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Tod Carroll (written by)
10 August 1988 (USA) more
Thirty remarkable days in the life of an ordinary man.
Michael Keaton plays Daryl Poynter, a hot shot real estate agent who just happens to have a cocaine and drinking problem... more | full synopsis
1 win more
My Name is Roger, and I'm an alcoholic
(From Roger Ebert's Blog. 4 September 2009, 8:47 AM, PDT)
Superb movie, anchored by a powerhouse starring performance... more (29 total)
| Michael Keaton | ... | Daryl Poynter | |
| Kathy Baker | ... | Charlie Standers | |
| Morgan Freeman | ... | Craig | |
| Tate Donovan | ... | Donald Towle | |
| Henry Judd Baker | ... | Xavier | |
| Claudia Christian | ... | Iris | |
| J. David Krassner | ... | Tiller | |
| Dakin Matthews | ... | Bob | |
| Mary Catherine Martin | ... | Cheryl Ann | |
| Patricia Quinn | ... | June (as Pat Quinn) | |
| Terri Hanauer | ... | Admissions Counsellor | |
| David A. Kimball | ... | Doctor | |
| Veronica Redd | ... | Head Nurse - Detox | |
| Sharie Doolittle | ... | Nurse | |
| Sharon Medearis | ... | Nurse | |
| Nick Savage | ... | Gary 'Ike Turner' | |
| Sandra Foster | ... | Xavier's Girlfriend | |
| M. Emmet Walsh | ... | Richard Dirks | |
| Luca Bercovici | ... | Lenny | |
| Pamela Dunlap | ... | Jane | |
| Leslie Neale | ... | Sheila | |
| Brian Benben | ... | Martin Laux | |
| Anne Kerry Ford | ... | Debbie Laux | |
| Ben Piazza | ... | Kramer | |
| Michael Francis Clarke | ... | Board Executive #1 | |
| Doug MacHugh | ... | Board Executive #2 | |
| Claudia Robinson | ... | Cleaning Lady | |
| Harley Jane Kozak | ... | Ralston Receptionist (as Harley Kozak) | |
| Rachel Ryan | ... | Karen Peluso (as Serina Robinson) | |
| Al Pugliese | ... | Detective | |
| Stephanie Menuez | ... | Ticket Agent | |
| Michael Leopard | ... | Steel Mill Foreman | |
| Douglas Roberts | ... | Mark | |
| Jean Nash | ... | Rita |
Directed by | |||
| Glenn Gordon Caron | |||
Writing credits(WGA) | ||
| Tod Carroll | (written by) | |
Produced by | |||
| Deborah Blum | .... | producer | |
| Tod Carroll | .... | associate producer | |
| Jay Daniel | .... | co-producer | |
| Tony Ganz | .... | producer | |
| Ron Howard | .... | executive producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| Jan Kiesser | (director of photography) | ||
Film Editing by | |||
| Richard Chew | |||
Casting by | |||
| Glenn Daniels | |||
| Marion Dougherty | |||
Production Design by | |||
| Joel Schiller | |||
Art Direction by | |||
| Eric Orbom | (as Eric W. Orbom) | ||
Set Decoration by | |||
| Donald J. Remacle | (as Don Remacle) | ||
Costume Design by | |||
| Robert Turturice | |||
Makeup Department | |||
| Vivian McAteer | .... | hair stylist | |
| Bob Mills | .... | makeup supervisor (as Robert Mills) | |
Production Management | |||
| Robert Latham Brown | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Nilo Otero | .... | second assistant director | |
| Tracy Rosenthal-Newsom | .... | second second assistant director (as Tracy Rosenthal) | |
| James Simons | .... | first assistant director | |
Art Department | |||
| Larry Haney | .... | lead person | |
| Jerry Moss | .... | property master | |
| Greg Papalia | .... | set designer | |
| Ken Peterson | .... | assistant property master (as Kenny Peterson) | |
| Anthony Tomeo | .... | standby painter (as Tony Tomeo) | |
| Mort Zwicker | .... | construction coordinator | |
| Craig B. Ayers Sr. | .... | greensman (uncredited) | |
| John Cassel | .... | propmaker (uncredited) | |
| Johnnie Jenkins | .... | construction accountant (uncredited) | |
| Joseph Musso | .... | production illustrator (uncredited) | |
Sound Department | |||
| Lon Bender | .... | supervising sound editor (as Lon E. Bender) | |
| David E. Campbell | .... | sound re-recording mixer (as Dave Campbell) | |
| William Dotson | .... | sound editor | |
| George Fredrick | .... | sound editor | |
| Penny Lee Hallin | .... | assistant sound editor | |
| Devon Heffley Curry | .... | ADR supervisor (as Devon Heffley-Curry) | |
| Robert Jackson | .... | boom operator | |
| Ron Judkins | .... | production sound mixer | |
| Kelly Oxford | .... | assistant sound editor (as Kelley Oxford) | |
| John T. Reitz | .... | sound re-recording mixer (as John Reitz) | |
| Dan M. Rich | .... | sound editor (as Dan Rich) | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Frank Smathers | .... | sound editor | |
| Linda Whittlesey | .... | sound editor | |
Special Effects by | |||
| Richard Ratliff | .... | special effects supervisor | |
Stunts | |||
| Freddie Hice | .... | stunt personnel (as Fred Hice) | |
| Chris Howell | .... | stunt coordinator | |
| Chris Howell | .... | stunt personnel | |
| Harry Madsen | .... | stunt personnel | |
| Beth Nufer | .... | stunt personnel | |
| Rick Seaman | .... | stunt personnel (as Rick Seamen) | |
Camera and Electrical Department | |||
| Lou Barlia | .... | camera operator: Philadelphia | |
| Rick Borchardt | .... | key grip | |
| Ophelious Braxton | .... | second grip | |
| Ed Brown | .... | first assistant camera: Philadelphia | |
| Edward R. Brown | .... | first assistant camera: Philadelphia (as Ed Brown) | |
| R. Michael De Chellis | .... | assistant chief lighting technician | |
| Eric Engler | .... | camera operator | |
| Michael Gershman | .... | camera operator | |
| Matt McAnany | .... | electrician | |
| Sol Negrin | .... | camera operator: Philadelphia | |
| Barry Oiffer | .... | first assistant camera: Philadelphia | |
| Aaron Pazanti | .... | first assistant camera | |
| Robert Samuels | .... | second assistant camera | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Clyde Smith | .... | dolly grip | |
| Christopher C. Strong | .... | chief lighting technician (as Chris Strong) | |
| Randy Woodside | .... | additional lighting technician | |
Costume and Wardrobe Department | |||
| Mari Grimaud | .... | wardrobe: women (as Mary Grimaud) | |
| Robert Q. Mathews | .... | wardrobe: men | |
Editorial Department | |||
| Thomas R. Bryant | .... | assistant film editor (as Thomas Bryant) | |
| Albert Coleman | .... | first assistant editor | |
| Kristin McCray | .... | assistant film editor | |
Music Department | |||
| Robert Fernandez | .... | music scoring mixer (as Bobby Fernandez) | |
| Jim Harrison | .... | supervising music editor | |
| Georges Rodi | .... | orchestrator | |
| Bruce Babcock | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Tino Caira | .... | transportation captain | |
| Jim Chesney | .... | transportation coordinator | |
| John Armstrong | .... | car carrier driver (uncredited) | |
Other crew | |||
| Mary Courtney | .... | production secretary | |
| Thomas A. Davila | .... | assistant production accountant | |
| Charles R. Eulo Jr. | .... | office assistant (as Charles Eulo) | |
| Sonny P. Filippini | .... | script supervisor (as Sonny Filippini) | |
| Melissa Gelineau | .... | assistant: Mr. Daniel | |
| Dow Griffith | .... | location manager | |
| Gregory Harris | .... | assistant: Mr. Caron | |
| Michael Klastorin | .... | unit publicist | |
| Katie Ladyko | .... | assistant: Mr. Keaton | |
| M. David Lewis | .... | technical advisor: ASAP Family Treatment Program (as M. David Lewis M.D.) | |
| Victoria Lucas | .... | assistant: Mr. Ganz & Ms. Blum | |
| Barbara Millie | .... | production office coordinator: Philadelphia | |
| Susan Montgomery | .... | production accountant | |
| Ron Saffold | .... | craft service | |
| David Willis | .... | assistant: Mr. Caron | |
124 min
Color (Technicolor)
1.85 : 1 more
Iceland:12 | New Zealand:PG | Argentina:13 | Australia:M | Finland:K-12 | Sweden:11 | UK:15 | USA:R | Norway:15
Richard: I woke up one morning, and when I looked in the mirror I noticed my nose was bent over entirely onto one side of my face. So, I got a hammer, and started banging my nose back to a right angle with my face. Suddenly, I looked at myself in the mirror, hammer in hand, blood streaming down my chin, and I realized my life was no longer manageable. more
Referenced in Shadows of the Bat: The Cinematic Saga of the Dark Knight - The Gathering Storm (2005) (V) more
Tighten Up more
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Michael Keaton turned in the performance of his career in CLEAN AND SOBER, a somber, yet riveting 1988 drama which starred Keaton as Daryl Poynter, a go-getter real estate agent who is in complete denial about a serious problem he has with drugs and alcohol. A serious night of partying goes deadly wrong for Daryl and he finds himself a fugitive from the law and decides to hide out at a drug and alcohol rehabilitation center, aware of their rules regarding confidentiality. Daryl resists the program initially, still in denial, but eventually comes to realize that he is really an alcoholic and a drug addict and that he must deal with this realization if he ever wants to look at himself in the mirror again. This movie is gritty and uncompromising in its realistic depiction of drug and alcohol addiction and where the addiction can take you. Daryl is depicted breaking into his office looking for money as well as calling his parents asking them them to apply for a second mortgage on their house so that they can lend him the money. These scenes are frighteningly realistic for those who have dealt with addiction or have a loved one caught in the grips of addiction. Michael Keaton delivers a powerhouse performance, the best of his career, as Daryl, the big shot who sees his world crumbling around him and continues to deny what the root of the problem really is. Morgan Freeman gives his usual solid performance as the head counselor at the rehab center. Kathy Baker, Tate Donavan, and Claudia Christian also offer solid support as fellow rehab clients and M. Emmett Walsh plays Daryl's sponsor, a relationship Daryl accidentally stumbles into. If you have ever had a problem with drugs or alcohol or care about someone who does, CLEAN AND SOBER is an important film to see and ponder. The film doesn't answer all the questions that may come to mind about the disease of addiction, but it clearly shows where denial can take someone suffering from the disease A riveting and powerful film that should not be missed.