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Love Streams (1984)
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Overview
Release Date:
24 August 1984 (USA) morePlot:
The film describes a few days in the life of the writer Robert Harmon (John Cassavetes) and his sister Sarah (Gena Rowlands)... more | add synopsisPlot Keywords:
Awards:
4 wins moreUser Comments:
Masterpiece moreCast
(Credited cast)| Gena Rowlands | ... | Sarah Lawson | |
| John Cassavetes | ... | Robert Harmon | |
| Diahnne Abbott | ... | Susan | |
| Seymour Cassel | ... | Jack Lawson | |
| Margaret Abbott | ... | Margarita | |
| Jakob Shaw | ... | Albie Swanson | |
| Eddy Donno | ... | Stepfather Swanson | |
| Joan Foley | ... | Judge Dunbar | |
| Al Ruban | ... | Milton Kravitz | |
| Tom Badal | ... | Sam the lawyer | |
| rest of cast listed alphabetically: | |||
| Julie Allan | ... | Charlene | |
| Doe Avedon | ... | Mrs. Kiner | |
| Frank Beetson | ... | Cashier | |
| Neil Bell | ... | The Dog Man | |
| Gregg Berger | ... | Taxi Driver | |
| Risa Blewitt | ... | Debbie Lawson | |
| Bronwyn Bober | ... | Jeanine | |
| Tony Brubaker | ... | Frank | |
| Logan Carter | ... | Female Impersonator | |
| Alexandra Cassavetes | ... | Backup Singer | |
| Jak Castro | ... | Bit Part | |
| Michele Conway | ... | Agnes Swanson | |
| Dominique Davalos | ... | Backup Singer | |
| Cindy Davidson | ... | Annette | |
| Raphael De Niro | ... | Billy | |
| Barbara DiFrenza | ... | Mary | |
| François Duhamel | ... | French Porter | |
| Joan Dykman | ... | Phyllis | |
| George Endoso | ... | House Man | |
| Robert Fieldsteel | ... | Dr. Williams | |
| John Finnegan | ... | Taxi Driver | |
| Michael O. Gallant | ... | Bit Part | |
| Leonard P. Geer | ... | Lenny | |
| Leslie Hope | ... | Joanie | |
| Jamie Horton | ... | Porter | |
| Jim W. Jones | ... | Taxi Driver | |
| Kelly Lawrence | ... | Female Impersonator | |
| Joe Le Flore | ... | Bit Part | |
| Renee Le Flore | ... | Renee | |
| Avraham Leibman | ... | Porter | |
| Al Lopez | ... | Bit Part | |
| Victoria Morgan | ... | Laurie | |
| Christopher Morley | ... | Female Impersonator | |
| Hugo Napton | ... | Ben the Bartender | |
| Christopher O'Neal | ... | Phyllis George Delano | |
| Phedon Papamichael | ... | Taxi Driver | |
| John Qualls | ... | Taxi Driver | |
| John Roselius | ... | Ken | |
| David Rowlands | ... | The psychiatrist (as Dave Rowlands) | |
| Dean Shindel | ... | Bit Part | |
| Michael Stein | ... | Porter | |
| Jessica St. John | ... | Dottie | |
| William C. Thompson | ... | Porter | |
| Susan Wolf | ... | Jade Meadows Swift | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
141 minCountry:
USALanguage:
EnglishColor:
Color (Metrocolor)Sound Mix:
MonoCertification:
Iceland:L | Argentina:13 | Australia:M | Finland:K-12 | Sweden:15 | UK:15 | USA:PG-13MOVIEmeter: 
Fun Stuff
Trivia:
Jon Voight originated the role of Robert Harmon in the stage play and was originally slated to reprise his role in the film, but left the production due to scheduling conflicts and "creative differences" with Cassavetes. moreFAQ
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Discuss this title with other users on IMDb message board for Love Streams (1984)| Recent Posts (updated daily) | User |
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| A rough diamond . . . | asidsmith |
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After "Faces", the Cassavetes' experiment that created a revolution of form (cinema verite used for fictional narrative when this was absolutely 'unacceptable' in Hollywood), "Love Streams" gets my vote for his very best work, and one of his two or three true masterpieces. Both John and Gena give the performances of their lives, using their history with each other to create a natural intimacy as brother and sister that is second to none. John also knew he was dying and gave everything left of himself for the camera, and as filmmaker. The project was developed from a play and performed many times in front of audiences with Jon Voight in the lead: another experiment that delivered a unique depth to the material; and after seeing both the play and the movie, I'd say John taking over for Jon was an inspired decision by both of them. When the movie came out, it only played about a week (to comply with a contract with Cannon) before being shelved, not even put out on the art theater or revival circuit. I actually worked at Cannon, where rumor had it that Golem was punishing John for not cutting even a minute out of the long movie. Imagine cutting a masterpiece for just a few more screenings! "Love Streams" should eventually find its way to the recognition that it is one of American cinema's greatest achievements.