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IMDb > Il giovane Toscanini (1988)

Il giovane Toscanini (1988) More at IMDbPro »


Overview

User Rating:
6.8/10   99 votes
MOVIEmeter: ?
Up 21% in popularity this week. See rank & trends on IMDbPro.
Director:
Franco Zeffirelli
Writers:
Ennio De Concini (story)
William Stadiem (writer)
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Contact:
View company contact information for Young Toscanini on IMDbPro.
Release Date:
7 October 1988 (Italy) more
Genre:
Drama more
Plot:
A fanciful biopic of legendary conductor Arturo Toscanini as a very young man. full summary | add synopsis
Plot Keywords:
User Comments:
Misunderstood and Underrated more

Cast

  (Cast overview, first billed only)

C. Thomas Howell ... Arturo Toscanini

Elizabeth Taylor ... Nadina Bulichoff
Sophie Ward ... Sister Margherita
Pat Heywood ... Mother Allegri

Jean-Pierre Cassel ... Maestro Miguez
Philippe Noiret ... Dom Pedro II

John Rhys-Davies ... Claudio Rossi
Leon Lissek ... Superti
Carlo Bergonzi ... Bertini
Harriet Thorpe ... Tirelli
Eva Griffiths ... Princess Isabel (as Eva Griffith)
Simon Gregor ... Carlino
Leonie Mellinger ... Suelinha
Gordon Warnecke ... Paulo
Arturo Venegas ... Claudio Toscanini (young)
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Additional Details

Also Known As:
Toscanini (France)
Young Toscanini (USA)
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Runtime:
France:107 min | Italy:109 min
Country:
Italy | France
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby

FAQ

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3 out of 4 people found the following comment useful:-
Misunderstood and Underrated, 28 March 2008
8/10
Author: Charles Reichenthal (churei@aol.com) from Brooklyn, New York

The story behind the making and breaking of this film probably deserves close scrutiny. The whole things, at least at first, seems to be a giant mystery. Franco Zeferelli directed (yes, he was capable of doing poor work e.g. Endless Love despite its cast) but this one is not a bad job. C. Thomas Howell, as Young Toscanini, gives a fine performance and one that should have propelled his busy career into a leading man category. His work is excellent. Elizabeth Taylor likewise performs with the professionalism that is often overlooked. She is every inch the operatic diva the story requires. True, the ending scenes involve sloppy, how-do-I-finish-this-one moments. BUT the remainder of the work features excellence in acting, set and art decoration, cinematography, etc. The script has its lapses, but the rest of the film, despite its easy ending, may not be true to Toscanini but makes for splendid film-making. Why did this one slip by in the middle of the night?

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