Rosencrantz & Guildenstern Are Dead (1990)

User Rating:

7.5/10   

Director:

Tom Stoppard

Writer:

Tom Stoppard (written by)

Release Date:

8 February 1991 (USA)

Genre:

Comedy | Drama

Plot:

Two minor characters from the play, "Hamlet" stumble around unaware of their scripted lives and unable to deviate from them.

Plot Keywords:

Coin | Destiny | Existentialism | Towel | Tennis

Awards:

3 wins & 1 nomination

Cast

Gary Oldman	...	Rosencrantz
Tim Roth	...	Guildenstern
Richard Dreyfuss	...	The Player
Livio Badurina	...	Tragedian
Tomislav Maretic	...	Tragedian
Mare Mlacnik	...	Tragedian
Serge Soric	...	Tragedian (as Srdjan Soric)
Mladen Vasary	...	Tragedian
Zeljko Vukmirica	...	Tragedian
Branko Zavrsan	...	Tragedian
Joanna Roth	...	Ophelia
Iain Glen	...	Hamlet
Donald Sumpter	...	Claudius
Joanna Miles	...	Gertrude
Ljubo Zecevic	...	Osric

Runtime:

117 min

Country:

UK | USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | South Korea:12 | Australia:PG | Finland:K-8 | Germany:12 | UK:PG | USA:PG (certificate #30638)

Filming Locations:

Brezice, Slovenia

Company:

Brandenberg

Trivia:

The pieces of paper blowing around throughout the course of the movie are actually the pages of the Latin Vulgate Bible, as can be seen on the close-up of Rosencrantz's apple pinwheel (specifically, The Prophecy of Zacharias, chapter 8).

Goofs:

Incorrectly regarded as goofs: When Rosencrantz and Guildenstern first encounter The Player, it is day, and then suddenly changes to night. At times, Rosencrantz and Guildenstern are in a night-time setting, but when the shot changes to show the The Player and his Tragedians, the sky is blue/grey. However, this is probably intentional. Absurdist drama often features a vague or ill-defined setting, including time of day. Tom Stoppard also wrote the stage play on which his screenplay is based, which features several such apparent jumps in time continuity as a means of promoting or maintaining a sense of confusion in the audience.

Quotes:

[first lines]
[Rosencrantz and Guildenstern are riding horses down a path - they pause]
Rosencrantz: [to Guildenstern] Umm, uh...
[Guildenstern rides away, and Rosencrantz follows. Rosencrantz spots a gold coin on the ground]
Rosencrantz: [to horse] Whoa - whoa, whoa.
[Gets off horse and starts flipping the coin]
Rosencrantz: Hmmm. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads.
[Guildenstern grabs the coin, checks both sides, then tosses it back to Rosencrantz]
Rosencrantz: Heads.
[Guildenstern pulls a coin out of his own pocket and flips it]
[...]

Movie Connections:

Referenced in The Virgin Suicides (1999)

Soundtrack:

Echoes

A comedy... about tragedy

Imagine if you will, two talented actors. They are playing quite small roles... the smallest roles in the play so are given no form of direction or motivation for their parts. They are simply told they are "sent for". They are told they are "Rosencrantz and Guildenstern" but no one fully indicated to them which of them were which. No they are thrust bodily into the play itself (Hamlet) and stripped of all their memories of their life before... they have become the characters. They know their cues, instinctively know their lines, but no one bothered to tell them the plot of the play, leaving them to figure it out (or not) for themselves. Their only source of any kind of direction is a player (Dreyfuss) who gives them a rudimentary crash course on dying and tragedy itself ("Generally speaking, things have gone about as far as they can possibly go, when things have gotten about as bad as they can reasonably get.")... and ("We are tragedians. We follow directions. There is no choice involved.") This is Rosencrantz and Guildenstern Are Dead. And it is the funniest intellectually stimulating comedy I've ever seen. Oldman and Roth deliver a wonderful performance, always desperately struggling "get it" but never quite fully understanding what's going on around them. Oldman's portrayal of the existentially distracted Rosencrantz... or is that Guildenstern... was brilliant! (G: Is that you? R: I don't know! G: (disgustedly) It's you.) Viewers who delighted in the "verbal tennis" match might also notice that this really goes on through out the movie. (Player: But why? R: Exactly! G: Exactly what? R: Exactly why. G: Why what? R: What? G: Why? Why what, exactly?) It's truly sad that this movie doesn't get the recognition that it deserves. See Hamlet... become familiar with the story line... and then see this movie. It is quite worth the effort. I give it a 10 out of 10.