Road House (1989)

User Rating:

5.7/10   

Director:

Rowdy Herrington

Writers (WGA):

David Lee Henry (story)
David Lee Henry (screenplay) ...

Release Date:

19 May 1989 (USA)

Genre:

Action | Crime | Drama | Romance | Thriller

Tagline:

The dancing's over. Now it gets dirty.

Plot:

A tough bouncer is hired to tame a dirty bar.

Plot Keywords:

Bouncer | Bar | Violence | Old Friend | Car

Awards:

5 nominations

US TV Schedule:

Tue. July 14	10:00 PM	CMTV
Wed. July 15	12:30 AM	CMTV

Cast

Patrick Swayze	...	Dalton
Kelly Lynch	...	Doc
Sam Elliott	...	Wade Garrett
Ben Gazzara	...	Brad Wesley
Marshall R. Teague	...	Jimmy (as Marshall Teague)
Julie Michaels	...	Denise
Red West	...	Red Webster
Sunshine Parker	...	Emmet (as 'Sunshine' Parker)
Jeff Healey	...	Cody
Kevin Tighe	...	Tilghman
John Doe	...	Pat McGurn
Kathleen Wilhoite	...	Carrie
Travis McKenna	...	Jack
Roger Hewlett	...	Younger
Kurt James Stefka	...	Hank

Runtime:

114 min

Country:

USA

Language:

English | Portuguese

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

Finland:K-16 (1990) (cut) | Finland:K-18 (1989) (cut) | Iceland:16 | South Korea:18 | Australia:R | Canada:18A | France:-12 | Norway:18 | Sweden:15 | UK:18 | USA:R (certificate #29677) | West Germany:18 | Canada:R (Ontario) | Argentina:18 | Germany:BPjM Restricted

Filming Locations:

Valencia, California, USA

Company:

Silver Pictures

Trivia:

This film is listed among The 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE.

Goofs:

Revealing mistakes: In the scene after Jimmy hits the portly Double Deuce bouncer with a pool cue, you can clearly see that Wade Garrett is pretending to be struck when in fact, he is not.

Quotes:

[first lines]
Bouncer Checking IDs: [to Frank Tilghman, as he enters the Bandstand] Go ahead, sir.

Movie Connections:

References First Blood (1982)

Soundtrack:

Cliff's Edge

And just think: Morgan Freeman and Miss Daisy drove away with the Oscar that year!

What brilliant trash this film is! It works absolutely every time! For all I know it was filmed either at Uncle Ron's or El Matador here in town!

Road House is the story of a bouncer hired to clean up a rough bar in a tiny town. He isn't just your ordinary illiterate muscle head, though. It's Patrick Swayze. He's got a degree in philosophy from NYU! He owns a Mercedes! Why, he's the best damn cooler in the business! And it's a good thing he is. This fictional town of Jasper, MO is dominated by a slimy Boss-Hogg type played by Ben Gazzara. He and his thugs skim money from every business in town, and the last thing they want is some stranger waltzing on to the scene to break up their control of the action.

Enough plot, though. Let's focus on the highlights.

This film has a script that should be bronzed or put on display at the Smithsonian. We get monumental lines such as:

"It's good to see you!" spoken by a blind man when he first greets Swayze.

"What do you take me for?" a bimbo asks another bar patron in an early scene. the reply- "About a hundred dollars!"

And this film also contains the greatest line ever spoken in the history of cinema. Decorum prohibits me from stating it verbatim, but you'll probably know it when you hear it. It's spoken by pro wrestler Terry Funk who plays the bouncer Swayze replaces. The line focuses on the supposed size of Swayze's package, and the size vehicle his seed could fill.

The film is filled with bar fights that eventually turn into shootouts, hot women, fast cars, monster trucks, explosions, you name it. Anything for guys who like movies is in abundance. The whole thing plays out like a typical night on the town for us yokels here in the red states.

The film comes in surprisingly long at 114 minutes, but don't worry. This is the type of film you can basically stop at any place, then push play when you and your friends get back from the bars. "It will be like you never left," as Christopher Lloyd tells Michael J. Fox at one point in Back to the Future.

The film has more than its share of logical lapses. As Roger Ebert points out in his review, there is no way anyone could get as rich as Wesley by skimming this little town. It seems to only have a bar, an auto parts store, a Ford dealership, and a cafe or two. Most of these places get wiped out as the action unfolds. It makes you wonder who would have been left for Wesley to skim from.

But criticism of a film like this is useless. When faced with such an artistic statement as Road House, one can either sit back and enjoy, or chuck the tape out the window.

10 of 10 stars.

The genius of Joel Silver my know no boundaries.