Postcards from the Edge (1990)

Director:

Mike Nichols

Writers (WGA):

Carrie Fisher (book)
Carrie Fisher (screenplay)

Release Date:

12 September 1990 (USA)

Genre:

Comedy | Drama

Tagline:

Having a wonderful time, wish I were here.

Plot:

Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her...

Plot Keywords:

Mother | Actress | Daughter | Hollywood | Dysfunctional Family

Awards:

Nominated for 2 Oscars. Another 2 wins & 7 nominations

Cast

Meryl Streep	...	Suzanne Vale
Shirley MacLaine	...	Doris Mann
Dennis Quaid	...	Jack Faulkner
Gene Hackman	...	Lowell Kolchek
Richard Dreyfuss	...	Doctor Frankenthal
Rob Reiner	...	Joe Pierce
Mary Wickes	...	Grandma
Conrad Bain	...	Grandpa
Annette Bening	...	Evelyn Ames
Simon Callow	...	Simon Asquith
Gary Morton	...	Marty Wiener
CCH Pounder	...	Julie Marsden (as C.C.H. Pounder)
Sidney Armus	...	Sid Roth
Robin Bartlett	...	Aretha
Barbara Garrick	...	Carol

Runtime:

101 min | Canada:95 min (edited version)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:L | Canada:14A (Ontario - 2006) | Argentina:13 | Australia:M | Chile:14 | Finland:S | France:U | Germany:12 | Sweden:11 | UK:15 | USA:R | Singapore:PG | Canada:A

Filming Locations:

Los Angeles, California, USA

Company:

Columbia Pictures Corporation

Trivia:

At the request of Mike Nichols, Stephen Sondheim wrote special lyrics to his song "I'm Still Here" for Shirley MacLaine to perform.

Goofs:

Continuity: Shirley's head-scarf changes from loose to firmly fastened between shots at the hospital.

Quotes:

Doctor Frankenthal: Would you maybe like to go out with me sometime? Catch a movie or something?
Suzanne: Sure. We can go see "Valley of the Dolls." We'll say fate brought us together.

Movie Connections:

References A Nightmare on Elm Street (1984)

Soundtrack:

I'm Still Here

Mike who?

Postcards From The Edge is one of my all-time favorites. It's a truly addictive movie that's always funny and touching no matter how many times I see it. Some of the criticism I've read have always seemed just a tad off base, particularly the ones that say that Streep never seems to get a handle on her character--she just acts kind of comically frazzled. Well I think that's the point, isn't it? Streep as Fisher doesn't know what she wants or who she is, and while trying to discover these things, she must battle her drug dependence, rebuild her career against all odds and hope, in addition to trying to reconcile her relationship with her outlandishly domineering mother, who just happens to be a legendary star with issues of her own. In this scenario, "frazzled" would seem to be the way to go.

In any case, those who have commented positively on the movie have mostly mentioned the great performances (as well as Carrie Fisher's wonderful screenplay), and rightly so since this is one the most smartly acted (and well-written) movies you will ever see. But it seems strange that the outstanding direction of Mike Nichols is rarely mentioned. I remember one Oscar ceremony when a producer whose movie had just won Best Picture, and, indeed, swept all the major awards--except Best Director--said "apparently the Academy thinks that the actors directed themselves." It would seem that many of the viewers of Postcards From The Edge think the same thing. In my opinion, Nichols doesn't get enough credit for the seamless way this movie moves or for the crispness of the comic timing. At every turn, he brings out the best in his actors, most especially in the dynamic scenes involving Streep and McLaine. I also love the way he shows, through shifting background effects, how movie illusions are created, which he further uses to illustrate how we often hide our true motivations. (The great example of this is in the scene on the lot with Streep and Dennis Quaid where he was trying to convince her he has always been sincere in his feelings for her--and maybe they should even marry. Then suddenly the background, a house and white picket fence cardboard front, is moved away by a production crew.)

This is a wonderfully entertaining movie, brilliantly acted and written and, yes, superbly directed.