| Photos (see all 35 | slideshow) | Videos (see all 4 NEW) |
| Arnold Schwarzenegger | ... | John Matrix | |
| Rae Dawn Chong | ... | Cindy | |
| Dan Hedaya | ... | Arius | |
| Vernon Wells | ... | Bennett | |
| James Olson | ... | Major General Franklin Kirby | |
| David Patrick Kelly | ... | Sully | |
| Alyssa Milano | ... | Jenny Matrix | |
| Bill Duke | ... | Cooke | |
| Drew Snyder | ... | Lawson | |
| Sharon Wyatt | ... | Leslie | |
| Michael Delano | ... | Forrestal (as Michael DeLano) | |
| Bob Minor | ... | Jackson | |
| Michael Adams | ... | Harris (as Mike Adams) | |
| Gary Cervantes | ... | Diaz (as Carlos Cervantes) | |
| Lenny Juliano | ... | Soldier | |
| Charles Meshack | ... | Henriques | |
| Chelsea Field | ... | Western Flight Attendant | |
| Julie Hayek | ... | Western Flight Attendant | |
| Hank Calia | ... | Latin Man | |
| Walter Scott | ... | Cates | |
| Greg Wayne Elam | ... | Biggs (as Gregory W. Elam) | |
| George Fisher | ... | Mall Security Guard | |
| Phil Adams | ... | Officer in Galleria | |
| Ava Cadell | ... | Girl in Bed at Motel | |
| Mikul Robins | ... | Boy in Bed at Motel | |
| Branscombe Richmond | ... | Vega | |
| Matt Landers | ... | Fred | |
| Peter DuPont | ... | Daryl | |
| Tom Simmons | ... | Kirby's Driver | |
| Bill Paxton | ... | Intercept Officer | |
| Richard Royce | ... | Intercept Officer | |
| John Reyes | ... | Val Verde Heavy | |
| Billy Cardenas | ... | Val Verde Heavy | |
| Edward Reyes | ... | Val Verde Heavy | |
| Vivian Daily | ... | Woman Officer | |
| Thomas Rosales Jr. | ... | Young Guerrilla | |
| Ronald C. McCarty | ... | Guerrilla | |
| Jim Painter | ... | Police Officer | |
| rest of cast listed alphabetically: | |||
| Rick Sawaya | ... | Island Guerrilla (uncredited) | |
Directed by | |||
| Mark L. Lester | |||
Writing credits | ||
| Jeph Loeb | (story) (as Joseph Loeb III) & | |
| Matthew Weisman | (story) and | |
| Steven E. de Souza | (story) | |
| Steven E. de Souza | (screenplay) | |
Produced by | |||
| Stephanie Brody | .... | co-associate producer | |
| Robert Kosberg | .... | co-associate producer | |
| Jeph Loeb | .... | associate producer (as Joseph Loeb III) | |
| Joel Silver | .... | producer | |
| Matthew Weisman | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Matthew F. Leonetti | |||
Film Editing by | |||
| Glenn Farr | |||
| Mark Goldblatt | |||
| John F. Link | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| John Vallone | |||
Set Decoration by | |||
| Robert Gould | |||
Makeup Department | |||
| Joe McKinney | .... | makeup artist | |
| William Turner | .... | makeup artist | |
| Joy Zapata | .... | hair stylist | |
Production Management | |||
| Larry Kostroff | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| K.C. Colwell | .... | second assistant director | |
| Bennie E. Dobbins | .... | second unit director | |
| Karen Gaviola | .... | dga trainee | |
| Beau Marks | .... | first assistant director (as Beau E.L. Marks) | |
| Brad Yacobian | .... | additional second assistant director | |
Art Department | |||
| Craig Baron | .... | set dresser | |
| William D. Derham | .... | lead man | |
| Bruce Di Valerio | .... | propmaker foreman (as Bruce DiValerio) | |
| Cal DiValerio | .... | construction coordinator | |
| Ron Esposito | .... | construction painter | |
| Douglas Forsmith | .... | set dresser | |
| Jaymes Hinkle | .... | production painter | |
| Nikita Knatz | .... | production illustrator | |
| Mark Lapotsky | .... | greensman | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| Daniel Maltese | .... | set designer (as Dan Maltese) | |
| David Q. Quick | .... | assistant property master (as David Quick) | |
| John M. Schenk | .... | assistant property master (as John Schenk) | |
| Tom Shaw Jr. | .... | assistant property master | |
| William Boyd | .... | construction foreman (uncredited) | |
Sound Department | |||
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| Gary Bolger | .... | foley recordist | |
| Fred J. Brown | .... | special sound effects (as Frederick J. Brown) | |
| Kevin E. Carpenter | .... | adr mixer (as Kevin Carpenter) | |
| Kevin F. Cleary | .... | sound re-recording mixer | |
| Mike O. Corrigan | .... | sound editor (as Michael Corrigan) | |
| Richard Corwin | .... | sound editor | |
| Evelyn Dutton | .... | foley artist | |
| Jim Fitzpatrick | .... | stereo sound consultant: Dolby | |
| William Hartman | .... | sound editor | |
| Craig Heath | .... | sound recordist | |
| Pieter Hubbard | .... | sound editor | |
| David M. Ice | .... | sound editor (as David Ice) | |
| Brent Johnson | .... | cable person | |
| Donald F. Johnson | .... | production sound mixer (as Don Johnson) | |
| Margie O'Malley | .... | foley artist (as Margie Denecke) | |
| Richard Overton | .... | sound re-recording mixer | |
| Glad Pickering | .... | adr editor | |
| Michelle Pleis | .... | assistant sound effects editor | |
| Hank Salerno | .... | supervising adr editor | |
| Ronald Sinclair | .... | adr editor (as Ron Sinclair) | |
| Gail Steele | .... | foley artist (as Gail Ganley Steele) | |
| Jules Strasser | .... | boom operator | |
| Tim Webb | .... | sound re-recordist | |
| Vic Zaslav | .... | adr recordist | |
Special Effects by | |||
| Doug Hubbard | .... | special effects | |
| Gary L. King | .... | special effects (as Gary King) | |
| Jay King | .... | special effects | |
| Roger Lifsey | .... | special effects | |
| Bill Mattox | .... | special effects | |
| Henry Millar | .... | special effects coordinator | |
| Mike Millar | .... | special effects | |
| John Peyser | .... | special effects | |
| Rick Thompson | .... | special effects (as Richard Thompson) | |
Visual Effects by | |||
| Jim Danforth | .... | matte artist (uncredited) | |
| Jim Danforth | .... | matte photographer (uncredited) | |
| Alan G. Markowitz | .... | visual effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Mark Averill | .... | dolly grip | |
| Lloyd Barcroft | .... | best boy | |
| Douglas E. Beal | .... | second assistant camera (as Doug Beal) | |
| Pat Blymyer | .... | best boy (as Patrick Blymyer) | |
| John Donnelly | .... | second company grip | |
| Bob Ellis | .... | best boy electric | |
| Robert Fiore | .... | lamp operator | |
| John R. Leonetti | .... | first assistant camera | |
| John J. Linder | .... | key grip (as John Linder) | |
| Bruce McBroom | .... | still photographer | |
| Tony Rivetti | .... | first assistant camera: "b" camera | |
| Michael St. Hilaire | .... | camera operator | |
| Edward R. Thompson Jr. | .... | best boy electric (as Ed Thompson) | |
| Frank D. Tobin | .... | lamp operator (as Frank Tobin) | |
| Joseph F. Valentine | .... | Steadicam operator (as Joe Valentine) | |
| Joseph F. Valentine | .... | camera operator: "b" camera (as Joe Valentine) | |
| Dave Wachtman | .... | dolly grip (as David Wachtman) | |
Casting Department | |||
| David Gonzales | .... | casting associate | |
| Jim Green | .... | extras casting | |
| Carl Joy | .... | extras casting | |
| Billy DaMota | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Kathie Gale | .... | costumer: women | |
| Enid Harris | .... | costumer | |
| Robert B. Harris | .... | costume supervisor (as Bob Harris) | |
| Louis Infante | .... | costumer: men (as Lou Infante) | |
Editorial Department | |||
| Paul Anderson | .... | assistant film editor | |
| Carrie Ellison | .... | assistant film editor | |
| Joseph Guresky | .... | assistant film editor | |
| Jack Hooper | .... | negative cutter | |
| David Jansen | .... | apprentice film editor | |
Music Department | |||
| Thomas A. Carlson | .... | assistant music editor (as Tom Carlson) | |
| Raechel Donahue | .... | vocal effects advisor | |
| Danny Goldberg | .... | special music consultant | |
| Jay Gruska | .... | music producer | |
| James Horner | .... | music producer | |
| Greig McRitchie | .... | orchestrator | |
| Ken Runyon | .... | music editor | |
| Dan Wallin | .... | music scoring mixer | |
Transportation Department | |||
| Whitey Ellison | .... | transportation coordinator | |
| Wayne Morris | .... | transportation captain | |
| James Nordberg | .... | transportation (uncredited) | |
Other crew | |||
| Anthony Blake Brand | .... | production assistant | |
| Dennis Chase | .... | craft service | |
| Robert C. Decker | .... | location manager (as Robert Decker) | |
| John Gamble | .... | helicopter pilot | |
| Debbie Gaudio | .... | assistant auditor | |
| Larry Hand | .... | production accountant | |
| Paul Hibler | .... | caterer | |
| Fred Inman | .... | police coordinator | |
| Herb Johnson | .... | pilot: Grumman Goose | |
| Howard Keys | .... | first aid | |
| Anita Lerner | .... | assistant: Arnold Schwarzenegger | |
| Richard Liebegott | .... | production coordinator | |
| Andrew Lipschultz | .... | publicity coordinator | |
| Peter McKernan | .... | helicopter pilot (as Peter McKernan Jr.) | |
| Peter McKernan Sr. | .... | helicopter pilot | |
| Steve McNichols | .... | production assistant | |
| Lisa Meechan | .... | production secretary | |
| John Panzarella | .... | location manager | |
| Leslie Paonessa | .... | assistant: Mark Lester | |
| George Parra | .... | apprentice location manager | |
| Ross Reynolds | .... | helicopter pilot | |
| Ron Rotholz | .... | assistant: Joel Silver | |
| Jim Schurmann | .... | head timer | |
| Arlene Singer | .... | teacher | |
| Charles A. Tamburro | .... | helicopter pilot (as Charles A. Tamburo) | |
| Michael Tamburro | .... | helicopter pilot (as Michael E. Tamburo) | |
| Cliff Taylor | .... | apprentice location manager | |
| Mary Thomas | .... | assistant: Joel Silver (as Mary C. Thomas) | |
| Elaine K. Thompson | .... | production associate | |
| Marion Tumen | .... | script supervisor | |
| Michael M. Vendrell | .... | martial arts specialist | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Jack Crain | .... | knife design/manufacturer (uncredited) | |
| Charles A. Tamburro | .... | aerial coordinator (uncredited) | |
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Rating: *** 1/2 out of ****
Every time I'm accused by friends of being too tough or too picky on action movies made for pure entertainment (i.e. the works of Jerry Bruckheimer), I point back and tell them to look no further than Mark L. Lester's Commando as the prime example of a pure macho classic and the standard by which all mindless action cinema should be judged.
In its own simplistic ways, Commando is actually the epitome of Arnold Schwarzenegger. Whenever we think of the Austrian muscle-bound star's films; gun battles, fist fights, deadpan one-liners, a total lack of plot, and a ridiculously high body count come to mind. Commando represents all this, directed with high energy flair and a great sense of fun.
Schwarzenegger stars as John Matrix, a former commando who lives in the mountains with his young daughter (Alyssa Milano). Matrix's former teammates are being knocked off one-by-one at the orders of a Latino dictator (Dan Hedaya) who wants Matrix to assassinate a popular South American leader so that he can be instilled back in power. As incentive, Matrix's daughter is kidnapped by renegade military, led by Bennett (Vernon Wells), who was once part of Matrix's team. As soon as Matrix boards his flight, he kills his escort, leaps off the plane, and begins his eleven-hour search for his daughter. Inexplicably joining his search is a flight attendant (Rae Dawn Chong) who gets mixed up in this whole mess.
Commando is one of those critically berated movies that only concerns itself with giving its target audience a good time. Running at a lightning fast ninety minutes, the film is packed to the gunnels with explosive action sequences and quotable one-liners. In fact, the lines are so fun, I have a hard time choosing my favorites. Here are a few examples: "I eat green berets for breakfast and I'm very hungry,""Remember when I said I'd kill you last? I lied," and "Let off some steam, Bennett!"
The script is mindless and idiotic, but serves its purpose by providing just enough plot and enormously entertaining one-liners to keep the momentum from ebbing. There are also plenty of noticeable continuity errors (ask yourself how a guy standing behind a railing atop a balcony could be hit with shotgun pellets without the railing taking the slightest bit of damage!), but that just adds to the movie's list of unique charms.
But you don't watch Commando for plot or technical brilliance, you watch it to see Arnold acting as a one-man army, mowing down scores of enemy thugs and soldiers. Whether it's through the movie's various shootouts, fistfights, or chases, the movie delivers thrilling action one scene after another. The climactic battle sequence, in which he single-handedly takes on at least a hundred men, will either make or break the film for you. Me, I had a blast watching Arnold inflict his brand of justice upon these nasty villains. Unless you don't like Arnold or over-the-top action films, it's unlikely you'll find Commando boring.
Schwarzenegger's charismatic and hugely likable screen presence is undeniable, and his delivery of those classic one-liners is perfect. Luckily, the movie has an equally strong villain in Vernon Wells, who delights in chewing the scenery and generally acting as insane as possible in any given situation. From his manic facial expressions to his questionable tastes in clothing, Wells makes Bennett one of the few villains that really stand out in an Arnold flick. You know the movie's going to boil down to a one-on-one fight between the two, and it's one of those fight scenes where each one takes his turn beating the crud out of the other without one ever truly having the upper hand until the very end (when, obviously, one of them's got to be dead).
For pure mindless mayhem, Commando is a perfect choice for Saturday night entertainment. I first saw the film on its network broadcast premiere, and distinctly remember that in the scene where Arnold hides in the garden house (which is the film's goriest part), the movie is edited in such a way that it appears only one man approaches the house instead of six!