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IMDb > Van Gogh (1991)
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Overview

User Rating:
7.6/10   678 votes
MOVIEmeter: ?
Down 7% in popularity this week. See rank & trends on IMDbPro.
Director:
Maurice Pialat
Writer:
Maurice Pialat (writer)
Contact:
View company contact information for Van Gogh on IMDbPro.
Release Date:
30 October 1992 (USA) more
Genre:
Biography | Drama more
Plot:
The final 67 days of Van Gogh's life is examined. full summary | add synopsis
Plot Keywords:
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Awards:
2 wins & 12 nominations more
User Comments:
Understated, Underrated Masterpiece more

Cast

  (Cast overview, first billed only)
Jacques Dutronc ... Van Gogh
Alexandra London ... Marguerite (Gachet)
Bernard Le Coq ... Théo
Gérard Séty ... Gachet
Corinne Bourdon ... Jo
Elsa Zylberstein ... Cathy
Leslie Azzoulai ... Adeline (as Leslie Azoulai)
Jacques Vidal ... Ravoux
Chantal Barbarit ... Madame Chevalier
Claudine Ducret ... Professeur de Piano
Frédéric Bonpart ... La Mouche
Maurice Coussonneau ... Chaponval
Didier Barbier ... L'Idiot
Gilbert Pignol ... Gilbert
André Bernot ... La Butte Rouge
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Additional Details

Runtime:
158 min
Country:
France
Language:
French
Color:
Color
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Dolby
Company:
Canal+ more

FAQ

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4 out of 6 people found the following comment useful:-
Understated, Underrated Masterpiece, 30 October 2007
Author: cstotlar from Milwaukee, WI

I loved every golden minute of this film. It was honest, sensitive and respectful of the artist and anyone who loves Van Gogh's paintings and wants the fly-on-the-wall glimpse of his last days on earth will be in for a wonderful experience.

Unlike such films as "Lust for Life" with the Academy Awards so visibly in mind, this one doesn't offer any mad scenes, or pulpitizing or self-mutilation. In other words, if you are looking for Kirk Douglas chewing up the scenery or Stanley Kramer, bullhorn in hand, preaching one of his messages, or, heaven forbid, "Mondo Cane", this will be a disappointment. Unlike so many biopics of artists' lives, this one doesn't sell out to the mass audience with cheap histrionics. It dares to respect its subject and treat it humanely and humbly.

Every object, every face, every scene evokes what Van Gogh would have witnessed himself before his death. Just walking through a field evokes the thrill of recognizing the scene from one of his paintings! As undramatic as it may seem to some, it's really quite exciting for those of us who revere the artist and his work. In fact, I was actually angry at the end of the film that the beauty finally had to stop.

I would recommend this with all my heart to those viewers who love Van Gogh's paintings and are in search of a film that respects the artist in his dying days. It is moving and honest.

Curtis Stotlar

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