| Photos (see all 3 | slideshow) | Videos |
| Dylan McDermott | ... | Moses Baxter | |
| Stacey Travis | ... | Jill | |
| John Lynch | ... | Shades | |
| William Hootkins | ... | Lincoln Wineberg Jr. | |
| Iggy Pop | ... | Angry Bob | |
| Carl McCoy | ... | Nomad | |
| Mark Northover | ... | Alvy | |
| Paul McKenzie | ... | Vernon | |
| Lemmy | ... | Taxi Driver | |
| Mac McDonald | ... | Newscaster | |
| Chris McHallem | ... | Premier Boelgaxof | |
| Barbara Yu Ling | ... | Chinese Mother | |
| Oscar James | ... | Chief | |
| Arnold Lee | ... | Chinese Family | |
| Susie Savage | ... | Chinese Family (as Susie Ng) | |
| Fred Leeown | ... | Chinese Family | |
| Mimi Cheung | ... | Chinese Family | |
| Sebastian Chee | ... | Chinese Family |
Directed by | |||
| Richard Stanley | |||
Writing credits | ||
| Steve MacManus | (story "SHOK!") and | |
| Kevin O'Neill | (story "SHOK!") | |
| Richard Stanley | (written by) | |
| Michael Fallon | (additional dialogue) | |
| Michael Apostolina | uncredited | |
Produced by | |||
| Ray Corbett | .... | associate producer | |
| Elizabeth Karlsen | .... | supervising producer | |
| Nik Powell | .... | executive producer | |
| JoAnne Sellar | .... | producer | |
| Paul Trijbits | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Stephen Woolley | .... | executive producer | |
| Trix Worrell | .... | executive producer | |
Original Music by | |||
| Simon Boswell | |||
Cinematography by | |||
| Steven Chivers | |||
Film Editing by | |||
| Derek Trigg | |||
Casting by | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| Joseph Bennett | |||
Art Direction by | |||
| Max Gottlieb | |||
Set Decoration by | |||
| Addi Cohen-Ziv | (as Addi Cohen-Zif) | ||
Costume Design by | |||
| Michael Baldwin | |||
Makeup Department | |||
| Lisa Boni | .... | hair stylist | |
| Lisa Boni | .... | makeup artist: Stacey Travis | |
| Kirstin Chalmers | .... | makeup artist | |
| Shaune Harrison | .... | special makeup effects artist | |
| Little John | .... | special makeup designer | |
| Bob Keen | .... | makeup effects consultant | |
| Tracey Lee | .... | makeup artist | |
| William Petty | .... | makeup effects designer | |
| John Schoonraad | .... | makeup effects mold designer | |
Production Management | |||
| Elizabeth Carlsen | .... | production supervisor | |
| Stephen Earnhart | .... | post-production supervisor (as Steve Earnhart) | |
| John Gavin | .... | post-production supervisor | |
| Peter Holt | .... | post-production supervisor | |
| Peter Spencer | .... | production manager | |
Art Department | |||
| Sarah Blunt | .... | property buyer | |
| Michael Carlin | .... | construction manager | |
| Chris Consall | .... | constructor | |
| Christopher Cowsill | .... | carpenter | |
| Matthew Davies | .... | constructor | |
| Daz Edwards | .... | art department runner | |
| Annie Gregson | .... | stand-by props | |
| Barbara Herman-Skelding | .... | set dresser | |
| Michael Houseman | .... | construction manager | |
| Graham Humphreys | .... | conceptual designer | |
| Graham Humphreys | .... | storyboard artist | |
| Trudie McCallum | .... | assistant art director | |
| Leon McCarthy | .... | art department assistant | |
| Robert McFarlane | .... | graphic designer | |
| Antoine Robert | .... | constructor | |
| Peter Smith | .... | sculptor | |
| Becky Tanner | .... | painter | |
| Adrian Thatcher | .... | assistant art director | |
| James Wadeson | .... | property master | |
| Martin Weiss | .... | plasterer | |
Sound Department | |||
| Ronald Bailey | .... | second sound recordist (as Ron Bailey) | |
| Ronald Bailey | .... | sound mixer | |
| Michelle Baughi | .... | boom swinger | |
| Mike Dowson | .... | sound mixer | |
| Kate Hopkins | .... | sound effects designer | |
| James Mather | .... | dialogue editor | |
| Jonathan Miller | .... | sound effects designer | |
| Tim Owens | .... | adr editor | |
| Brian Saunders | .... | sound mixer | |
| Joanne Stephens | .... | boom swinger | |
| Mark Stevens | .... | special sound effects engineer | |
| Marin Walker | .... | footsteps editor | |
Special Effects by | |||
| Paul Catling | .... | second unit special effects director | |
| Paul Catling | .... | special robotics designer | |
| Neal Champion | .... | floor special effects (as Neil Champion) | |
| Chris Cunningham | .... | special robots technician | |
| Jim Francis | .... | floor special effects | |
| Matthew Horton | .... | floor special effects (as Matt Horton) | |
| Barney Jeffrey | .... | special effects coordinator | |
| David Keen | .... | special robotics chief engineer | |
| Stephen Norrington | .... | special robotics technician (as Steve Norrington) | |
| Steve Patton | .... | floor special effects (as Steve Paton) | |
| Bill Pearson | .... | floor special effects | |
| Paul Spateri | .... | special robotics technician | |
| Andrew Stone | .... | droid suit operator | |
| Peter Stone | .... | droid suit operator | |
| Jon Tucker-Bull | .... | special robotics assistant (as John Tucker-Bull) | |
Visual Effects by | |||
| Steven Begg | .... | matte artist (as Steven Beggs) | |
| Robert Courtney | .... | model supervision stand-by carpenter | |
| Neil Culley | .... | matte photography | |
| Evan Davies | .... | computer graphics animation programmer | |
| Alan Marques | .... | computer graphics consultant | |
| James Pritch | .... | additional model maker | |
Stunts | |||
| Tim Condren | .... | stunt arranger (as Tim Condron) | |
| Sarah Franzl | .... | stunt double: Stacey Travis | |
Camera and Electrical Department | |||
| Alan Beechy | .... | rigger | |
| Bob Brock | .... | electrician (as Rob Brock) | |
| Gerry Floyd | .... | additional photographer: second unit | |
| Paul Grech-Ellul | .... | focus puller | |
| Kenny Ingram | .... | rigger | |
| David Lee | .... | gaffer | |
| Hudd Levien | .... | assistant camera: second unit | |
| Tim Maurice-Jones | .... | camera operator | |
| Rick Morgan | .... | rigger | |
| John O'Donnell | .... | video operator | |
| John Parker-Rees | .... | assistant camera | |
| Rob Pye | .... | electrician | |
| Donul Rodan | .... | video operator | |
| Andy Shuttleworth | .... | steadicam operator | |
| Kate Stark | .... | clapper loader | |
| Rob Stewart | .... | electrician | |
| Karl Watkins | .... | lighting camera operator: second unit | |
| Jay Williams | .... | grip | |
| John Williams | .... | electrician | |
| Clive Wise | .... | rigger | |
Casting Department | |||
| Betsy Fels | .... | casting: USA | |
| Cynthia Lole | .... | extras casting | |
Costume and Wardrobe Department | |||
| Chris Loizou | .... | wardrobe supervisor | |
Editorial Department | |||
| Wendy Edgar-Jones | .... | second assistant editor (as Wendy Edgar) | |
| Edward Marnier | .... | assembly editor | |
| Gabrielle McNamara | .... | post-production trainee | |
Music Department | |||
| Ian Hierons | .... | music supervisor | |
Transportation Department | |||
| Gillon Jacoby | .... | driver | |
| Richard Mason | .... | driver | |
Other crew | |||
| Polly Beaumont | .... | assistant to producer | |
| Lesley Broderick | .... | production accountant (as Leslie Broderick) | |
| Maggie Choyce | .... | script supervisor | |
| Francesca Cicci | .... | production secretary | |
| Robin Coe | .... | floor runner | |
| Michael Garland | .... | post-production accountant | |
| David Golden | .... | floor runner | |
| Mark Lucas | .... | production runner | |
| Katy McGuiness | .... | legal advisor | |
| Gerald McMorrow | .... | floor runner | |
| Anthony Morland | .... | production runner | |
| Bo Shaw | .... | production assistant | |
| Dom Shaw | .... | location manager | |
| Andrew Stone | .... | operator | |
Thanks | |||
| Nicky Bell | .... | special thanks | |
| Immo Horn | .... | special thanks | |
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| IMDb Action section | IMDb UK section | Add this title to MyMovies |
The 21st century world is a radioactive wasteland as a result of a nuclear war. A traveling scavenger comes across the remains of a cyborg named Mark 13 in the desert; He salvages pieces of it. The cyborg head ends up with a metal sculptress, who is unaware of the cyborg's infamy as a governmental killing machine project that was scrapped due to its defects. Mark 13 reconstructs itself utilizing household appliances and metal parts, and goes amok.
Hardware is a movie that relies on its post-modernistic stylings to bring out its flavor but most of the time it falls flat. It's full of oddly placed music, I heard somewhere that the director Richard Stanley used to direct music videos, so maybe that explains a few reasons as to why this movie is the way it is. The red filter used through at least 50% of the movie can become highly annoying and get in the way of viewing some potentially good, violent scenes. Also the scenes which slowly push the plots progression could have done without the distraction.
Luckily enough, when the movie really gets going (it takes almost an hour!) its quite a fun ride of just extremely painful death scenes as the clunky robot Mark-13 chases down all humans in his way.