Crossroads (1986)

User Rating:

6.6/10   

Director:

Walter Hill

Writer:

John Fusco (written by)

Release Date:

14 March 1986 (USA)

Genre:

Drama | Music | Mystery | Romance

Tagline:

'The Kid' keeps the legend alive....

Plot:

Ralph Macchio is Lightning Boy. A kid who can make a slide guitar sing. Blind Dog is an old pro who knows it. Together, they're headed to a place where deals are made. And legends are born.

Plot Keywords:

Guitar | Mississippi | Song | Legend | Deal With The Devil

Awards:

1 win

Cast

Ralph Macchio	...	Eugene Martone
Joe Seneca	...	Willie Brown
Jami Gertz	...	Frances
Joe Morton	...	Scratch's Assistant
Robert Judd	...	Scratch
Steve Vai	...	Jack Butler
Dennis Lipscomb	...	Lloyd
Harry Carey Jr.	...	Bartender
John Hancock	...	Sheriff Tilford
Allan Arbus	...	Dr. Santis
Gretchen Palmer	...	Beautiful Girl / Dancer
Al Fann	...	Pawnbroker
Wally Taylor	...	O.Z
Tim Russ	...	Robert Johnson
Tex Donaldson	...	John McGraw

Runtime:

98 min

Country:

USA

Language:

English

Color:

Black and White (partial) | Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:L | UK:15 | West Germany:12 | Finland:K-12 | Norway:11 | Sweden:11 | USA:R | Singapore:PG

Filming Locations:

Burbank, California, USA

Company:

Columbia Pictures Corporation

Trivia:

The Fender Telecaster Ralph Macchio carries along his hobo trek in the second half of the film is a 1970s CBS Fender with block lettering on the headstock. Very realistic for the film because not only were they affordable and easy to acquire (in the 1980s, that is), their heavy polyurethane finish made them near impervious to the tests of the road, as seen when Macchio and Seneca are walking through the rain, sleeping in barns, abandoned shacks and the outdoors. You could take a CBS Telecaster covered with snow, plug it in and it would play perfectly.

Goofs:

Audio/visual unsynchronized: When Eugene is walking up to the stage for the guitar duel at the end, we hear the sound of hard-soled shoes on the wooden floor. But in wide shots we see that he is wearing the same Nike tennis shoes that he's had on for the whole movie.

Quotes:

Willie Brown: The blues ain't nothin' but a good man feelin' bad, thinkin' 'bout the woman he once was with.

Movie Connections:

Referenced in Meat Loaf: Live with the Melbourne Symphony Orchestra (2004) (V)

One of the best Blues movies ever and Walter Hill's finest film

Other than "The Blues Brothers," I can't think of another modern film about the Blues as good as Walter Hill's "Crossroads." In the film, Ralph Macchio plays Eugene, an aspiring classical guitar prodigy at Julliard who is fascinated with the blues. He tracks down Willie Brown, one of the last living blues legends from the 40's, played by Joe Seneca. Eugene thinks Willie has the last song written by (real life) legendary Bluesman Robert Johnson, that was never recorded (the story is loosely tied to the life of Johnson). Eugene believes he can assist Willie is resurrecting the song and giving it to the world. However, Willie has other plans including teaching Eugene the true meaning of Blues music that requires a trip back to Willie's stomping ground on the Delta.

This is Hill's best film. Like "Crossroads", many of his films have interracial lead characters and Hill always gives a unique, honest slant on racism and social differences among these types of relationships (or if its an amicable relationship - the lack thereof). The script may be a little thin for some (Jami Gertz's character is a little weak, and she resorts to overacting too often), but Joe Seneca carries the movie with weathered grace as Eugene's fatigued hero who hopes of correcting his shady past in order to save his future. Ralph Macchio expertly plays a naive, impressionable teenager whose skill and love as a musician ultimately generates his confidence and even bull-headedness: he's a blues guitarist who knows what to play but not how to play it. And who can forget the "cutting heads" showdown at the end of the film? Eugene fights tool-and-nail against master guitarist Steve Vai as Jack Butler. The duel is ABSOLUTELY incredible, and no matter how many times I've seen it, I never get bored.

The tone and pacing of this film is tempered, quiet and casual, with none of its plot twists dipped in melodrama for maximum effect. Willie Brown's description of the South is never fully realized on screen, even it's bleakness is absent of any vivid cinematography, but this is overall a great film. As Willie tells Eugene late in the film, "Blues ain't nothin' but a good man feelin' bad." I love this movie!