Married to the Mob (1988)

User Rating:

6.0/10   

Director:

Jonathan Demme

Writers (WGA):

Barry Strugatz (written by) &
Mark R. Burns (written by)

Release Date:

19 August 1988 (USA)

Genre:

Comedy | Crime | Romance

Tagline:

It's the Godfather on laughing gas.

Plot:

An undercover FBI agent falls in love with a recently widowed mafia wife seeking to start her life over after her husband's murder and who is also pursued by a libidinous mafia kingpin seeking to claim her for himself.

Plot Keywords:

Mafia | FBI | Love | Murder | Mistress

Awards:

Nominated for Oscar. Another 4 wins & 3 nominations

Cast

Paul Lazar	...	Tommy Boyle
Alec Baldwin	...	'Cucumber' Frank de Marco
Captain Haggerty	...	The Fat Man
Marlene Willoughby	...	Mrs. 'Fat Man'
Frank Aquilino	...	Conductor
Charles Napier	...	Ray, Angela's Hairdresser
Michelle Pfeiffer	...	Angela de Marco
Joan Cusack	...	Rose
Ellen Foley	...	Theresa
O-Lan Jones	...	Phyllis
Mercedes Ruehl	...	Connie Russo
Jason Allen	...	Tony Russo, Jr
Diane Puccerella	...	Three-Card Monte Victim
Suzanne Puccerella	...	Three-Card Monte Victim
Anthony J. Nici	...	Joey de Marco

Runtime:

103 min | Germany:92 min | Argentina:99 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Iceland:L | Argentina:13 | Australia:M | Finland:K-16 | Peru:14 | Spain:T | Sweden:15 | UK:15 | USA:R | West Germany:16 | Canada:AA (Ontario)

Filming Locations:

Cedarhurst, Long Island, New York, USA

Company:

Mysterious Arts

Trivia:

The apartment complex where Angela moves to in New York is the same complex used in Child's Play (1988).

Goofs:

Boom mic visible: In Miami, when Angela and Tony are exchanging jewelry on the balcony, we see a fuzzy mike cover in the bottom of the shot.

Quotes:

Angela de Marco: God, you people work just like the mob! There's no difference.
Regional Director Franklin: Oh, there's a big difference, Mrs. de Marco. The mob is run by murdering, thieving, lying, cheating psychopaths. We work for the President of the United States of America.

Movie Connections:

Referenced in "The Simpsons: Treehouse of Horror XVII (#18.4)" (2006)

Soundtrack:

GHOST IN A BIKINI

Still on my list of all-time favorites, after all these years!

This is a fun movie with subtle intention. Its off-beat comedy is hilarious to me, unfunny to my friends. The soundtrack is perfect.

I own this on VHS and I have watched it many, many times, because it's simply a fun and funny love story with great performances by all the principals (though using Joan Cusack solely as a perch for big hair was a waste of her talent. I know, I know, she was still young...).

On a sad note, I decided to check out the DVD last night (instead of watching my VHS tape), and was SHOCKED to find many crucial scenes cut. And on the copy I watched, there was no special feature of deleted scenes: it was as if the deleted scenes never existed!! I am so glad I bought the used VHS at a flea market.

It is clear there was a great deal of choreography in this, which is another reason I love it so much. It takes great skill, talent, and genius to move around the scenes like Mercedes Ruehl, Dean Stockwell, and Matthew Modine do from scene to scene (Note the scene when the grocery carts converge, the rolling on the floor during the shoot-out in Miami, the Chicken Lickin' debacle, the foot massage, the salon hair-washing.) There is a very "theatrical" feel to this film, which may be the turn-off for so many whose poor reviews follow: I know some viewers who don't quite understand this style mistake the exaggerations and over-the-top performances for poor acting and worse direction. Not so. Jonathan Demme does a great job bringing to life the entire company and their respective roles.

The opening credits and first scene rank among my all-time favorites, as well (another favorite opening credits/first scene: Fly Away Home).

Too bad Matthew Modine so ardently skipped out of the public eye; I really like him, and found his casting PERFECT in the role of Mike Smith. Actually, this film is well-cast from soup to nuts: everyone is believable and true to his role. As for the question of expecting audience to accept Pfeiffer and Stockwell as Italians - why not? I thought they pulled it off perfectly well.

Charming, fun, exciting... what is there not to like? If you want a little fun, watch this quirky, colorful adventure-mob-love story. If you are looking to learn more about organized crime and families, tune to HBO's The Sopranos.