UHF (1989)

Director:

Jay Levey

Writers:

'Weird Al' Yankovic (written by) &
Jay Levey (written by)

Release Date:

21 July 1989 (USA)

Genre:

Comedy

Tagline:

TV as it was meant to be seen. In a movie theatre.

Plot:

A local public station gets a new owner. The station becomes a hit, with all sorts of hilarious sight gags and wacky humor.

Plot Keywords:

Television Station | Television | Kidnapping | Part Computer Animation | Stop Motion Animation

Cast

'Weird Al' Yankovic	...	George Newman
Victoria Jackson	...	Teri
Kevin McCarthy	...	R.J. Fletcher
Michael Richards	...	Stanley Spadowski
David Bowe	...	Bob
Stanley Brock	...	Uncle Harvey
Anthony Geary	...	Philo
Trinidad Silva	...	Raul Hernandez
Gedde Watanabe	...	Kuni
Billy Barty	...	Noodles MacIntosh
John Paragon	...	Richard Fletcher
Fran Drescher	...	Pamela Finklestein
Sue Ane Langdon	...	Aunt Esther
David Proval	...	Head Thug
Grant James	...	Killer Thug

Also Known As:

The Vidiot from UHF

Runtime:

97 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Dolby

Certification:

Canada:A (Nova Scotia) | Canada:AA (Ontario) | Canada:G (Quebec) | Iceland:12 | USA:PG-13 (certificate #29692) | UK:PG | Australia:M

Filming Locations:

Channel 8 - 6655 S. Lewis, Tulsa, Oklahoma, USA

Company:

Cinecorp SAC

Trivia:

EASTER EGG: On the Special Features menu, select the "Watch for Falling Rocks" sign (using the remote, select Commentary, then go left) to see footage of Stanley Spadowski (Michael Richards) in its original form (in the film, it's part of the U-62 promo commercial). This works on both sides of the DVD (standard and widescreen).

Goofs:

Continuity: Just after George gets the rest of the money he needs at the end of the movie, Kuni repeatedly moves from setting off the switch on the fireworks to standing with the rest of the crowd between shots.

Quotes:

R.J. Fletcher: This is a TV studio, not a home for irresponsible pus-brains!

Movie Connections:

Features "The Beverly Hillbillies: The Clampett Curse (#5.19)" (1967)

Soundtrack:

MONEY FOR NOTHING / BEVERLY HILLBILLIES

Go buy this DVD right now!

It's very telling that I had to look 15 pages deep into the user comments to find one negative review of this movie. And the negative reviews were from insufferable snots.

This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.

The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.

Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.

UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.