| Videos |
| Carmen Maura | ... | Pepa | |
| Antonio Banderas | ... | Carlos | |
| Julieta Serrano | ... | Lucía | |
| María Barranco | ... | Candela | |
| Rossy de Palma | ... | Marisa | |
| Kiti Manver | ... | Paulina Morales | |
| Guillermo Montesinos | ... | Taxista | |
| Chus Lampreave | ... | Portera Testiga de Jehová | |
| Eduardo Calvo | ... | Padre de Lucía (as Yayo Calvo) | |
| Loles León | ... | Secretaria | |
| Ángel de Andrés López | ... | Policía I (as Angel de Andrés-López) | |
| Fernando Guillén | ... | Iván | |
| Juan Lombardero | ... | Germán | |
| José Antonio Navarro | ... | Policía II | |
| Ana Leza | ... | Ana | |
| Ambite | ... | Ambite | |
| Mary González | ... | Madre Lucía | |
| Lupe Barrado | ... | Secretaria Paulina | |
| Joaquín Climent | ... | Policía I Spot | |
| Chema Gil | ... | Policía II Spot | |
| Gabriel Latorre | ... | Cura | |
| Francisca Caballero | ... | Locutora TV | |
| Carlos García Cambero | ... | Empleado averías (as Carlos Gambero) | |
| Agustín Almodóvar | ... | Empleado Inmobiliaria | |
| Tomás Corrales | ... | Basurero | |
| Eva González | ... | Chica que baila | |
| Carmen Espada | ... | Farmacéutica | |
| Susana Miraño | ... | Clienta Enmascarada I | |
| Paquita Fernández | ... | Clienta Enmascarada II | |
| Federico G. Cambero | ... | Dependiente Farmacia (as Federico Gambero) | |
| Gregorio Ros | ... | Médico (as Gregorio Ross) | |
| Paco Virseda | ... | Mensajero | |
| Imanol Uribe | ... | Marido | |
| José Marco | ... | Padrino |
Directed by | |||
| Pedro Almodóvar | |||
Writing credits(in alphabetical order) | ||
| Pedro Almodóvar | screenplay | |
| Pedro Almodóvar | story | |
| Jean Cocteau | play "La voix humaine" (uncredited) | |
Produced by | |||
| Agustín Almodóvar | .... | executive producer | |
| Pedro Almodóvar | .... | producer | |
| Antonio Llorens | .... | associate producer (as Antonio Lloréns) | |
Original Music by | |||
| Bernardo Bonezzi | |||
Cinematography by | |||
| José Luis Alcaine | |||
Film Editing by | |||
| José Salcedo | |||
Set Decoration by | |||
| Emilio Cañuelo | (settings) | ||
| Félix Murcia | |||
Costume Design by | |||
| José María De Cossío | (as José Mª. de Cossío) | ||
Makeup Department | |||
| Jesús Moncusi | .... | hair stylist | |
| Gregorio Ros | .... | makeup artist | |
| Juan Pedro Hernández | .... | makeup artist (uncredited) | |
Production Management | |||
| Esther García | .... | production manager (as Ester García) | |
Second Unit Director or Assistant Director | |||
| Julián Núñez | .... | assistant director | |
| Miguel Ángel Pérez Campos | .... | assistant director | |
Art Department | |||
| Federico del Cerro | .... | set dresser | |
| Carlos García Cambero | .... | assistant decorator (as Carlos G. Cambero) | |
| David Jareño | .... | property master | |
| Ramón Moya | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Luis Castro | .... | sound effects | |
| Eduardo Fernández | .... | sound mixer | |
| Gilles Ortion | .... | sound (as Guilles Ortión) | |
| Antonio Rodríguez 'Mármol' | .... | boom operator (as Antonio Rodríguez) | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
Visual Effects by | |||
| Pablo Núñez | .... | titles and opticals (as Pablo Nuñez) | |
Camera and Electrical Department | |||
| Paulino Alonso | .... | lighting technician | |
| Alberto Arnal | .... | electrician | |
| Enrique Bello | .... | electrician | |
| Fernando Beltrán | .... | electrician | |
| Macusa Cores | .... | still photographer | |
| Joaquín Manchado | .... | assistant camera | |
| Alfredo F. Mayo | .... | second camera operator (as Alfredo Mayo) | |
| Carlos Miguel | .... | key grip | |
| Fulgencio Rodríguez | .... | chief electrician | |
| Juan Carlos Rodríguez | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Josune Lasa | .... | tailor | |
Editorial Department | |||
| Manolo Laguna | .... | assistant editor | |
| Ximo Michavila | .... | telecine colorist | |
| Rosa Ortiz | .... | assistant editor (as Rosa Mª. Ortiz) | |
Music Department | |||
| Tino Azores | .... | music engineer | |
| Lola Beltrán | .... | soloist | |
Transportation Department | |||
| Ángel Frutos | .... | driver | |
| Julián Hernández | .... | driver | |
| José Mancheño | .... | driver | |
| Ángel Megino | .... | transportation (as Angel Megino) | |
Other crew | |||
| Emilio Ardura | .... | tapestry | |
| Paco Ardura | .... | animal consultant (as Francisco Ardura) | |
| Fernanda Arnal | .... | production secretary | |
| Juan Carlos Caro | .... | second production assistant | |
| Tomás Corrales | .... | assistant to director | |
| Juan Carlos Garrido | .... | location manager | |
| Alicia González | .... | title assistant: Studio Gatti | |
| Marisa Ibarra | .... | script girl | |
| Alfonso Jadraque | .... | permissions | |
| Carlos Lázaro | .... | second production assistant | |
| Alicia Moreno | .... | cashier | |
| Alejandro Vázquez | .... | production assistant | |
| Juan Gatti | .... | title designer (uncredited) | |
Thanks | |||
| Mariano García | .... | acknowledgment | |
| Juan Luis Lábano | .... | acknowledgment | |
|
|
|
|
|
| La hija del caníbal | Tacones lejanos | La ley del deseo | Todo sobre mi madre | Carne trémula |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Spain section |
| Add this title to MyMovies |
An interesting Spanish comedy, the film's humour is derived mostly from the events being so absurd. Some aspects are overly ridiculous, but it is still very entertaining stuff, executed in a lively manner with an appropriately fast pace and suitable music choices. It is constantly interesting on a visual level, with vibrant colours, creative camera angles, and a lot of framing and close-up shots. The action is a bit frantic and the plot is a little too convoluted, but the film maintains an almost fantasy-like atmosphere, in which it feels like anything is possible, and this quality makes it an enjoyable, unique watch. It is hard to say if Almodóvar is trying to say anything at all here, as there are some ideas raised about consequences that are not explored in much depth. Still, the originality of it all keeps it afloat, and it is certainly quite an unusual (in a positive sense) cinematic experience.