Full Metal Jacket (1987)

Director:

Stanley Kubrick

Writers:

Gustav Hasford (novel)
Stanley Kubrick (screenplay) ...

Release Date:

26 June 1987 (USA)

Genre:

Action | Drama | Thriller | War

Tagline:

An Epic Story of the Vietnam War [Australia Theatrical]

Plot:

A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal basic training to the bloody street fighting set in 1968 Hue, Vietnam.

Plot Keywords:

Towel | 1960s | Toilet | Obstacle Course | Crooner

Awards:

Nominated for Oscar. Another 5 wins & 5 nominations

Cast

Matthew Modine	...	Pvt. Joker
Adam Baldwin	...	Animal Mother
Vincent D'Onofrio	...	Pvt. Pyle
R. Lee Ermey	...	Gny. Sgt. Hartman (as Lee Ermey)
Dorian Harewood	...	Eightball
Kevyn Major Howard	...	Rafterman
Arliss Howard	...	Pvt. Cowboy
Ed O'Ross	...	Lt. Touchdown
John Terry	...	Lt. Lockhart
Kieron Jecchinis	...	Crazy Earl
Kirk Taylor	...	Payback
Tim Colceri	...	Doorgunner
Jon Stafford	...	Doc Jay (as John Stafford)
Bruce Boa	...	Poge Colonel
Ian Tyler	...	Lt. Cleves

Also Known As:

Stanley Kubrick's Full Metal Jacket (USA) (poster title)

Runtime:

116 min

Country:

UK | USA

Language:

English | Vietnamese

Color:

Color

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Ireland:15 (2007 Re-rating) | Hungary:18 | Portugal:M/16 | Italy:VM14 (re-rating on appeal) | UK:15 (2007 Re-rating) | Brazil:18 | Malaysia:U | Iceland:16 | Canada:R (Nova Scotia/Ontario) | Australia:MA (TV rating) | Italy:VM18 (original rating) | Canada:PA (Manitoba) | Canada:18A (DVD rating) | Argentina:18 | Australia:R | Canada:13+ (Quebec) | Finland:K-16 | France:-12 (original rating) | France:U (re-rating) | Hong Kong:III | Ireland:18 | Israel:16 | Japan:R-15 | Netherlands:16 | New Zealand:R16 | Norway:18 | Singapore:M18 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R | Vietnam:(Banned) | West Germany:16

Filming Locations:

Bassingbourn Barracks, Bassingbourn, Cambridgeshire, England, UK

Company:

Natant

Trivia:

Much, if not all, of R. Lee Ermey's dialogue during the Parris Island sequence was improvised. While filming the opening scene, where he disciplines Pvt. Cowboy, he says Cowboy is the type of guy who would have sex with another guy "and not even have the goddamned common courtesy to give him a reach-around". Stanley Kubrick immediately yelled cut and went over to Ermey' and asked, "What the hell is a reach-around?" Ermey politely explained what it meant. Kubrick laughed and re-shot the scene, telling Ermey to keep the line.

Goofs:

Continuity: When Hartman shuts off the lights for the first time in the barracks, he uses the four switches beside him. But when he enters to awaken the privates using the garbage can, he uses the single light switch outside the barracks room.

Quotes:

[first lines]
Gunnery Sergeant Hartman: I am Gunnery Sergeant Hartman, your senior drill instructor. From now on you will speak only when spoken to, and the first and last words out of your filthy sewers will be sir. Do you maggots understand that?
Recruits: Sir, yes sir!
Gunnery Sergeant Hartman: Bullshit I can't hear you. Sound off like you got a pair.
Recruits: SIR, YES SIR!

Movie Connections:

Referenced in "The Simpsons: Bart the General (#1.5)" (1990)

Soundtrack:

Wooly Bully

Kubrick's version of Vietnam

Stanley Kubrick always managed to bring something new to his palate whenever he made a film. He brought dark comedy to the screen with Dr. Stranglove, an epic story with Spartacus, and a film more important for its efforts than box office potential in the film Paths of Glory. This is what makes Full Metal Jacket so entertaining.

Humor, horror and political commentary are the themes which shape Full Metal Jacket. From the overbearing drill sergeant to the war loving soldiers. It all seems to make sense within this film, never overstepping its bounds or being to subtle. Kubrick may have alienated some his hardcore fans with such a mainstream-type story, but then again, he helped mainstream movies take a bold step. What doesn't the current cinema owe Kubrick?