The Bonfire of the Vanities (1990)

Director:

Brian De Palma

Writers (WGA):

Michael Cristofer (screenplay)
Tom Wolfe (novel)

Release Date:

21 December 1990 (USA)

Genre:

Comedy | Drama

Tagline:

Take one Wall Street tycoon, his Fifth Avenue mistress, a reporter hungry for fame, and make the wrong turn in The Bronx...then sit back and watch the sparks fly.

Plot:

Financial "Master of the Universe" Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car...

Plot Keywords:

Tabloid | Accident | Journalist | Mistress | Revenge

Awards:

5 nominations

Cast

Tom Hanks	...	Sherman McCoy
Bruce Willis	...	Peter Fallow
Melanie Griffith	...	Maria Ruskin
Kim Cattrall	...	Judy McCoy
Saul Rubinek	...	Jed Kramer
Morgan Freeman	...	Judge Leonard White
John Hancock	...	Reverend Bacon
Kevin Dunn	...	Tom Killian
Clifton James	...	Albert Fox
Louis Giambalvo	...	Ray Andruitti
Barton Heyman	...	Det. Martin
Norman Parker	...	Det. Goldberg
Donald Moffat	...	Mr. McCoy
Alan King	...	Arthur Ruskin
Beth Broderick	...	Caroline Heftshank

MPAA:

Rated R for language.

Runtime:

125 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Singapore:NC-16 | New Zealand:PG | Argentina:13 | Australia:M | Chile:14 | Finland:K-14 | France:U | Sweden:11 (video rating) | Sweden:7 | UK:15 | USA:R | Iceland:L

Filming Locations:

346 E 59th Street, Manhattan, New York City, New York, USA

Company:

Warner Bros. Pictures

Trivia:

F. Murray Abraham's contract for this movie stipulated that his name appear above the title in the advertising, or not at all. Since the producers already had Tom Hanks, Melanie Griffith, 'Bruce Willis (I)' and Morgan Freeman above the title, Abraham chose not to be credited.

Goofs:

Factual errors: When McCoy gets off the subway, we see he is riding the number 1 train and he gets off at 77th Street station. First of all, the number 1 train runs on the west side of Manhattan, no where near his Park Avenue residence on the east side, and second, there are no 77th Street stops on the number 1 line.

Quotes:

Judy McCoy: I'm leaving you!
[pause]
Judy McCoy: After the party... and now, if you will excuse me, we have guests.

Movie Connections:

Referenced in "The Directors: The Films of Adrian Lyne" (????)

Soundtrack:

Serenade in G (Eine kleine Nachtmusik)

Misfire full of inanities

Bonfires of the Vanities is a film drenched in flop sweat. I can recall no film that has tried so hard to be so unrelentingly outrageous, provocative and important, yet failed so consistently across the board. It is like a stand up comic who's not getting laughs, but can't leave the stage. The harder the film tries, the louder each attempt at a laugh results in a resounding thud. The desperation the film displays is so glaring it almost rouses pity for all those involved.

The film achieves laugh-out-loud status only twice. Once is in the sight of Geraldo Rivera playing an obnoxious, arrogant and amoral TV tabloid journalist -- which is funny only because he apparently doesn't realize he is playing himself. The other scene that deserves to be laughed at is the film's final "big moment," wherein the judge played by Morgan Freeman delivers the sanctimonious lecture about what morality is ("it's what your mama taught ya!"). The pomposity of the moment is insulting to the point of being absurd.

Yet, one must admit it is a noble effort. It does have a good, if poorly cast, band of actors, who try to make characters out of cardboard thin caricatures. The film looks professionally made and the little cinematic flourishes that director Brian DePalma just loves are apparent, if not particularly effective. But the film, which apparently wishes to be a commentary on modern morals and ethics, never arises above the level of cartoon. Satire requires style. Farce requires energy. Even sitcom requires timing. But the best Bonfires can muster is desperation. In the end, you don't want to laugh, you just want to turn away.