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Krótki film o zabijaniu (1988)
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Overview
Release Date:
26 October 1988 (France) morePlot:
The plot couldn't be simpler or its attack on capital punishment (and the act of killing in general) more direct - a senseless... more | add synopsisAwards:
7 wins & 1 nomination moreUser Comments:
Perhaps the best film I've seen in a long time moreCast
(Credited cast)| Miroslaw Baka | ... | Jacek Lazar | |
| Krzysztof Globisz | ... | Piotr Balicki (Advocate) | |
| Jan Tesarz | ... | Waldemar Rekowski (Taxi driver) | |
| Zbigniew Zapasiewicz | ... | Przewodniczacy Komisji | |
| Barbara Dziekan | ... | Bileterka | |
| Aleksander Bednarz | ... | Kat | |
| Jerzy Zass | ... | Naczelnik | |
| Zdzislaw Tobiasz | ... | Judge | |
| Artur Barcis | ... | Young Man | |
| Krystyna Janda | ... | Dorota | |
| Olgierd Lukaszewicz | ... | Andrzej | |
| rest of cast listed alphabetically: | |||
| Leonard Andrzejewski | |||
| Wieslaw Bednarz | |||
| Zbigniew Borek | |||
| Ryszard W. Borsucki | |||
| Wladyslaw Byrdy | |||
| Andrzej Gawronski | |||
| Iwona Glebicka | |||
| Henryk Guzek | |||
| Elzbieta Helman | ... | Beatka | |
| Boguslaw Hubicki | |||
| N. Kowalczykowa | |||
| Henryk Lapinski | |||
| Krzysztof Luft | |||
| Maciej Maciejewski | ... | Prosecutor | |
| Marzena Manteska | |||
| Borys Marynowski | |||
| Andrzej Mastalerz | |||
| Marlena Miarczynska | |||
| Jolanta Mielech | |||
| Bogdan Niewinowski | |||
| Malgorzata Pieczynska | |||
| Lech Pietrasz | |||
| Zbigniew Plato | |||
| Zdzislaw Rychter | |||
| Krzysztof Stelmaszyk | |||
| Cezary Switkowski | |||
| Maciej Szary | |||
| Alicja Wolska | |||
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
84 minCountry:
PolandLanguage:
PolishColor:
ColorAspect Ratio:
1.66 : 1 moreSound Mix:
MonoCertification:
Iceland:16 | Argentina:16 | Australia:MA (original rating) | Australia:M (DVD rating) | Chile:18 | Finland:K-16 | France:-12 | Singapore:M18 | South Korea:18 | UK:18MOVIEmeter: 
Fun Stuff
Trivia:
Kieslowski's graphic depiction of the effects of violence so shook up the Polish authorities that they declared a five year moratorium on capital punishment. moreFAQ
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If it wasn't for the fact that I saw Bergman's The Seventh Seal today, I could wholeheartedly state that director Krzysztof Kieslowski's A Short film about Killing is without a doubt the best film I have seen in a long time. Originally made as part of Kieslowski's series of TV dramas Dekalog, dramatising and updating the Ten Commandments, A Short film about Killing details the bleak story of a young man, who in the heat of the moment murders a detestable taxi driver. When I say bleak, that's really an understatement, this is one of the most downbeat films ever made, with it's specially printed photography and dreary Polish locations Kieslowski makes it clear that this is not going to be an easy film to sit through, and although there is not an upbeat moment in the entire running time, we still find ourselves compelled to watch, compelled to listen to what Kieslowski is trying to say.
The first image of A Short film about Killing is, appropriately enough a dead cat. Hanging from a railing as the title is superimposed on the screen. We are then introduced to the three characters that will play the important roles in the story, the killer (Miroslaw Baka), the victim (Jan Tesarz) and the young barrister set the task of following the case when the murder reaches the court (Krzysztof Globisz). Each of these people's lives are set up simultaneously, with the use of crosscutting, sometimes their separate paths cross briefly, but never fully meeting until the end of the films first act, which climaxes with one of the most brutal murder scenes ever committed to film. With this scene, I believe that Kieslowski is showing the audience that the act of killing is not as easy as shown in Hollywood movies and daytime TV, the fact the scene goes on for as long as it does gives the viewer an idea of just how loathsome an act of murder is.
The final act of the film may not be as strong as act one, but the point of Kieslowski's argument begins to become clear. An almost unplanned act of random violence is enough for the state to put all of their time and effort into the trial and subsequent execution of the murderer. By the final act, with the killer hanging from the neck, Kieslowski's draws parallels between the dead cat from the opening credits. The point being, does this murder actually stand for anything? This is a powerful film that will linger long in your mind and with stand out performances from all concerned, especially Miroslaw Baka whose display of emotion at the climax of the story is nothing short of brilliant. Without a doubt one of the greatest films ever made. 10/10