| Photos (see all 35 | slideshow) |
| Thur. Aug. 21 | 9:00 PM | TBS | |||
| Fri. Aug. 22 | 10:00 AM | TBS |
| Richard Gere | ... | Edward Lewis | |
| Julia Roberts | ... | Vivian Ward | |
| Ralph Bellamy | ... | James Morse | |
| Jason Alexander | ... | Philip Stuckey | |
| Laura San Giacomo | ... | Kit De Luca | |
| Alex Hyde-White | ... | David Morse | |
| Amy Yasbeck | ... | Elizabeth Stuckey | |
| Elinor Donahue | ... | Bridget | |
| Hector Elizondo | ... | Barney Thompson | |
| Judith Baldwin | ... | Susan | |
| Jason Randal | ... | Magician | |
| Bill Applebaum | ... | Howard | |
| Tracy Bjork | ... | Female Guest | |
| Gary Greene | ... | Male Guest | |
| Billy Gallo | ... | Carlos (as William Gallo) | |
| Abdul Salaam El Razzac | ... | Happy Man | |
| Hank Azaria | ... | Detective | |
| Larry Hankin | ... | Landlord | |
| Julie Paris | ... | Rachel | |
| Rhonda Hansome | ... | Bermuda | |
| Harvey Keenan | ... | Man in Car | |
| Marty Nadler | ... | Tourist | |
| Lynda Goodfriend | ... | Tourist | |
| Reed Anthony | ... | Cruiser | |
| Frank Campanella | ... | Pops | |
| Jackie O'Brien | ... | Artist (as Jacqueline Woolsey) | |
| Cheri Caspari | ... | Angel | |
| Scott Marshall | ... | Skateboard Kid (as Scott A. Marshall) | |
| Patrick Richwood | ... | Dennis, Night Elevator Operator | |
| Kathleen Marshall | ... | Day Desk Clerk (as Kathi Marshall) | |
| Laurelle Brooks | ... | Night Desk Clerk | |
| Don Feldstein | ... | Desk Clerk | |
| Marvin Braverman | ... | Room Service Waiter | |
| Al Sapienza | ... | Night Doorman (Hotel) (as Alex Statler) | |
| Jeff Michalski | ... | Day Doorman | |
| James Patrick Stuart | ... | Day Bellhop (as Patrick D. Stuart) | |
| Lloyd T. Williams | ... | Bellhop | |
| R. Darrell Hunter | ... | Darryl | |
| James Patrick Dunne | ... | Lounge Pianist | |
| Valorie Armstrong | ... | Woman in Lobby | |
| Steve Restivo | ... | Italian Businessman | |
| Rodney Kageyama | ... | Japanese Businessman | |
| Douglas Stitzel | ... | American Businessman | |
| Larry Miller | ... | Mr. Hollister | |
| Dey Young | ... | Snobby Saleswoman | |
| Shane Ross | ... | Marie | |
| Carol Williard | ... | Saleswoman | |
| Minda Burr | ... | Saleswoman | |
| Robyn Peterson | ... | Saleswoman | |
| Mariann Aalda | ... | Saleswoman | |
| R.C. Everbeck | ... | Tie Salesman | |
| Michael French | ... | Maitre D' | |
| Allan Kent | ... | Waiter | |
| Stacy Keach Sr. | ... | Senator Adams | |
| Lucinda Crosby | ... | Olsen Sister (as Lucinda Sue Crosby) | |
| Nancy Locke | ... | Olsen Sister | |
| Calvin Remsberg | ... | Sod Stomping Announcer | |
| Lloyd Nelson | ... | Game Announcer | |
| Norman Large | ... | Polite Husband | |
| Tracy Reiner | ... | Woman at Car | |
| Tom Nolan | ... | Vance | |
| John David Carson | ... | Mark | |
| Daniel Bardol | ... | Jake | |
| Karin Calabro | ... | Violetta in "La Traviata" | |
| Bruce Eckstut | ... | Alfredo in "La Traviata" | |
| Amzie Strickland | ... | Matron | |
| Mychael Bates | ... | Usher | |
| rest of cast listed alphabetically: | |||
| Garry Marshall | ... | Bum Tour Guide (uncredited) | |
| Charles Minsky | ... | Janitor with Water Hose (uncredited) | |
| Blair Richwood | ... | Blair (uncredited) | |
Directed by | |||
| Garry Marshall | |||
Writing credits(WGA) | ||
| J.F. Lawton | (written by) | |
Produced by | |||
| Gary W. Goldstein | .... | co-producer | |
| Arnon Milchan | .... | producer | |
| Steven Reuther | .... | producer | |
| Walter von Huene | .... | associate producer | |
| Laura Ziskin | .... | executive producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Charles Minsky | |||
Film Editing by | |||
| Raja Gosnell | |||
| Priscilla Nedd-Friendly | (as Priscilla Nedd) | ||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Albert Brenner | |||
Art Direction by | |||
| David M. Haber | (as David Haber) | ||
Set Decoration by | |||
| Garrett Lewis | |||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Bob Mills | .... | makeup artist | |
| Carol A. O'Connell | .... | hair stylist (as Carol O'Connell) | |
Production Management | |||
| Angel Pine | .... | post-production supervisor | |
| Roger Joseph Pugliese | .... | production manager | |
| David Hoberman | .... | executive in charge of production: Walt Disney Studios (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ronald Chong | .... | dga trainee (as Ronnie Chong) | |
| Bettiann Fishman | .... | second assistant director | |
| Ellen H. Schwartz | .... | first assistant director | |
| Walter von Huene | .... | second unit director | |
| Nick Abdo | .... | second unit director (uncredited) | |
| Aaron Barsky | .... | assistant director: second unit (uncredited) | |
Art Department | |||
| Mychael Bates | .... | assistant property master | |
| Antoinette J. Gordon | .... | set designer | |
| Donald G. Helderle | .... | construction foreman | |
| Tony Leonardi | .... | stand-by painter (as A.J. Leonardi) | |
| Frank B. Nieves | .... | construction foreman | |
| Ken Scaife | .... | construction coordinator | |
| Mark Woods | .... | lead man | |
| Rick Young | .... | property master | |
| Gary Isbell | .... | set dresser (uncredited) | |
Sound Department | |||
| Robert Fitzgerald | .... | sound editor | |
| Jeremy J. Gordon | .... | sound editor (as Jeremy Gordon) | |
| David Hagberg | .... | assistant sound editor (as David Lee Hagberg) | |
| Michael Hilkene | .... | supervising sound editor | |
| David J. Hudson | .... | sound re-recording mixer | |
| Doug Jackson | .... | sound editor | |
| Chris Jargo | .... | adr editor | |
| Randall L. Johnson | .... | boom operator (as Randy Johnson) | |
| Gary Krivacek | .... | sound editor | |
| Eric Lindemann | .... | sound editor | |
| Harrison D. Marsh | .... | cable person | |
| Joseph A. Mayer | .... | supervising adr editor (as Joe Mayer) | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Terry Porter | .... | sound re-recording mixer | |
| Thomas W. Small | .... | assistant sound editor | |
| James E. Webb | .... | sound mixer (as Jim Webb) | |
| John O. Wilde | .... | sound editor | |
| Troy Porter | .... | foley mixer (uncredited) | |
| Jerry Trent | .... | foley artist (uncredited) | |
Special Effects by | |||
| Gary Zink | .... | special effects coordinator | |
Stunts | |||
| Rick Avery | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ron Batzdorff | .... | still photographer | |
| Ben Beaird | .... | key grip | |
| Gary C. Beaird | .... | grip (as Gary Beaird Sr.) | |
| Carl Boles | .... | chief lighting technician | |
| Philip Caplan | .... | camera operator | |
| Anthony R. Collier | .... | key best boy grip | |
| Tom Connole | .... | first assistant camera | |
| Frank Del Boccio | .... | second assistant camera | |
| Michael Genne | .... | camera operator | |
| Ross Judd | .... | first assistant camera | |
| Keith Orefice | .... | best boy | |
| Mike Schwake | .... | dolly grip | |
| Ken Tosic | .... | assistant lighting technician | |
| Jack Anderson | .... | director of photography: second unit (uncredited) | |
| Michael Kelem | .... | aerial camera operator (uncredited) | |
| Randy Nolen | .... | steadicam operator (uncredited) | |
| Maricella Ramirez | .... | assistant camera (uncredited) | |
Casting Department | |||
| Dori Zuckerman | .... | additional casting | |
Costume and Wardrobe Department | |||
| Elinor Bardach | .... | key costumer | |
| Daniel J. Lester | .... | costume supervisor (as Dan Lester) | |
| Carlane Passman | .... | set costumer | |
Editorial Department | |||
| Thomas R. Bryant | .... | first assistant editor (as Thomas Bryant) | |
| Craig Conwell | .... | assistant editor | |
| Tommy Dorsett | .... | assistant editor | |
| Ron Lambert | .... | color timer | |
Music Department | |||
| Brad Dechter | .... | orchestrator | |
| Ron Fair | .... | executive soundtrack producer | |
| Jack Hayes | .... | orchestrator | |
| James Newton Howard | .... | orchestrator | |
| Shawn Murphy | .... | score mixer | |
| Marty Paich | .... | conductor | |
| Robert Schaper | .... | score mixer | |
| Ellen Segal | .... | music editor | |
| Guy Defazio | .... | music assistant (uncredited) | |
Transportation Department | |||
| Tom Briggs | .... | transportation captain | |
| Tom F. Thomas | .... | transportation coordinator (as Tom E. Thomas) | |
Thanks | |||
| Barbara Marshall | .... | thanks (as Barbara Sue Wells) | |
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| The Godfather | Ek Hasina Thi | The Nanny Diaries | Lost in Translation | The Lizzie McGuire Movie |
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What can I say that hasn't been said? This immensely popular, modern fairy tale romance is a fantastic 'feel good' must see. I can't resist watching it every single time it comes on TV. To tempt you if you haven't seen it...it's the story of a feisty, good hearted hooker named Vivian Ward, who is hired for a week by a wealthy businessman, Edward Lewis, to serve as his escort at a number of business related social functions. Needless to say, the relationship doesn't stay 'just business' for long.
Rather than the plot itself, the beautiful Julia Roberts makes this movie...and not simply because of her 88 inches of leg! Always endearing in her roles, she is at her absolute MOST endearing portraying Vivian in this picture. She brings a real vulnerability to the role, showing us that just like everyone else, prostitutes do indeed floss their teeth! Richard Gere pulls off quite convincingly the role of Edward, the ruthless, calculating millionaire businessman, who takes over companies only to sell them off piece by piece, quite unmindful of the interests of any people involved. To give Gere credit, I was quite impressed that he actually plays the piano in one of the movie's scenes.
Naturally, given Vivian's membership in the 'oldest profession', there is sex early on...though I, old fashioned and strict as I am, wouldn't hesitate to let my young teen see this movie. (There's worse in TV commercials today!) Oddly, the most truly intimate moment in this film is not during the more explicit sex but rather, simply a kiss.
Ohhhh, lots of romantic scenes, from a picnic in the park to jetting off in a private plane for a Big Night on the Town. And etiquette lessons...Vivian displays charming, amusing, curious innocence when she experiences with Edward her first opera (all the while looking knock out gorgeous in a stunning red gown), her first polo match, and her introduction to escargots. As the movie progresses, she is transformed Pygmalion style, from the street smart hooker provocatively dressed in tall black boots and mini skirt, to a sophisticated looking, elegantly gowned and coiffed young lady. But it's merely appearance...Vivian's heart of gold and her vulnerability both remain unchanged.
The status conscious snobbery of Beverly Hills dress shops and ritzy hotels, judging people by wealth and class, is well depicted here. When Vivian goes shopping for a 'more appropriate' wardrobe at some exclusive Rodeo Drive boutiques, she is not 'well received' by the sales ladies, who like all too many of us, are overly inclined to judge by appearance. You'll want these snobs to get their comeuppance. Actually, perhaps the most touching relationship in this entire film is the one between Vivian and Barney, the quite proper but kind desk manager at the high class hotel (where she is sharing a penthouse suite with Edward), who is able to see beyond appearance. He develops a genuine fondness and even more importantly, respect for her.
Other characters of interest...Kit is Vivian's appealing and sympathetic room-mate, also a hooker (Vivian's a loyal friend), and Stuckey is Edward's sleazy and despicable business colleague, portrayed by Seinfeld's Jason Alexander, a TV show which I must confess is not my favourite.
As events unfold during the film, it becomes clear that, while Edward might not understand too clearly the meaning of 'prostitution', Vivian clearly does. And, it's another shining film illustration of that pearl of wisdom from Eliza Doolittle (of My Fair Lady) who enlightened us, 'The difference between a flower girl and a lady is not how she behaves, but how she is treated.' Or, in Vivian's own words, 'People put you down enough, you start to believe it'.
Great Cinderella movie...don't miss it.