Bad Lieutenant (1992)

User Rating:

6.8/10   

Director:

Abel Ferrara

Writers:

Victor Argo (writer)
Paul Calderon (writer)

Release Date:

20 November 1992 (USA)

Genre:

Crime | Drama | Thriller

Tagline:

Gambler. Thief. Junkie. Killer. Cop.

Plot:

While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.

Plot Keywords:

Rape | Nun | Police | Lieutenant | Drugs

Awards:

2 wins & 3 nominations

Cast

Harvey Keitel	...	The Lieutenant
Victor Argo	...	Beat Cop
Paul Calderon	...	Cop #1 (as Paul Calderone)
Leonard L. Thomas	...	Cop #2 (as Leonard Thomas)
Robin Burrows	...	Ariane
Frankie Thorn	...	The Nun
Victoria Bastel	...	Bowtay
Paul Hipp	...	Jesus
Brian McElroy	...	Lieutenant's Son (#1)
Frankie Acciarito	...	Lieutenant's Son (#2)
Peggy Gormley	...	Lieutenant's Wife
Stella Keitel	...	Lieutenant's Daughter
Dana Dee	...	Lieutenant's Baby Girl
Anthony Ruggiero	...	Lite
Vincent Laresca	...	J.C.

MPAA:

Rated NC-17 for sexual violence, strong sexual situations & dialogue, graphic drug use.; Rated R for drug use, language, violence and nudity. (edited version)

Runtime:

96 min

Country:

USA

Language:

English | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Italy:VM14 (cut) | Italy:VM18 | Ireland:18 (IFCO) | Finland:K-16 (heavily cut) (1994) | South Korea:18 | France:-16 | Japan:R-18 | USA:TV-MA (cable rating) | Finland:K-18 (uncut) (1993) | Canada:18+ (Quebec) | Denmark:16 | Hungary:16 | Australia:R | Canada:R | Germany:16 | New Zealand:R18 | Norway:18 | Spain:18 | Sweden:15 | UK:18 | USA:NC-17 | USA:R (cut) | Canada:16+ (Quebec) (cut) | Iceland:16

Filming Locations:

Bronx, New York City, New York, USA

Company:

Bad Lt. Productions

Trivia:

For its video release, the British Board of Film Classification insisted that 1 minute and 47 seconds of footage be excised. The cuts were largely made in the scene where Harvey Keitel takes drugs with Zoe Lund.

Goofs:

Continuity: At the end when the Lieutenant enters the bus terminal he leaves his car behind the street sign, however when he returns the car has moved forward.

Quotes:

Zoe: Vampires are lucky, they can feed on others. We gotta eat away at ourselves. We gotta eat our legs to get the energy to walk. We gotta come, so we can go. We gotta suck ourselves off. We gotta eat away at ourselves til there's nothing left but appetite. We give, and give and give crazy. Cause a gift that makes sense ain't worth it. Jesus said seventy times seven. No one will ever understand why, why you did it. They'll just forget about you tomorrow, but you gotta do it.

Movie Connections:

Features The Fifth-Column Mouse (1943)

Soundtrack:

THE BAD LIEUTENANT

Deep, dark, and disturbing--but contains a surprisingly spiritual theme. ***1/2 (out of four)

BAD LIEUTENANT / (1992) ***1/2 (out of four)

By Blake French:

Abel Ferrara's "Bad Lieutenant" could be a solid tale of spiritual redemption if not for the pervasive material through which the film demonstrates its immorality. It contrasts the most disturbing, obscene human behavior with compassion and forgiveness, but the extreme nature of the content and the film's insistence on it's portrayal swindles the spiritual impact. For once a movie deserves the notorious NC-17 rating-the Motion Picture Association of America's most restrictive emblem placed on movies submitted for a rating-but the story contains a message that's more humble and spiritual than most inoffensive productions about spirituality.

These filmmakers may or may not realize the potential religious impact their product is capable of achieving. It's a very religious film; churches could use this to demonstrate the power of forgiveness and the strength of God's love. Unfortunately many audiences will misinterpret the graphic adult content and strong language as excessively dirty-but this is not a dirty movie. The content is necessary for the exceptional contrast to work. It displays the goodness in people through their wrong doings. Though I still wouldn't recommend gathering the kids around to watch this movie.

Harvey Keitel plays a character whom the movie calls only "Bad Lieutenant." He's at a stage in his life when human characteristics no longer matter. Filled with fury, need, and depression, his temporary remedies-sex, drugs, and gambling-no longer fulfill his hunger for pleasure. But his family doesn't care anymore. He drops his kids off for school, does bad things during the day, and comes home to collapse on the couch at night. This character does not imagine himself as anything but bad. He interrupts a grocery store robbery only to let the thieves go on a bribe. He buys drugs from drug dealers in exchange for their immunity. He stops a pair of young women in a car only to blackmail them into an unpleasant form of verbal rape.

The story takes a twist. Several low lives brutally rape a young nun. The nun, who knows her rapists, refuses to reveal their identities because she forgives them for their crime. The bad lieutenant cannot believe a victim can forgive such an atrocity. If this woman can forgive her debtors, could anyone forgive his sins as well?

Whether the bad lieutenant turns his life around I will leave you to discover. But this idea might be a side issue in the plot. "Bad Lieutenant" displays more of an interest in the dirty lifestyle of the title character than in his decision to seek forgiveness for his sins. Only during the final minutes does Keitel's character realize his choices. Surprisingly, however, the film's ending takes the easy way out in a complete refusal to look redemption in the eye. This ending blends in with the events because of stark, honest realism, but we never comprehend the character's intentions for the future.

Dark and cringe-inducing, "Bad Lieutenant" is not a fun movie to watch and don't expect to hold your popcorn down if you walk in unprepared. Abel Ferrara and Zoe Lund wrote the script looking into deep, private crevices of the human soul. They travel to places many people will find extremely uncomfortable. It's a harrowing character study portrayed through an unreserved, courageous performance. Harvey Keitel takes a huge risk here-most actors would not want such a character to follow their public image. But Keitel does not hesitate to characterize the bad lieutenant without compromise, mercy, or restraint.

Hats off to you, Harvey.