| Photos (see all 21 | slideshow) | Videos |
| Jeff Bridges | ... | Jack Lucas | |
| Robin Williams | ... | Parry | |
| Mercedes Ruehl | ... | Anne Napolitano | |
| Amanda Plummer | ... | Lydia Sinclair | |
| David Hyde Pierce | ... | Lou Rosen (as David Pierce) | |
| Adam Bryant | ... | Radio engineer | |
| Paul Lombardi | ... | Radio engineer | |
| Ted Ross | ... | Limo bum | |
| Lara Harris | ... | Sondra | |
| Warren Olney | ... | TV anchorman | |
| Frazer Smith | ... | News reporter | |
| Kathy Najimy | ... | Crazed video customer | |
| Harry Shearer | ... | Sitcom actor Ben Starr | |
| Melinda Culea | ... | Sitcom wife | |
| James Remini | ... | Bum at hotel | |
| Mark Bowden | ... | Doorman | |
| John Ottavino | ... | Father at hotel | |
| Brian Michaels | ... | Little boy | |
| Jayce Bartok | ... | First punk | |
| Dan Futterman | ... | Second punk | |
| Bradley Gregg | ... | Hippie bum | |
| William Jay Marshall | ... | Jamaican bum | |
| William Preston | ... | John the bum | |
| Al Fann | ... | Superintendent | |
| Stephen Bridgewater | ... | Porno customer | |
| John Heffernan | ... | Stockbroker bum | |
| Chris Howell | ... | Red Knight | |
| Michael Jeter | ... | Homeless cabaret singer | |
| Richard LaGravenese | ... | Strait jacket yuppie | |
| Anita Dangler | ... | Bag lady | |
| Mark Bringleson | ... | Drooler (as Mark Bringelson) | |
| Johnny Paganelli | ... | Pizza boy | |
| Diane Robin | ... | Receptionist | |
| John Benjamin Red | ... | Motorcyclist | |
| Lisa Blades | ... | Mrs. Sagan, Parry's wife | |
| Christian Clemenson | ... | Edwin | |
| Carlos Carrasco | ... | Doctor | |
| Joe Jamrog | ... | Guard | |
| John de Lancie | ... | TV executive | |
| Lou Hancock | ... | Nurse | |
| Caroline Cromelin | ... | Radio show call-in (voice) | |
| Kathleen Bridget Kelly | ... | Radio show call-in (voice) | |
| Pat Fraley | ... | Radio show call-in (voice) (as Patrick Fraley) | |
| rest of cast listed alphabetically: | |||
| Mel Bourne | ... | Langdon Carmichael (uncredited) | |
| Kristen Connors | ... | Ballroom Dancer (uncredited) | |
| Kevin Fennessy | ... | Diner (uncredited) | |
| Jack Mulcahy | ... | Passerby (uncredited) | |
| Tom Waits | ... | Disabled veteran (uncredited) | |
Directed by | |||
| Terry Gilliam | |||
Writing credits(WGA) | ||
| Richard LaGravenese | (written by) | |
Produced by | |||
| Debra Hill | .... | producer | |
| Tony Mark | .... | associate producer (as Anthony Mark) | |
| Lynda Obst | .... | producer | |
| Stacey Sher | .... | associate producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Roger Pratt | (director of photography) | ||
Film Editing by | |||
| Lesley Walker | |||
Casting by | |||
| Howard Feuer | |||
Production Design by | |||
| Mel Bourne | |||
Art Direction by | |||
| P. Michael Johnston | |||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | (as Beatrix Pasztor) | ||
Makeup Department | |||
| Zoltan Elek | .... | key makeup artist | |
| Craig Lyman | .... | makeup artist: New York | |
| Lisa Meyers | .... | key hair stylist (as Lisa Joy Meyers) | |
Production Management | |||
| Mark A. Baker | .... | assistant unit production manager: New York | |
| Sharre Jacoby | .... | post-production supervisor | |
| Tony Mark | .... | unit production manager (as Anthony Mark) | |
Sound Department | |||
| Stefna Borges | .... | assistant sound editor | |
| Joseph F. Brennan | .... | boom operator | |
| Paul Carr | .... | sound re-recording mixer | |
| Thomas Causey | .... | sound mixer | |
| Robert Farr | .... | sound re-recording mixer | |
| John Fundus | .... | boom operator: New York (as John K. Fundus) | |
| Richard Kite | .... | boom operator | |
| Steve Maguire | .... | assistant foley editor | |
| Dennis Maitland II | .... | sound mixer: New York | |
| Andrew Melhuish | .... | assistant dialogue editor | |
| Alan Paley | .... | dialogue editor | |
| Peter Pennell | .... | sound editor | |
| Bob Risk | .... | foley editor | |
| Steve Scanlon | .... | cableman: New York (as Stephen Scanlon) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Dennis Dion | .... | special effects supervisor | |
| Edward Drohan | .... | special effects supervisor: New York | |
| Robert E. McCarthy | .... | creative special effects consultant | |
| Daniel Sudick | .... | special effects (as Dan Sudick) | |
| Vincent Montefusco | .... | special effects: first unit mech/PT, Los Angeles (uncredited) | |
Visual Effects by | |||
| William Cruse | .... | visual effects | |
| Allen Blaisdell | .... | visual effects operator (uncredited) | |
| Martin Body | .... | rostrum/optical cameraman (uncredited) | |
| Kent Houston | .... | visual effects (uncredited) | |
| Tim Ollive | .... | optical effects (uncredited) | |
Stunts | |||
| Janet Brady | .... | stunts | |
| Greg Brickman | .... | stunts | |
| Jophery C. Brown | .... | stunts (as Jophrey Brown) | |
| Loyd Catlett | .... | stunts (as Lloyd Catlett) | |
| Gilbert B. Combs | .... | stunts (as Gilbert Combs) | |
| Peter Corby | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnaw) | |
| Andy Duppin | .... | stunts | |
| J.B. Getzwiller | .... | stunts | |
| Bonnie Hock | .... | stunts | |
| Chris Howell | .... | stunt coordinator | |
| Rikke Kesten | .... | stunts | |
| Harry Madsen | .... | stunts | |
| Bennie Moore | .... | stunts | |
| Julie Stone | .... | stunts | |
| Steve Wolf | .... | stunt safety (uncredited) | |
Casting Department | |||
| Aslihan Coker | .... | casting assistant | |
| Todd M. Thaler | .... | extras casting: New York (as Todd Thaler) | |
Costume and Wardrobe Department | |||
| Mary Gierczak | .... | costumer: New York (as Mary Coleman-Gierczak) | |
| Keith Greco | .... | red knight costume | |
| Joie Hutchinson | .... | costume supervisor | |
| Vincent Jefferds | .... | red knight costume | |
| Rainer Judd | .... | wardrobe assistant | |
| Randy Starck | .... | assistant costume supervisor | |
| Linda Taylor | .... | costumer (as Linda Louise Taylor) | |
Editorial Department | |||
| Tristan M. Brighty | .... | apprentice film editor: USA (as Tristan Brighty) | |
| Tullio Brunt | .... | second assistant film editor | |
| Jeremy Hume | .... | assistant film editor | |
| Ed Stabile | .... | assistant film editor: USA (as Edward Stabile) | |
| Tara Timpone | .... | assistant film editor: USA | |
| Steve Maguire | .... | assistant editor (uncredited) | |
Music Department | |||
| Jeff Atmajian | .... | additional orchestrator | |
| Ray Cooper | .... | music consultant | |
| Keith Grant | .... | music scoring mixer | |
| Kevin Lane | .... | music editor | |
| Gerry O'Riordan | .... | music scoring mixer (as Gerry O'Riorden) | |
| Simon Smart | .... | music scoring mixer | |
Transportation Department | |||
| John Leonidas | .... | transportation captain: New York | |
| Wayne Roberts | .... | transportation captain (as James W. Roberts) | |
| Edward F. Voelker | .... | transportation coordinator | |
| Bobby Marsh | .... | driver (uncredited) | |
| John Sellars | .... | driver (uncredited) | |
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| City of Shoulders and Noses | Big Fish | The Outsiders | Batman Begins | Romeo + Juliet |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.
Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.
At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.