| Photos (see all 2 | slideshow) | Videos (see all 2) |
| Helmut Berger | ... | Dr. Frank Flamand | |
| Brigitte Lahaie | ... | Nathalie | |
| Telly Savalas | ... | Terry Hallen | |
| Christopher Mitchum | ... | Sam Morgan (as Chris Mitchum) | |
| Stéphane Audran | ... | Mme Sherman / Mrs. Sherman | |
| Caroline Munro | ... | Barbara Hallen | |
| Christiane Jean | ... | Ingrid Flamand | |
| Anton Diffring | ... | Dr. Karl Heinz Moser | |
| Tilda Thamar | ... | Mme François / Mrs. Francois | |
| Howard Vernon | ... | Dr. Orloff | |
| Florence Guérin | ... | Herself / Florence Guérin | |
| Gérard Zalcberg | ... | Gordon | |
| Henri Poirier | ... | Commissaire Legris / Insp. Legros | |
| Laure Sabardin | ... | La réceptionniste / The receptionist | |
| Amelie Chevalier | ... | Mélissa (as Amélie Chevalier) | |
| Marcel Philippot | ... | Maxence | |
| Tony Awak | ... | Doudou | |
| Mony Dalmès | ... | La Baronne / Baroness | |
| Doris Thomas | ... | La cantatrice / The singer | |
| Daniel Beretta | ... | L'homme du bois de Boulogne | |
| Antonina Laurent | ... | Karen | |
| Isabelle Cnokaert | ... | Gina | |
| Nicky Gorska | ... | La femme au vitriol / Woman parking | |
| Jean Tolzac | ... | Le concierge de l'hôtel / Desk clerk | |
| Jacques Couderc | ... | L'employé à la morgue / Man in the morgue | |
| Pascale Vital | ... | La barmaid / The barmaid | |
| Lina Romay | ... | Mme Orloff / Mrs. Orloff | |
| Alain Barbier | ... | Rachid | |
| Thierry Fouques | ... | Le secrétaire / Secretary (as Thierry Foulques) | |
| Daniel Grimm | ... | Wallace |
Directed by | |||
| Jesus Franco | |||
Writing credits(in alphabetical order) | ||
| René Chateau | writer (as Fred Castle) | |
| Dominique Eudes | writer (uncredited) | |
| Jesus Franco | writer (uncredited) | |
| Michel Lebrun | writer (uncredited) | |
| Jean Mazarin | writer (uncredited) | |
| Pierre Ripert | writer (uncredited) | |
Produced by | |||
| René Chateau | .... | producer | |
Original Music by | |||
| Romano Musumarra | |||
Cinematography by | |||
| Jean-Jacques Bouhon | |||
| Maurice Fellous | |||
Film Editing by | |||
| Christine Pansu | |||
Production Design by | |||
| Bernard Ciberot | |||
Set Decoration by | |||
| Yan Arlaud | |||
Second Unit Director or Assistant Director | |||
| Élisabeth Parnière | .... | first assistant director | |
| Géraldine Petrovic | .... | second assistant director | |
| Lina Romay | .... | second unit director (uncredited) | |
Sound Department | |||
| Jean-Louis Ducarme | .... | sound | |
| Fred Mays | .... | post-synchronization | |
Special Effects by | |||
| Jacques Gastineau | .... | special effects | |
Camera and Electrical Department | |||
| François Hernandez | .... | assistant camera | |
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| News articles | IMDb Horror section | IMDb Spain section |
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I never thought I would see the day when I would award a high rating to a Jess Franco movie, but Faceless proved to be far better than any of the director's other output that it has been my misfortune to see.
Helmut Berger plays Dr. Frank Flamand, a renowned plastic surgeon desperately searching for a way to restore his sister's beauty after she is terribly scarred in an acid attack. Since this is a Franco flick, this means removing the faces of unwilling donors, who have been abducted by Frank's sexy assistant Nathalie, and transplanting them onto his disfigured sister.
When top model Barbara Hallen (Caroline Munro) is selected by the nutty physician as a possible donor, and snatched mid-assignment, her father (Telly Savalas) hires a tough private eye to find her.
Franco delivers a quality piece of sleaze, laden with nudity, lesbianism, rape, torture, gratuitous gore and bizarre characters (which include an extremely camp photographer, the doctor's hulking sidekick and a Nazi surgeon). Working with a higher budget than usual and a quality cast, the director avoids his usual pitfallsdull, meandering story lines with dreadful editing and camera-workand gives the audience a gleefully OTT gore-fest with some occasional unintentionally-hilarious moments for good measure (the 'private eye versus muscle-man' fight scene, for example).
The effects are particularly gruesome and pretty realistic and include such delights as a syringe in the eye (in glorious close-up), a botched face transplant, a drill in the head, and a nice scissors-through-the-throat scene.
Franco also proves once again that he has an eye for beautiful women; loads of great looking ladies populate the movie, and although they don't get completely naked, they do wear some rather fetching skimpy underwear.
I'm still finding it hard to believe, but I have no hesitation in recommending this movie to all fans of horror and sleaze.