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IMDb > Dao ma zei (1986)

Dao ma zei (1986)

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User Rating: 7.5/10 (145 votes)
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IMDb Coverage of Comic-Con 2008

Overview

Director:
Zhuangzhuang Tian
Writer:
Rui Zhang (writer)
Release Date:
6 January 1988 (USA) more
Genre:
Drama more
Plot:
The story of Norbu, a horse thief, who is thrown out of his tribe in an effort to purge it of evil. Norbu repents after the birth of his son... more | add synopsis
Awards:
1 win more
User Comments:
Stunning in its Elemental Power more

Cast

 (Complete credited cast)
Daiba ... Granny
Jiji Dan ... Dolma, wife
Drashi ... Grandfather
Gaoba ... Nowre
Jamco Jayang ... Tashi, son
Rigzin Tseshang ... Norbu
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Additional Details

Also Known As:
Dao ma tse
The Horse Thief
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Runtime:
UK:88 min | USA:88 min
Country:
China
Language:
Mandarin
Color:
Color
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono
Filming Locations:
Xian Province, China
MOVIEmeter: ?
^ 61% since last week why?

Fun Stuff

Movie Connections:
Featured in "Siskel & Ebert & the Movies: Best of the '90s" (2000) more

FAQ

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5 out of 7 people found the following comment useful:-
Stunning in its Elemental Power, 26 August 2002
Author: Howard Schumann from Vancouver, B.C.

Set in 1923 against the breathtaking Tibetan landscape, The Horse Thief describes the retribution visited upon a clan member who is stealing horses. With minimal plot or dialogue, it is essentially a meditation on the Tibetan's struggle for survival in a harsh and uncompromising environment. The film dramatizes both the everyday occurrences and the religious rituals that are part of the fabric of Tibetan life.

The simple tale involves Norbu (Rigzin Tseshang), a member of a clan, who is accused of stealing horses and temple goods to support his wife Dolma (Jiji Dan) and their adored young son Tashi (Jamco Jayang). To keep the clan cleansed of evil, Norbu and his family are ostracized and banished to assume the life of wanderers. Norbu and his family leave the clan but do not renounce their faith. Appealing for divine intervention to keep them alive, the family engages in Buddhist rituals such as turning the prayer wheels, masked ceremonial dances, and prostration to Buddha.

Ultimately, their nomadic existence takes a grim personal toll. At the point of starvation, Norbu has to eat the newly fallen snow to give him strength, and is forced to resume stealing to save his family from the cold winter. The conclusion is stunning in its elemental power.

Though I was deeply moved by Tian's despairing vision and awed by the film's gorgeous cinematography, I found The Horse Thief to be quite demanding to watch. The film moves very slowly with long, static shots during which the camera remains fixed for several minutes. Also, being unfamiliar with Tibetan culture, I sought more explanation of the significance of some rituals, for example, the grazing of sacred sheep and the dances using ceremonial masks. I feel, however, that The Horse Thief transcends specific cultural limitations and achieves a universal quality in its depiction of the importance of faith and the strength of family.

I would have liked to have seen The Horse Thief in the theater, and hear it spoken in the original Tibetan language (it was dubbed into Mandarin). Nonetheless, I am grateful for having received this authentic insight into Tibetan culture, something that is uncommon in these days of Chinese occupation. Watching this film was almost a furtive experience, like stealing a glimpse into a beautiful and haunting secret world and rediscovering what it means to be human.

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