth, why couldn't she admit her was hurting her? Well I guess the whole idea was to create a devastating situation, which they did. Also, I wanted to add, contrary to the book, Martha and Frances seemed to have a strong bong; there was love between the two of them. In the book, Frances and Martha seemed to be together more by obligation. Additionally, I was kind of hoping to see the strong wiled character of Martha in the book rather than the vulnerable innocent girl in the movie. The appearance of the girl was not what I expected either; I pictured a tall thin girl, not a petete thin girl, with a much softer look than I pictured in the book. Well, I guess they have to change some things.

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5 out of 5 people found the following comment useful :-
Strangely compelling..., 18 September 2002
Author: Heligena from Cardiff, Wales, Uk

Not a bad film for one i saw at 1.30 in the morning. Debra Winger is convincing as a mentally challenged woman who only wants to understand why being truthful doesn't work in the world around her. The fact that she has her own apartment testifying to this. Gabriel Byrne was restrained as was needed in the opposing role to the central character and gave the movie some essential compassion which worked nicely. The sex scenes were a bit graphic but i think it was necessary as the controversy between rape/consentual sex in this case was in dispute. A point not overplayed or simplified, thankfully so credit to the writer and director for that.

Overall it raised some interesting themes in societies treatment of the mentally disabled and followed through with a realistic ending. 3 out of 5.

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5 out of 6 people found the following comment useful :-
Debra Winger is marvelous, 13 October 2002

Author: Corrie (vintagegirl93078@yahoo.com) from Spokane, WA

This is a good movie - not as good as the book, but still a very good movie.

Debra Winger plays Martha Horgan, a mentally disabled young woman who lives with her beautiful Aunt Frances (the always ethereal Barbara Hershey). Martha works at a dry cleaning shop, where she is framed for stealing money by the sleazy Getso (David Strathairn). Getso is the boyfriend of Martha's best (and only) friend Birdie, played by Chloe Webb. Martha sets out to prove her innocence. This is furthermore complicated by Gabriel Byrne's sexy handyman, who Martha falls in love with.

"A Dangerous Woman" is believable and the acting is wonderful. Not as good as the book, but still a very good movie.

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6 out of 8 people found the following comment useful :-
An unexpected surprise, 14 April 2005

Author: jotix100 from New York

Never saw the film when it was released, but it was a surprise when it was shown on cable recently. Stephen Gyllenhaal directs with great style. He is helped by the adaptation Naomi Foner crafted out of the Mary McGarry Morris' novel. This is a story about the cruelty inflicted to an innocent woman who is mentally retarded.

The film is set in California. Martha, the troubled soul at the center of the story has mental problems. She is an honest woman who tells it like it is, but because of her condition, people will always try to take advantage of her. Martha probably doesn't know what's happening with her own sexuality, yet we witness a night when she is engaging in satisfying herself in the only way she knows how.

"A Dangerous Woman" is an engrossing tale that involve us from the beginning. Martha is a complex character that in Debra Winger's interpretation shows she is a woman that has been dealt a bad hand by life. Yet, Martha is able to function by herself without any supervision. This is a confused woman that will win the viewer's heart.

Debra Winger doesn't appear often in movies these days. It's our loss! Ms. Winger projects such intelligence as she approaches her role of Martha that suddenly, the actress and the part she is playing become one.

The rest of the cast is excellent. Barbara Hershey is always a welcome addition to any film. Gabriel Byrne is credible as the handy man. David Strathairn plays a pivotal role that brings the film to an unexpected conclusion. Laurie Metcalf is only seen in a couple of scenes.

Mr. Gyllenhaal and Ms. Foner should team up more often because they work well together as proved by this film and the previous ones.

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2 out of 4 people found the following comment useful :-
In a dishonest society, honesty is seen as a mental handicap, 25 August 2006

Author: James Hitchcock from Tunbridge Wells, England

*** This comment may contain spoilers ***

It is sometimes said that the best way to win an Oscar is to play someone with a disability, whether physical or mental, and this certainly seemed to be true in the late eighties and early nineties. Several "Best Actor" and "Best Actress" awards during this period went to those playing such parts- Marlee Matlin in "Children of a Lesser God", Dustin Hoffman in "Rain Man", Daniel Day-Lewis in "My Left Foot" and Tom Hanks in "Forrest Gump". "A Dangerous Woman" was perhaps Debra Winger's attempt at Oscar glory, as her character, Martha, is retarded, possibly mentally handicapped.

The exact nature of Martha's disability is never made clear in the film, indeed, it is pointed out that the doctors are unable to diagnose her, let alone cure her. She is simple-minded, but her condition does not require her to be hospitalised (she lives with her aunt Frances) and she is even able to hold down a job with a dry-cleaning company. In the event, Winger was not nominated for an Oscar, although she did receive a nomination for a Golden Globe, but her performance is nevertheless a very good one. In some of her earlier films she played attractive, lively, vivacious characters, but Martha is plain, slow and shuffling, dowdily dressed, peering at the world through thick pebble glasses. Although Frances is supposed to be a generation older than Martha (and Barbara Hershey, who plays her, is seven years older than Winger), it is Frances who seems considerably younger.

Despite her mental disability, however, Martha does not lack a sense of right and wrong. Indeed, her sense of right and wrong is very highly developed. She is incapable of being deceitful or dishonest, even when it would be in her own interests to be so. (There is a suggestion, not completely followed through, that in a dishonest society an inability to dissemble or tell lies is in itself a form of mental handicap). Martha loses her job at the dry-cleaners; the ostensible reason is that she is suspected of stealing money from the till (a theft actually carried out by one of her colleagues), but the real reason is that she embarrassed her boss by telling a customer that his suit had not been properly cleaned.

Apart from the scenes where Martha loses her job, the main focus is on the growing romance between Martha and Mackey, the Irish handyman carrying out repairs to Frances's house. There is also a rather unnecessary subplot about Frances's own affair with a local politician and the attempts to reclaim him made by the man's estranged wife. Although Mackey has a serious drink problem and little positive about him, Martha becomes very attached to him, and allows him to take advantage of her when he is drunk. (Drunkenness is a common theme in the film; Frances and the politician's wife also have alcohol problems).

The crisis of the film comes when Martha is molested by Getso, the employee whose dishonesty was the ostensible reason for her sacking, and she stabs him in self-defence, with fatal results. Martha is urged to claim that Getso was attempting to rape her, but refuses on the grounds that this would be a lie. Martha's devastating honesty makes her a "dangerous woman" to herself; her inability to lie puts her in danger of a conviction for murder. It is, in fact, never clear exactly what Getso was attempting to do; the film certainly leaves open the possibility that he was indeed trying to sexually assault Martha but that she was too innocent to realise this.

For most of the film, the action is fairly slow-moving. The film is not only slow but also sombre; many scenes are dark, with dull browns and greys the predominant tones. The crisis comes near the end, which means that the film can seem rather unbalanced- a long, unhurried build-up followed by a hurried ending. Nevertheless, Winger's affecting performance makes this a film worth seeing as an insight into the problems of the mentally handicapped. 6/10

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0 out of 1 people found the following comment useful :-
Some great performances, but the story? The script? ack!, 23 January 2007

Author: crab49 from Maryland

Did I miss something here? Large chunks of the plot line appear to be missing. Was this film radically cut after preview? I can't accuse this film of being boring, (my worst viewing experience) but the story seems to lurch at several points without explanation. It held my interest due to the story and some fine performances by Winger and Bryne. Never a GREAT actor, Barbra Herhsey holds her own here. The surprising performance here to me is David Staithen as the dis-honest, womanizing jerk. I have only seen him in a few films (most recently BLUE CAR) and he usually plays more subtle characters. Here he is really good here and is sometimes funny and sometimes stupid.

Jan Hooks has a wonderful turn as the beauty consultant who does Winger's make over. Very funny.

It may be worth your time but don't count on it to be very logical.

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1 out of 3 people found the following comment useful :-
Where was Jake?, 30 January 2006

Author: c_c_colangelo from United States

*** This comment may contain spoilers ***

Jake Gyllenhaal was listed in the cast, but I didn't see him turn up in the movie. The cast was listed in order of appearance, so he should have shown up right after his sister Maggie made an appearance as Antia Bell's daughter. I thought I heard a male voice say "mom" faintly off camera, but the son never appeared. Maybe that was Jake? Would they credit him for uttering one barely intelligible word? Maybe he had a larger part and it was cut? Do they credit actors when their performance is cut? I liked the offbeat plot in this movie, but I felt like Debra Winger made herself too unappealing both looks and personality-wise to make Gabriel Byrne's interest in her believable. I understand that he was a flawed character himself and was supposed to be attracted to her innocence, but she could have been a just a touch more attractive (too much appeal would have been too Hollywood)and still have maintained innocence and made the chemistry between them ring true.

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1 out of 3 people found the following comment useful :-
Routine romantic intrigue, interestingly played out., 10 August 2005

Author: Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico

*** This comment may contain spoilers ***

There isn't much new in the idea. Two women, both hungry, living alone. A handyman comes in. He does both of them. One, in the course of an unrelated subplot, knifes a man to death and is sent to jail, carrying the handyman's baby. After a year or so, she gets out and is reunited with the handyman, her baby, and the other woman -- happily, it seems.

What I kind of like about it is mostly the acting. Barbara Hershey is glamorized and stunning. And Debra Winger gives her character a real life of her own. Man, is she homely. She wears thick glasses, has her hair tied back like the head of a mop, wears no makeup, and pinches her lips together and twitches from time to time. It's the kind of performance -- playing an inadequate socially challenged semi-loony -- that wins Academy Awards.

And I appreciated Gabriel Byrne's character and performance too. A by-the-numbers route here would have brought in a ruggedly handsome, perfectly gorgeous, virile, flawless guy, brimming with danger and testosterone. Instead the movie gives us Gabe Byrne. Yes, he's a kind of ne'er do well and a rogue but he's not Vigo Mortenson or Brad Pitt. His face looks as if it's been molded out of candle wax that has begun to melt. He gets drunk just about every night and can't hold a job. He admits he's a lying thief. And -- for this I was particularly grateful -- he never ONCE takes off his shirt and shows us his sweaty chest while splitting logs or, er, plowing a field.

One night, drunk, he stumbles into Winger's little bungalow. He's filled with remorse, poses her as a priest in a confessional, asks her, "Are you Catholic? Ah, never mind, you don't know what the **** I'm talking about anyway." Then he begs this rudely shaped lump of clay for absolution and weeps in her lap before kissing her. (Her first time, we don't doubt.) She's alternately charmed and horrified.

The language and the sex are fairly explicit. The sex includes masturbation, defloration, and -- well, normal intercourse, I guess, if the definition is extended to include coupling on a floor full of broken crockery with one of the partners so deliriously drunk that she believes the man is someone else.

It's nicely directed too. No razzle-dazzle. No, "Hey, Ma, look at me! I got a camera!" Just one or two shots involving a pair of eyeglasses draw attention to themselves. The rest is very efficiently done. When Strathairn dies, he does so in a most unexpected way, stabbed multiple times, and whining about, "Hey, what did you do to me." There's blood all over the place, as there should be when someone is bleeding to death, but not a single shot of a knife piercing flesh. And his killer reassuring him as he expires, "It's okay. It's okay." She can't dial 911 because she can't find her glasses.

The end is a little disturbing if you bother to think about it. After all, Debra Winger has stabbed a guy to death over some squabble at her workplace. "A Dangerous Woman" is right. And it appears that Byrne is finally going to make an honest woman out of her. I hope she never gets mad at HIM.

The photography is very nicely done. I don't know where it was shot but it looks a bit like the Coachella Valley in California. Nice ranch house. Nice lines of fruit-bearing trees in the orchards. Mountains all around. Fan palms. The Garden of Eden with humans in it.

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