at Crackle

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Directed by | |||
| Rob Reiner | |||
Writing credits(WGA) | ||
| Aaron Sorkin | (play) | |
| Aaron Sorkin | (screenplay) | |
Produced by | |||
| David Brown | .... | producer | |
| William S. Gilmore | .... | executive producer (as William Gilmore) | |
| Steve Nicolaides | .... | co-producer | |
| Rachel Pfeffer | .... | executive producer | |
| Rob Reiner | .... | producer | |
| Andrew Scheinman | .... | producer | |
| Jeffrey Stott | .... | co-producer | |
Original Music by | |||
| Marc Shaiman | |||
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Robert Leighton | |||
| Steven Nevius | (as Steve Nevius) | ||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| J. Michael Riva | |||
Art Direction by | |||
| David F. Klassen | (as David Klassen) | ||
Set Decoration by | |||
| Michael Taylor | |||
Costume Design by | |||
| Gloria Gresham | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup department head (as Steve Abrums) | |
| Enzo Angileri | .... | hair stylist | |
| Richard Dean | .... | makeup artist | |
| Edouard F. Henriques | .... | makeup artist (as Edouard F. Henriques III) | |
| Lyndell Quiyou | .... | hair stylist | |
| Larry Waggoner | .... | head hair stylist | |
Production Management | |||
| Christy Dimmig | .... | post-production supervisor | |
| Steve Nicolaides | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Frank Capra III | .... | first assistant director | |
| Algric Leo Chaplin | .... | second second assistant director (as Algric L. Chaplin) | |
| Matthew H. Rowland | .... | second assistant director (as Matthew Rowland) | |
| Alisa Statman | .... | second second assistant director | |
Art Department | |||
| Donald R. Abblett | .... | stand-by painter (as Don Abblett) | |
| James Bittl | .... | greensman | |
| Richard Boris | .... | greensman | |
| Suzanne De Grandis | .... | construction clerk (as Suzanne DeGrandis) | |
| Renee Faia | .... | art department coordinator | |
| Ildefonso Goris | .... | greensman (as Idlefonso Goris) | |
| Thomas W. Lay Jr. | .... | illustrator (as Tom Lay) | |
| Jerry Moss | .... | property master | |
| Thomas J. O'Brien | .... | painter supervisor (as Tom O'Brien) | |
| Lee Orlikoff | .... | leadman | |
| Ken Peterson | .... | assistant property master | |
| Craig Raiche | .... | assistant property master | |
| Virginia L. Randolph | .... | set designer (as Virginia Randolph) | |
| Darin Raney | .... | art department assistant | |
| Doug Rosenberger | .... | construction foreman | |
| Terry Scott | .... | construction coordinator | |
| Robert Woodruff | .... | set designer (as Rob Woodruff) | |
| Randy L. Childs | .... | propmaker gangboss (uncredited) | |
| Paul Ford | .... | set dresser (uncredited) | |
| Angela O'Neill | .... | prop production assistant (uncredited) | |
| Parker Swanson | .... | additional set dresser (uncredited) | |
| Ron Yates | .... | set designer (uncredited) | |
Special Effects by | |||
| Eugene Crum | .... | special effects coordinator | |
Visual Effects by | |||
| Mark Sawicki | .... | matte shots (as Mark A. Sawicki) | |
| Robert Stromberg | .... | matte shots | |
| John E. Sullivan | .... | matte shots (as John Sullivan) | |
Stunts | |||
| Tim A. Davison | .... | stunt coordinator (as Tim Davison) | |
Camera and Electrical Department | |||
| Audie Aragon | .... | grip | |
| Sidney Ray Baldwin | .... | still photographer (as Sideny Baldwin) | |
| Chris Centrella | .... | key grip | |
| Matt Craven | .... | rigging grip: Washington | |
| Brian Devin | .... | grip | |
| Vincent Galindez | .... | additional first assistant camera: Washington (as Vinnie Galindez) | |
| Anthony Gaudioz | .... | camera operator | |
| Scott Gillis | .... | rigging grip best boy | |
| R.L. Gittens Jr. | .... | lamp operator (as Roy L. Gittens Jr.) | |
| Khan Griffith | .... | lamp operator | |
| Mark Hadland | .... | assistant lighting technician | |
| Gary B. Kibbe | .... | director of photography: second unit (as Gary Kibbe) | |
| Ian Kincaid | .... | chief lighting technician | |
| Dean M. King | .... | grip (as Dean King) | |
| Jeff Kluttz | .... | rigging grip | |
| Gábor Kövér | .... | additional camera operator: Washington (as Gabor Kover) | |
| Hugh McCallum | .... | best boy grip | |
| Craig Molsberry | .... | lamp operator | |
| J. Michael Muro | .... | Steadicam operator (as James Muro) | |
| Dayton Nietert | .... | rigging gaffer | |
| Ken Nishino | .... | first assistant camera (as Kenny Nishino) | |
| Bill O'Leary | .... | rigging gaffer: Washington | |
| Darrin C. Porter | .... | lamp operator (as Darrin Porter) | |
| Paul Postelnicu | .... | additional second assistant camera: Washington | |
| Brad Rea | .... | dolly grip | |
| Andrew D. Schwartz | .... | still photographer: Washington D.C. (as Andy Schwartz) | |
| Dennis Seawright | .... | second assistant camera | |
| Nick Shuster | .... | camera loader | |
| Keith L. Smith | .... | camera production assistant (as Keith Smith) | |
| Victor Svimonoff | .... | assistant rigging gaffer | |
| Robert Ulland | .... | Steadicam operator: Washington (as Bob Ulland) | |
| Steve Venetis | .... | lamp operator | |
| Josh Bleibtreu | .... | first assistant camera (uncredited) | |
| Rusty Gardner | .... | electrician: Washington D.C. (uncredited) | |
| Rex Anson Rhorer | .... | rigging grip (uncredited) | |
| Rick Strodel | .... | grip (uncredited) | |
Casting Department | |||
| Susanna Griffith | .... | casting associate | |
| Michael Hirshenson | .... | casting associate | |
| Victor Davis | .... | extras casting (uncredited) | |
| F. Pierre Gatling | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costumer (as Darryl Athons) | |
| Margo Baxley | .... | costumer: women | |
| Lucinda Campbell | .... | costumer | |
| Nancy Cone | .... | costumer | |
| David Page | .... | costumer | |
| James W. Tyson | .... | costumer: men (as James Tyson) | |
| Leslie Weir | .... | costumer | |
| Linda M. Boyland | .... | costumer (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Alan Edward Bell | .... | first assistant editor | |
| Phil Downey | .... | color timer | |
| Nina Lucia | .... | assistant editor | |
| Mary Morrisey | .... | assistant editor | |
Music Department | |||
| Sandy DeCrescent | .... | music contractor | |
| Ralph Grierson | .... | music programmer | |
| Artie Kane | .... | conductor | |
| Jo Ann Kane | .... | music preparation | |
| Hummie Mann | .... | additional orchestrator | |
| Hummie Mann | .... | music producer | |
| Mark McKenzie | .... | orchestrator | |
| Joel Moss | .... | music mixer | |
| Joel Moss | .... | music recordist | |
| Curtis Roush | .... | music editor | |
| Marc Shaiman | .... | music producer | |
| Nick Vidar | .... | music programmer | |
Transportation Department | |||
| Dave Amberik | .... | production driver | |
| John Armstrong | .... | production driver | |
| Chet Badalato | .... | production driver | |
| James R. Brown | .... | transportation coordinator (as James Brown) | |
| Russ Buckens | .... | production driver | |
| Kenneth Cervi | .... | production driver | |
| Linda Cipperley | .... | production driver | |
| Jerry Cipperly | .... | production driver (as Jerry Cipperley) | |
| Kelly Joe Dugan | .... | production driver | |
| Stephen J. Eads | .... | production driver (as Steve Eads) | |
| David Garris | .... | production driver | |
| Randy Gaston | .... | production driver (as Randall Lee Gaston) | |
| Benson Jones | .... | production driver | |
| Gregory A. Landes | .... | production driver (as Greg Landes) | |
| John Kris Larsen | .... | production driver (as John Larsen) | |
| Stephen A. Latina | .... | production driver (as Steve Latina) | |
| Clair E. Leucart | .... | production driver (as Clair Leucart) | |
| Bob Limon | .... | production driver | |
| Leo Loa | .... | production driver | |
| Ken Lubin | .... | production driver | |
| Dennis McLaughlin | .... | production driver | |
| Patrick A. McLaughlin | .... | production driver (as Patrick McLaughlin) | |
| Bill Murphy | .... | production driver | |
| Edward A. Powell | .... | production driver (as Ed Powell) | |
| Manny Quinones | .... | transportation captain: Washington | |
| Becky Raiche | .... | production driver | |
| Ted Reed | .... | production driver | |
| Tim Roslan | .... | transportation captain | |
| Danny Rowe | .... | production driver | |
| Ken Strong Jr. | .... | production driver (as Ken Strong II) | |
Thanks | |||
| Walter Hill | .... | thanks (as Walter L. Hill II) | |
| John Horton | .... | special thanks | |
| Michael McClosky | .... | special thanks (as Major Michael McClosky) | |
| Ray Smith | .... | special thanks | |
| Robert A. Washington | .... | thanks | |
| Haskell Wexler | .... | thanks | |
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| Call Northside 777 | A Time to Kill | Presumed Innocent | ...And Justice for All. | Anatomy of a Murder |
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Starring: Tom Cruise, Jack Nicholson, Demi Moore This movie is for people who like lawyerly stuff and military type stuff. This movie is an episode of Jag on crack. This movie was made by Rob Reiner. Really, after that last statement, need I say more? If you didn't know that Rob Reiner did The Princess Bride, then hang your head in shame now.
It starts out in Guantanamo Bay, Cuba, when a couple marines enter the room of another marine, stuff a rag down his throat, duct tape his mouth shut, duct tape his hands behind his back, duct tape his legs together, and so on. Then the credits roll and we cut to D.C., where we find out that the marine getting gagged and tied died that night. The two marines that were doing the gagging and tying are charged with murder and flown out to D.C.
The task of lead counsel is assigned to Daniel Kaffee (Cruise), a lieutenant junior grade with a track record for plea bargaining and smooth talking. Lt. Cmdr. Jo Galloway (Moore) is assigned to be co-counsel, despite the fact that she tried to get in as lead counsel. They start the investigation down in Cuba where they meet Col. Nathan Jessup (Nicholson), the man who ordered the two men to give Private Santiago the Code Red, which accidentally led to his death. Of course, Jessup doesn't tell this to Danny or Jo. Why would he? He'd look pretty bad for it, right? So when they get back to D.C. and do some legal maneuvering with their clients and the prosecution, Danny manages to get a deal for a mere two years of prison time, where they are actually home in six months. And the two that are charged turn it down on principle, because they still believe they have done nothing wrong. Danny decides that he wants to get a different lawyer assigned to the case because he doesn't want to go down with them, but then has a change of heart after talking to a few people and thinking about it.
So the trial starts, and that's when the movie really picks up speed. The skill that Danny has as he strides around the courtroom asking all the right questions and probing in just the right ways is phenomenal. It almost makes you want to be a lawyer.
There are some major setbacks along the way, some things go right, a lot more go wrong, but eventually everything turns out okay in the end. But like so many movies where we know how it's going to end, it was never really the ending we were banking on, but the fun of getting there.
Bottom Line: 4 out of 4 (own this movie)